Closet Land

Acting, of course! Think about it, Closet Land could easily have turned out so horribly - an entire movie filmed in one room with only two people, they better have some damned interesting things to chat about.

But it didn't turn out horribly. On the contrary, thanks to incredible portrayals by both Stowe and Rickman, Closet Land is a masterpiece in its own right.

That's not to say it is for everyone. Persons who have had their attention spans decreased through glitzy sex scenes and random gun fire may have trouble digesting Closet Land. However, those who can appreciate good story telling without explosions should give it a look (no matter how many video stores you have to call to find someone who has it in stock).

These 2 fine actors played off each other perfectly in this terrifying film. Rickman was very effective as the brainwashing and brainwashed interrogator. Stowe as the confused writer was good, letting the crafty Rickman convince her that he only wanted to go one step further, then one more, etc. This movie came off as something that could happen in a country plagued with a police state. Very good film.

This two-character drama is extremely well-acted and has a valid message and some TRULY shocking moments (shocking not because they are graphic, but because you're not prepared for them when they come). But eventually it does become oppressive, just like the somewhat similar "A Pure Formality" did. Still, Alan Rickman should have gotten an Oscar nomination for his multi-dimensional performance, no doubt about it. (**1/2)

Closet Land. The title itself conjures up thoughts of secrets. And that is really what's at the heart of this Amnesty International film. Government secrets, personal secrets, both are integral pieces of this story.

By far the greatest acting seen in too long a time, both Alan Rickman and Madeleine Stowe were phenomenal in their portrayal of a Government Interrogator and Victim respectively. With only the two actors in this unusual standard length film, it is instantly clear that both actors were dedicated and talented enough to pull the viewer into this tiny bubble of a world and shut the door.

A WORD OF CAUTION...

What isn't mentioned on the description of this movie is that there is a subplot that deals with childhood sexual abuse. While there is no graphic detail about the abuse, the nature of it may be difficult for some viewers to watch - especially given the intensity of the film on whole.

I'm not a big fan of Amnesty International films, but this movie drew me in because the acting was so exceptional, and I can't help but make this movie one of my personal favorites.

Placed somewhere in the midst of ‘1984' and ‘Twilight Zone' this film may be about abuse of power, it may be about government control, it may be about overactive imaginations.

One certainty is after watching ‘Closet Land' you will ask yourself a few questions. A second viewing will raise even more.

Many will be turned off at the notion of a film with only 2 speaking parts (David Mamet's brilliant Oleanna comes immediately to mind), but this is not a film for mainstream tastes. Chances are, if you would like it, you probably have seen it.

Powerful premise, powerful performances, powerful film.