Sfida d'onore

Okay, so some scenes in this film might make a fencer cringe, but for the average viewer there is good entertainment to be had here. The central characters do the job required to keep the action going, although Eric Roberts character is somewhat of a cardboard cutout. The script allows for little character development for his fencing master portrayal, and I suspect he has simply done exactly what the director asked. The fencing scenes are decent action,with some interesting swordplay in foreground while mental fencing goes on between the characters. The plot is fairly simple, and some of the developments in the plot do seem to a little unsubstantiated. But this is not a film to make you cry or think deeply. It is good, simple, entertainment. Watch with an open mind, and enjoy a bit of fun.

Normally, I like Leonard Maltin and can sympathise with his reviews but he seems to have watched a different film here entirely. It is not really a revenge story, "by-the-numbers" or otherwise. There is a man with a mission here but cheap vengeance isn't his goal. The leads do an excellent job of portraying antagonistic personalities coming slowly to the boil in the claustrophobic world of the fencing salon as the characters evolve. And they do evolve.

As for Errol Flynn doing it better, that is a fatuous comment in the extreme. Apart from his swordfight on the beach with Basil Rathbone in "Captain Blood", his fencing always looked very stagy to me. The last fight in "By the Sword", by contrast, is the single most vicious fencing combat I've ever seen. It is the only time I have ever had the impression that the combatants actually intend to kill one another. A brilliantly choreographed sequence.

There is exactly one group of people who will watch this film more than once: fencers. And even we wince. So much of this story is anathema to *everything* fencers hold dear: honor, romance and SAFETY!

No maestro worth the name would encourage any kind of deliberate roughness such as is exhibited in BtS.

Neither would anyone imagine a choreographed dance routine with pirouettes. THE HORROR!

But beneath the ugly scum of detail, there *is* a story...who is Suba (excellently underplayed by F. Murray Abraham), and why does he come to the Maestro's studio? Why does he think he can teach fencing? Oh, and we get to see the lovely Mia Sara in a tight fencing uniform, a small bonus.

It's not the best film, no. It's far from the worst. Do not expect to see real Olympic style fencing; for that, go to the next competition nearest you!

I too Fence, and I teach Historical rapier fighting as well. No, the film was not representative of Olympic sport-fencing, now or then, but it was never promoted as, or intended to be a "How to Fence" movie. If that's what you're looking for, go read DiGrassi. The film itself is a great story, it moves quickly, and has plenty of little quirks to make you say "Oh..." It was never 'predictable,' and the plot developed at a satisfying pace. Go to Blockbuster, rent it, decide for yourself. Then, go check eBay... =-)

How many films are about fencing? Very very few. The Princess Bride, Three Musketeers and Zorro, etc. are often listed as such but that is not fencing. That is sword fighting. This film is about sport fencing. It is set in a real fencing club or salle, with the old school roll up grounded strips circa early 70's and includes many scenes of fencing, including group and individual lessons along with electric epee fencing. In addition, there are scenes of the armory room and the rows of stored weapons in the club. If you are looking for a film loaded with fencing, this is really it.

Sure, the fencing leaves something to be desired and the acting varies especially among the student fencers. The fencing in the movie is fairly realistic. Fencing now is more wild, faster and athletic. But nearly 30 years ago it was more controlled which is shown in the bouts. Eric Roberts, a non-fencer, does a pretty good job anyhow even mixing French commands with English in his lessons. F. Murray Abraham, who is in really good shape in this film, also impresses during a few scene where he is taking a saber lesson and epee fencing. There are a few hokey scenes and two love stories tacked on, one of which is used to help show how one how the maestro, a former champion, is grooming his top student to become like him - driven to win at all costs with no feelings for others. The brutality of Roberts during his lessons with his top students - he often wacks them with the side of his weapon's blade when they foul up - is not unheard of. This was very commonly done among the old European coaches to their students. Corporal punishment for mistakes during a lesson got the point across quickly to the students.

The fencing equipment and uniforms are correct. F. Murray's fencing outfit is a bit dated. He wears an old school waste length (pre electric scoring) saber jacket, a really old Castello or Santelli mask and brown knickers. But he does get it done. There is a funny scene if you catch it. When F. Murray is shown crossing the busy NYC street to go to work a the salle as the janitor, he is carrying a blue Adidas shoe-box. Thereafter he is shown wearing the very old style Adidas fencing shoes in nearly every scene, even while he is just the janitor in the club and later when he is coaching the new students.

It is a bit predictable with the final fight scene, but it ends well. If you want a movie that is about the sport of fencing and a lot of it. this is about your only choice. There is the foreign movie The Fencer that came out a couple years ago. Have not seen it.