VALUTAZIONE IMDb
5,7/10
3719
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA retired CIA agent is recruited to participate in a prisoner exchange with the Russians.A retired CIA agent is recruited to participate in a prisoner exchange with the Russians.A retired CIA agent is recruited to participate in a prisoner exchange with the Russians.
Recensioni in evidenza
Almost retired CIA spy Boyd (Gene Hackman) is called back to service to bring prisoner Grushenko (Mikhail Baryshnikov) to Russia as part of a prisoner exchange. from the beginning, Grushenko is suspicious, so maybe that's foreshadowing. and of course, a designated meeting goes bad, and "someone" is shooting at them. when Boyd calls DC for instructions, his boss turns out to be Kurt Smith, "Red" from the Seventies Show. Acc to wikipedia and other sources, there were soooo many issues making this film... an unfinished script, the fact the USSR was already kaput, and cast and production disagreements. it's also odd that both IMDB and wikipedier label this an action comedy.... i'll go along with the action, but never did hear the comedy. it's pretty well done as a serious action/drama, which is how the actors play it. the ending is pretty weak. there are a couple twists and turns, but it kind of ends with a whimper. no big showdown. which is ok. very european. written and directed by Nicholas Meyer. it's good. but it's not a comedy.
Pretty good spy movie more realistic than many other spy flicks. Plausible story with dozens of typical Hollywood digs at
America, American institutions in and out of the government and American allies- mostly overt digs but some covert ones too. If you ignore them, or more likely don't even notice them, this is a very watchable bit of entertainment. Good cinematography, sometimes reminiscent of Hitchcock, and action keeps you interested in the story. Hackman and Baryshnikov work and play well together.
Gene Hackman is Sam Boyd, an old CIA agent who is dragged back into "Company Business" in this 1991 film also starring Mikhail Baryshnikov.
Boyd has to funnel money to the Russians using a prisoner switch as an excuse, but it all goes awry when, during the exchange, he realizes the prisoner the Russians are sending over is someone he just saw at the airport. He aborts the switch immediately.
He and his Russian (Baryshnikov) are directed to a safe house, but when it blows up, Hackman realizes the CIA wants both of them dead. So they go on the run with $2 million.
This film had a light, breezy atmosphere to it, and the two stars play it sort of like an "I Spy" episode. It's not an out and out comedy but it's pleasant and implausible enough.
Someone thought that the "big reveal" about the young woman helping the two in France made the thing truly ridiculous - I don't know why. Baryshnikov at the time of the filming was 43, and the young woman (Geraldine Danon) was 23. What's the problem?
Great locations in Berlin and France, good acting, and some exciting scenes. Fun if you're not expecting "The Spy Who Came in from the Cold."
Boyd has to funnel money to the Russians using a prisoner switch as an excuse, but it all goes awry when, during the exchange, he realizes the prisoner the Russians are sending over is someone he just saw at the airport. He aborts the switch immediately.
He and his Russian (Baryshnikov) are directed to a safe house, but when it blows up, Hackman realizes the CIA wants both of them dead. So they go on the run with $2 million.
This film had a light, breezy atmosphere to it, and the two stars play it sort of like an "I Spy" episode. It's not an out and out comedy but it's pleasant and implausible enough.
Someone thought that the "big reveal" about the young woman helping the two in France made the thing truly ridiculous - I don't know why. Baryshnikov at the time of the filming was 43, and the young woman (Geraldine Danon) was 23. What's the problem?
Great locations in Berlin and France, good acting, and some exciting scenes. Fun if you're not expecting "The Spy Who Came in from the Cold."
Some people see this movie as tripe. I on the other hand enjoyed the heck out of it. Hackman is always good, Mikhail did a good job for a ballet dancer. The supporting cast was excellent. There wasn't a foul four letter word in every other sentence, which was a delight in itself. I enjoyed the plot, counterplot and just got caught up in the whole thing. Sure there are some holes in the story but have you seen the garbage that passes for 'critical acclaim' on television nightly? See it yourself, make up your own mind.
the great acting was about the best part of this for me. I also liked the storyline; it was deep enough but not so that you get too confused about why the things that are happening are happening. It was good to see lots of different and interesting locations: Berlin and Paris (I always wondered how the elevators went up the curved legs) in particular. The script was no slacker either. On top of the normal discussion you had witty one liners to lighten the mood. I thought it was charming how they started out (Hackman and Baryshnikov that is) as 'business men' doing their respective jobs, playing their roles but then became attached to one another and thus fought together. I also liked the mysteriousness of the ending. The 'where are the going to go now?' factor is usually a good touch. If anything was wrong with it I would've liked a little more action. The only real action scene I recall was the shootout in the subway. Other than that they were just running from baddies and jumping out of windows, which was entertaining but more confrontation would have been appreciated.
Lo sapevi?
- QuizMikhail Baryshnikov hated this movie so much that he refused to do publicity for it.
- BlooperWhen Mikhail and Gene are walking through the forest, they walk toward the camera which moves backwards in sync with them. At one point, the camera crew bumps some branches of a fir tree, which are seen to snap into the frame before the actors reach the tree.
- ConnessioniReferenced in Ken Adam - Production Designer (1990)
- Colonne sonoreThe Boys In The Back Room
Written by Friedrich Hollaender (as Frederick Hollander) and Frank Loesser
Arranged and Producedv by Tony Bremner
Performed by Adèle Anderson
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Dettagli
Botteghino
- Budget
- 18.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.501.785 USD
- Fine settimana di apertura Stati Uniti e Canada
- 533.610 USD
- 8 set 1991
- Lordo in tutto il mondo
- 1.501.785 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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