Clearcut

Istvan Kolnhofer is quite correct when he says this is "One of the most important "lost" independent films ever".

I have little to add to the other reviewers other than this film is right on my top shelf next to _Fight Club_ and _Aguirre_ and there it stays.

This can be called a horror flick in its truest form - gnawing dread permeates throughout. But don't expect a splatter-fest - it's not. This is low budget indie at its absolute best. Lack of budget is more than compensated by superb scripting and performance. This is what really sets it head and shoulders above the "stream of consciousness" indie crap that continually oozes out of the film festivals.

Despite it's age, it is as pertinent as ever and stands up to regular repeat viewing. If you ever get a chance to see it, do so - but also note, the less you actually know about this film, the greater your experience will be. Definite keeper.

Arthur is the spirit-guide Peter McGuire finds during his sweat-lodge vision; a water-spirit who becomes the personification of McGuire's own anger. If you don't believe me on this, pay attention to the water shots (starting with the opening shot of the movie), the sweat-lodge sequence, and listen carefully to almost everything Wilf says. Once you understand what Arthur is, you can see that the primary themes explored are (1) talk vs. action, and (2) if you cannot control your anger, your anger will control you. I found Ron Lea a bit too wimpy to carry off the final scene, but overall, this is a very thought-provoking movie, which I recommend to anyone who likes to think.

There are a lot of themes at play in this movie, many of which are still as relevant as ever, as I *think* it's primarily examining the different aspects of being an "ally" and the implications of how an ally can inherently always choose to side with the oppressor and retreat into their own privilege.

That being said, I'm not entirely sure that I'm right about that - I imagine a lot of the meaning here's in the eye of the beholder, which characters they find themselves identifying and/or sympathizing with, etc.

Point being that the strongest thing about this film is it tells a super engaging story that deals with really complex, important issues (capitalism, racism, imperialism, alienation, allyship, what retribution might really look like, etc.) without dumbing it down to the point that it's spoon-feeding you things like "who is the good guy?" or "what should I take away from this?" or "how should I feel about anything that happens to any of these characters?" And I mean that in a good way - I'm not confused because of indifference, but because there are challenging things about every character and nearly every choice each character makes.

I don't know if I'd even consider it a horror movie. I mean, I don't know what else I'd call it, but - and I'm saying this as a major lover of horror and a deep believer in all of the different ways it can be used - I feel like it's a bit reductionist to label it as horror. I was never scared, any violence and gore is visually underplayed (deliberately). I guess I'd consider it folk horror, but in the same way I'd say the original Wicker Man and Deliverance are folk horror - like Wicker Man is also a musical comedy, Deliverance is also a survival thriller, and for whatever reason those are the two movies of which I was most reminded by this. For context, the original Wicker Man is my favorite movie, so I don't use the comparison lightly.

But yeah, suffice it to say - great movie that you should definitely watch.

I recently watched Clearcut (1991) on Shudder. The storyline centers around an activist lawyer who is passionate about protecting Native American lands and forests from logging companies. After losing a case, his Native American client takes matters into his own hands, involving the lawyer in actions that push ethical boundaries, including torture. The lawyer must grapple with the question of how far is too far.

This movie is directed by Ryszard Bugajski (Interrogation) and stars Graham Greene (The Green Mile), Ron Lea (Punisher: War Zone), Michael J. Reynolds (The Descent Part 2) and Michael Hogan (Red Riding Hood).

This film is highly engaging and Graham Greene delivers a tremendous performance. His dialogue, mannerisms, actions, and reactions are remarkable. The overall acting is solid, and while the horror elements are more focused on the circumstances and threats, there is a torture scene that's a standout moment. The storyline and premise are excellent, and the ending is brilliant, providing a perfect conclusion.

In summary, Clearcut is a unique addition to the horror genre, well-written, and expertly put together. I would rate this a 7.5/10 and strongly recommend it.

I have searched in vain for a copy of this movie for years. This story attempts to have the viewer identify with the frustration that Native Americans must feel with the casual and continual injustice by a system that is stacked against their interests.

I thoroughly enjoyed this movie. It is creative, extremely well told and does not follow any typical mainstream formula. This movie takes you on a journey of Arthur's frustration and his tactics of dealing with those feelings. It is an unpredictable and thoroughly enjoyable movie experience.

It is a shame that this movie is so difficult to find.