VALUTAZIONE IMDb
6,4/10
8820
LA TUA VALUTAZIONE
Un avvocato che rappresenta la vittima traumatizzata di un incidente scopre che il suo avversario è un avvocato difensore che conosce benissimo: sua figlia.Un avvocato che rappresenta la vittima traumatizzata di un incidente scopre che il suo avversario è un avvocato difensore che conosce benissimo: sua figlia.Un avvocato che rappresenta la vittima traumatizzata di un incidente scopre che il suo avversario è un avvocato difensore che conosce benissimo: sua figlia.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Laurence Fishburne
- Nick Holbrook
- (as Larry Fishburne)
Fred Thompson
- Dr. Getchell
- (as Fred Dalton Thompson)
Anne Ramsay
- Deborah
- (as Anne Elizabeth Ramsay)
Recensioni in evidenza
Gene Hackman and Mary Elizabeth Mastroantonio are involved in a "Class Action" in this 1991 film that also stars Laurence Fishburne, Donald Moffatt, Joanna Merlin and Fred Thompson.
Hackman and MEM, father and daughter, are both attorneys. "I raised you," Jed (Hackman) yells at Maggie (MEM) during one scene. "Mom raised me," she screams back. "You had a date."
Maggie's resentment over her father's infidelity erupts after the death of her mother (Merlin) in a powerful scene. Although Maggie has tried to reconcile with him, she finds there is too much in the way.
Maggie is in an ethical quandary when the law firm she works for wants to suppress evidence about an automobile manufacturer's malfeasance; complicating things is that her father heads the team the other side of the case.
This is a very good movie that emotionally rings true, thanks to a good script and fine performances by Hackman and Mary Elizabeth. I had the pleasure of working with Mary Elizabeth when she was a Broadway actress - a lovely woman with a great talent, shown here to excellent advantage.
Grieving for her mother and unable to accept her father's love, she is blindsided by her boyfriend/boss' ethics violation and has nowhere to turn. The viewer can really feel her pain.
Hackman is wonderful as a shark attorney who loved his wife deeply but made some unfortunate choices and alienated his only child. He finds himself now vulnerable and confused; Hackman expresses these emotions beautifully. There is able support from the top-notch cast.
Compelling and at times powerful.
Hackman and MEM, father and daughter, are both attorneys. "I raised you," Jed (Hackman) yells at Maggie (MEM) during one scene. "Mom raised me," she screams back. "You had a date."
Maggie's resentment over her father's infidelity erupts after the death of her mother (Merlin) in a powerful scene. Although Maggie has tried to reconcile with him, she finds there is too much in the way.
Maggie is in an ethical quandary when the law firm she works for wants to suppress evidence about an automobile manufacturer's malfeasance; complicating things is that her father heads the team the other side of the case.
This is a very good movie that emotionally rings true, thanks to a good script and fine performances by Hackman and Mary Elizabeth. I had the pleasure of working with Mary Elizabeth when she was a Broadway actress - a lovely woman with a great talent, shown here to excellent advantage.
Grieving for her mother and unable to accept her father's love, she is blindsided by her boyfriend/boss' ethics violation and has nowhere to turn. The viewer can really feel her pain.
Hackman is wonderful as a shark attorney who loved his wife deeply but made some unfortunate choices and alienated his only child. He finds himself now vulnerable and confused; Hackman expresses these emotions beautifully. There is able support from the top-notch cast.
Compelling and at times powerful.
This subdued courtroom drama starts out like an extended episode of L.A. LAW but quickly reveals itself as the unheralded gem it is. Gene Hackman is as solid as ever as a fervent lawyer battling an auto giant accused of manufacturing a faulty model. The twist is that his rival attorney just happens to be his self-reliant daughter, played by Mary Elizabeth Mastrantonio.
CLASS ACTION is not a flashy, fill-up-the-screen-every-minute kind of film. But it is a quite compelling effort. The courtroom storyline is captivating, with director Michael Apted expertly showing the case and its various twists and turns from both sides. Anyone who was glued to the set anytime L.A. LAW came on be in heaven.
Then there's the family dynamic. Hackman and Mastrantonio are convincing as the father and daughter. He seems to know everything and she wants to prove that he does not. They begin the film miles apart in their relationship and it seems a tense court case will further drive in the wedge between them. It's a plot line that works well and helps elevate the film.
CLASS ACTION is not a flashy, fill-up-the-screen-every-minute kind of film. But it is a quite compelling effort. The courtroom storyline is captivating, with director Michael Apted expertly showing the case and its various twists and turns from both sides. Anyone who was glued to the set anytime L.A. LAW came on be in heaven.
Then there's the family dynamic. Hackman and Mastrantonio are convincing as the father and daughter. He seems to know everything and she wants to prove that he does not. They begin the film miles apart in their relationship and it seems a tense court case will further drive in the wedge between them. It's a plot line that works well and helps elevate the film.
Thanks to the recent legal decision against Toyota and memories of the ill-fated Ford Pinto, it's difficult not to think of "Class Action". Many reviewers like to think that court room dramas can always be better, but if you've ever witnessed real court proceedings then you'll discover they can be immensely boring and why film makers avoid it. What makes "Class Action" so refreshing is the context of the case, which is a bona fide problem considering numerous cars with dangerous design problems, the devious corporate view of profit over loss (including life), which gives the film an underplay of David vs. Goliath, the spicy exchanges in court, the conflict between father and daughter, which is essentially a clash of Right vs. Wrong, and of course first rate performances by the actors. There are a few predictable story lines, but that's to be expected. "Class Action" is altogether a very entertaining and insightful film.
Gene Hackman is Jedediah Tucker Ward.Mary Elizabeth Mastrantonio is his daughter Maggie Ward.They're both lawyers.His client is suing an auto company that risked his life.Maggie defends the auto company.Maggie and her father already fight against each other in real life.Now they fight in a courtroom.Class Action (1991) by Michael Apted is as much a courtroom drama as it is a movie about father daughter relationship.Gene Hackman is really great in the lead.This is a good movie but it's Hackman who makes it better.The man hasn't done any movies since Welcome to Mooseport (2004) and he did say to Larry King that his movie career may be over.I really hope that's not the case.Besides Hackman there are many other great talents.Mastrantonio as the daughter is very good.And so is Joanna Merlin as the mother Estelle.Laurence Fishburne is great as Nick Holbrook.Donald Moffat is Fred Quinn and he's terrific.Jan Rubes is fantastic as Alexander Pavel.Matt Clark is the Judge R. Symes and he's great as always.Jonathan Silverman does the role of Brian and he handles it very well.Fred Dalton Thompson is in the role of the immoral Dr. George Getchell.As we all know he's running now for the next President of United States as a republican candidate.Well he can act which is a quality very much needed when you're the head of state.Even though the plot may not be all that original it doesn't matter.The actors with Hackman in the lead make it worth watching at least once.A good court room drama in movies or on TV can be really intrigueing when done right.We've seen a good lawyer in Matlock, played by Andy Griffith and many others after that.The drama of Class Action really works.In and out of the courtroom.
I still find it kind of a coincidence that this was aired here on the cable the day before Fathers' Day here. Father Jedediah Ward (Gene Hackman) and daughter Maggie (Mary Elizabeth Mastrantonio) are both lawyers and coincidentally, they are on the opposing ends of a major court case.
From the start, one can see that Maggie is very driven to be successful in the lawyers' circles given she told her boss she wanted to take on the case because she is very aware of the company the law firm she works for represents. And her colleagues then told her that her father is the plaintiff for the case. Now this drove the daughter to outwin her father in the courtroom even more.
All the estrangement actually went back to the time when Maggie realised her father is not faithful to her mother. So whenever they passed by each other, Maggie often never gave her father one look. After Mrs Ward's passing, father and daughter reunite each other for a while...but! The old issues all came back.
And when along the way in researching for the case, an obstacle appeared and it almost led Maggie into trouble. Jedediah thought his daughter is almost in trouble and they managed to clear out some things between each other. It even led to surprising events which happened on the day of the big court case.
For me who has always been interested how lawyers always go about their work, this is a nice introduction. Father-daughter relationship is also being explored here. That is why I said about the movie on cable the day before it's Fathers' Day today here.
From the start, one can see that Maggie is very driven to be successful in the lawyers' circles given she told her boss she wanted to take on the case because she is very aware of the company the law firm she works for represents. And her colleagues then told her that her father is the plaintiff for the case. Now this drove the daughter to outwin her father in the courtroom even more.
All the estrangement actually went back to the time when Maggie realised her father is not faithful to her mother. So whenever they passed by each other, Maggie often never gave her father one look. After Mrs Ward's passing, father and daughter reunite each other for a while...but! The old issues all came back.
And when along the way in researching for the case, an obstacle appeared and it almost led Maggie into trouble. Jedediah thought his daughter is almost in trouble and they managed to clear out some things between each other. It even led to surprising events which happened on the day of the big court case.
For me who has always been interested how lawyers always go about their work, this is a nice introduction. Father-daughter relationship is also being explored here. That is why I said about the movie on cable the day before it's Fathers' Day today here.
Lo sapevi?
- QuizThe movie's screenplay was in development for around five years and went through a reported twenty-five drafts of the script.
- BlooperWhen Maggie drives to the countryside to first meet Dr. Pavel, her Alfa Romeo Spider has a front license plate (asymmetrically applied as is customary with Alfas). Later when she drives through San Francisco, the car has no front license plate.
- Citazioni
Jedediah Tucker Ward: By the way, you so much as look at my daughter, they won't be able to identify you with dental records.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Class Action
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 24.277.858 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.207.923 USD
- 17 mar 1991
- Lordo in tutto il mondo
- 28.277.918 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Proporzioni
- 1.85 : 1
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