Börn náttúrunnar

I have known about this movie long time, but only recently had chance to see it. Unfortunately, I have to say that I expected something more. I cannot comment on photography as I have seen very poor copy. But as far as the storytelling goes, this film is too shallow, too naive, too lacking depth for my tastes. Number of scenes stick out like sore thumb. Take the scene where police chases the jeep with the couple: it just vanishes - without any relation to anything, without any explanation. Or the scene with that country festival - what was it? Why was it? Or the naked woman on a cliff ("ghost" as she is mentioned). If the scene wasn't there, nothing would change. And there's more of this stuff.

The overall feeling is that of clumsiness. This looks more like student film than an opus from an accomplished director. I felt somewhat embarrassed for taking my girlfriend with me to see this movie.

BTW, I have seen "Cold Fever" by Fridrik Thor and I think it is better movie than the "Children of Nature".

"Children of Nature" is the first Icelandic film I have ever seen and I was pleasantly surprised. It concerns two former childhood sweethearts (Thorgeir & Stella) who meet in an old age home, escape, and return to their remote hometown.

This film is a nice antidote to most Hollywood movies: the stars are nasty old people, the pace of the film is slow, and there are elements of magical realism. It also doesn't hurt that the cinematography is excellent and shows off Iceland beautifully.

After seeing this film, I get the impression that Iceland is a weird and wonderful place and I hope to visit soon!

P.S. If you liked "Wings of Desire" you'll appreciate the cameo by the angel Damiel (Bruno Ganz).

A fantastic film. Gísli Halldórsson gives a great performance as always and really gives the movie a lot.

It is a very beautiful film where the main contrast is not on spoken word but on what the eye sees and that is what makes this movie work not only in Iceland but worldwide. There is not word spoken for the first 20 minutes of the films and by then the viewer doesn't really care if the film is in Icelandic or in English or what ever other language.

The movie clearly shows that you don't need to be 20 years old to be in love and how some people are simply children of nature

One of the best films i have seen. 10/10

An elderly couple reunite in a nursing home and decide to hit the road back to their original homeland. Sweet and mesmerising with stunning locations.

This movie begins with Geirri leaving the family farm and moving in with his family. He's gotten to old to handle farming on his own, and his family has decided that they are more suited to life in the city. The attempt to merge into his daughter's hectic life doesn't work out and he finds himself in a nursing home, surrounded by fellow retirees - some of whom are loving the time and the freedom the home allows right alongside others who are not.

Geirri meets up with Stella, a childhood sweetheart who has decided that dying in a nursing home is something she does not want to do. So, they decide to leave together. By the dead of night they steal a car and head for the towns of their youth...

Geirri and Stella are running form the law (leaving the home without permission and, more importantly, car theft), but there is no 'Bonnie and Clyde' feeling to this story. They return to the towns they knew and remember the years together. There are spirits in their mind and spirits of the ocean who meet them along the way. You get an excellent sense of their strength, knowledge, and experience.

All in all, this movie is very touching - until the end.

I really appreciated the journey and the experiences Geirri and Stella have, but the plot twist that brings the viewer to a final scene which is (in my opinion) brutal, disturbing, and (to be frank) confusing end. Yes, Geirri running from the law, and yes, he is trying to maintain his freedom, but...the rocks and the feet...?

Confusing and jarring. There was a fascinating mystical feel to the way the movie plays itself out, and one could theorize that the ending was more symbolic than realistic. But, why throw that kind of symbolism onto the end of such a touching (and realistic) movie?

Even so, I highly recommend this movie. There's to much to be gained from the movie as a whole to allow the oddness of the ending to stop you from seeing it.