Bugsy

This highly fictionalized account of Ben "Bugsy" Siegal's life looks and sounds great. I wish that films actually made in the 1940s looked this good. The ballroom scenes and the big bands are all perfect, the automobiles long and shiny. When Warren Beatty made a period piece, it usually looked very good, so this was not a surprise.

So Beatty portrays Ben Siegal as a sociopathic gangster whose curse is that he is a dreamer who is careless with money. He somewhat dreams of being in pictures and enjoys the glamor of Hollywood, but ultimately dooms himself when he falls in love with an idea - building a casino in the middle of nowhere in Nevada, where prostitution and gambling are legal. He argues to his mob investors that they can be 100% legitimate. And if they decide to be less than 100% legitimate, he figures controlling the gambling interests in a state where it is legal and at that point - the 1940s - unexploited, he can eventually control the state.

The other decision he makes that dooms himself is getting involved with Virginia Hill (Annette Bening), a kindred spirit in all the wrong ways. They fight violently, make up violently, and she ultimately gets grabby with the mob money that is the construction funds for the Flamingo. This was a very versatile role for Annette Bening as Hill, and is probably the best thing she ever did. She was slated to be Cat Woman in a film the following year, but she managed to do something much more remarkable - actually get Beatty to enter into matrimony - an institution he had skillfully avoided up to that point - in a union that yielded four children. And she also appears to be the model for the Columbia Lady with a Torch - although everybody denies it in spite of Beatty's heavy investment in Sony/Columbia.

Other interesting performances - Ben Kingsley as the low key Meyer Lansky. In spite of being a Best Actor Oscar winner, that honor never really paid off for him in break-out roles. Elliott Gould as the hapless Harry Greenburg. Honestly, you rat on the mob and another member of the mob asks you to go for a ride and you say you love riding in the night air? The underrated Joe Mantagna as just "George". Since "George" was starring in the film "Manpower" that was shooting as Bugsy looks on, that had to be George Raft. Were they afraid the Raft estate would sue, and who exactly is the Raft estate since Raft never had any kids?

Finally, not so much an interesting performance but an interesting vignette - Bugsy walks up to singer/actor Lawrence Tibbett's house and pays him sixty thousand in cash for it. Like so much of the movie, this never happened. But Tibbett's kids did object to the portrayal of their dad as a short elderly overweight wimpy guy. But somehow, the film makers were NOT afraid of the Tibbett estate!

The one thing that annoyed me about this film - the score by Ennio Morricone. It never breaks out into any particular kind of mood, and it sounds enough like one of Morricone's other scores - the one for The Untouchables - that it sounds like if it were to take off it would sound exactly like that score.

After staying at the Las Vegas Flamingo, and spending a substantial amount of time browsing through the artifacts of old Vegas at the Las Vegas History Museum at the Tropicana Hotel, this is one movie I wanted to watch when I got back. Not that I'm a fan of Warren Beatty (I only watched his Dick Tracy movie), but I'm interested in the Hollywood retelling of Benjamin "Bugsy" Siegel's story.

For the uninitiated, Siegel was a gangster, who loves his family, but is as horny as he can get. He falls in love with the Hollywood glamour and life, and comes to know his new mistress, a starlet called Virginia Hill (Annette Bening), who's known in some circles as the village bicycle - everyone's had a ride.

Seigel shares a love-hate relationship with Hill, and it is always bumpy. And little does he know that this love will ultimately cause his downfall and demise. Love aside, there's also plenty of scenes that shows Siegel's violent nature (hey, he's a gangster), and scenes too that highlights his disregard for money - he spends lavishly. There's a subplot about Mussolini too, which highlights Seigel's eccentricity.

But he does have a vision, and that was having the foresight of predicting how Las Vegas would become as important as can be, with the erection of the Hoover Dam to provide it with electricity. He's the one with the vision of creating something in the middle of the desert, which we know today as the Strip, with casinos, hotels, and entertainment from class acts. His vision started off as The Flamingo hotel, which over blew its budget by almost 5 million dollars (at that time). Of course, when you're dealing with mob money, you'd better be careful, as they become impatient with his grander vision of controlling a casino, city, state, and ultimately having the power to influence presidential elections.

Directed by Barry Levinson, Bugsy is the tale of that one man's vision. It's well acted, with a superb supporting cast. Keeping true to the finale, watch out for that flying eye too. And yes, Beatty and Bening met on set, and married thereafter.

Sadly, this Code 1 DVD contains no special extras.

One of the major knocks against this film when it was released was the amount of unfaithfulness to the truth throughout the movie.

Despite many liberties taken against the historical record of what occurred and a number or made-up scenes that are hard to fathom, the movies tries at times to follow close to what was known at the time but the lack of attention to detail keeps getting in the way.

Beatty does a great job acting in the film and his chemistry with his future wife Annette Bening is something to behold.

I don't mind so much that Beatty is about 15 years older than Siegel was during these years but it's more upsetting that Virginia Hill (Benings character) is portrayed as a street tough city girl when she was a street tough country girl from Alabama.

Mickey Cohen was in his early 30s but is portrayed as a hardened criminal in his late 40s to early 50s. Also the background story on his relationship with Siegel is tangled up here.

The movie does drag on at times and there are some absurd scenes which never would have happened.

Beatty is at his best playing the family man - his charisma carries the picture but they couldn't even get the ending to be accurate historically which kind of defeats the purpose of making a biopic movie.

This is an exciting tale of how Bugsy Siegel started Las Vegas . As New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A violent and tough Siegel (Warren Beatty) doesn't hesitate to kill or maim anyone crossing him . Bugsy meets George Raft (Joe Mantegna) while is making a film (it is ¨Manpower¨ which co-starred Edward G. Robinson) and the scene being shot where George gets into a bar fight and hands a broken chair to an actress really does appear in the actual movie . In L.A. the life , the motion pictures , and most of all a second-range actress named Virginia Hill (Annette Bening) detain him while his wife (Wendy Phillips) wait back home . Then a journey to a run-down gambling joint at a spot in the desert gives him his big idea , the Hotel Flamingo construction .

Enjoyable film based on the famous mobster that contains drama , real events , thrills and lots of violence . The picture relies heavily on the relationship between Bugsy and his lover Virginia Hill , and about the luxurious Hotel Flamingo building in Las Vegas . Nice acting from protagonist duo as Warren Beatty playing the sharp-dressing womaniser with a foul temper and Annete Bening as the strong-willed actress . After working on this film, Warren Beatty and Annette Bening were married . They'd met several years before when she auditioned for another Beatty production ; they met again when she was seriously considered for the role of Tess Trueheart in Dick Tracy . This is one of three movies released in 1991 that featured Bugsy Siegel as a character , the other two were ¨The Marrying Man¨ and ¨Mobsters¨ . Good production design by Dennis Gassner , most of the Las Vegas scenes of the Flamingo construction were filmed near Palm Desert and La Quinta, California, where a full-sized replica of the Flamingo was built . Emotive and sensitive musical score by the great Ennio Morricone . Colorful and evocative cinematography by Allen Daviau . The picture was professionally directed by Barry Levinson .

The flick was well based on real deeds , these are the followings : During adolescence, Siegel befriended Meyer Lansky (Ben Kingsley) , who was forming a small crew whose criminal activities expanded to include gambling and car theft . In 1930, Lansky and Siegel built close ties to Charles "Lucky" Luciano and Frank Costello (Caridi), both future bosses of the Genovese (Carrara) crime family. Bootlegger Siegel was also associated with Albert "Mad Hatter" Anastasia. Siegel was also heavily involved in bootlegging operations in various cities . During the so-called Castellammarese War in 1930-1931, they fought the gang of Sal Maranzano ; Siegel reputedly had a hand in Maranzano's murder and later in the formation of Murder , Inc . Lansky and Siegel assisted with Luciano's (Bill Graham) brief alliance with Dutch Schultz and killed rival loan sharks Amberg . In 1937, the East Coast mob sent Siegel to California to develop syndicate gambling rackets with Los Angeles mobster Jack Dragna (Richard C Sarafian) . Once in L.A. , Siegel recruited gang boss Mickey Cohen (Harvey Keitel) as his lieutenant. Siegel used syndicate money to set up a national wire service to help the East Coast mob quicken their returns . With the aid of actor friend George Raft (Joe Mantegna) , Siegel gained entry into Hollywood's inner circle . Siegel soon started an affair with Virginia Hill . The Alabama-born Hill lived in a mansion in Beverly Hills that she rented from Metropolitan Opera baritone Lawrence Tibbett . Siegel, Whitey Krakow, and two other gang members killed Harry "Big Greenie" Greenberg (Elliot Gould) . Greenberg had become a police informant, and Louis "Lepke" Buchalter, boss of Murder, Inc., ordered his killing. Siegel was arrested and tried for the Greenberg murder. Whitey Krakower was killed before he could face trial. Siegel was acquitted on the Greenberg murder, but his reputation was in ruins.

Highly emotional and vastly outstanding film from director Barry Levinson (Oscar-nominated) follows the true start of Las Vegas as a gambling mecca due to the role of the titled character (Warren Beatty in an Oscar-nominated performance and arguably his finest cinematic turn). The gangster is bad news in the mid-1930s in New York. He takes a business trip to Los Angeles and quickly falls in love with the weather, the surroundings and of course a beautiful woman who is little more than a high-class prostitute (Annette Bening). His wife and kids will just have to take a backseat now to his new-found life. One day Beatty takes a long road trip to a small desert town in Nevada called Las Vegas with Bening and West Coast mafia syndicate Harvey Keitel (Oscar-nominated) to check on a nickel-and-dime casino and something happens. Beatty gets a vision of something, something extraordinary. This is the beginning of an idea to build the kind of gambling facility we think about today. Beatty's dedication and want leads to the creation of The Flamingo, but it comes at an astronomically high personal, economic and spiritual cost. Beatty may lose it all, but then again he may do something truly unforgettable. "Bugsy" is one of those productions that dominates due to its unforgettable elements. This is an amazing love story that is heart-warming, heart-breaking and heart-wrenching all at the same time. Based on actual events, the film-makers took a few liberties in the production but the majority of the running time is pretty accurate as to what actually took place in real life. Supporting actors Ben Kingsley (Oscar-nominated), Joe Mantegna and Elliott Gould all do good work in small, well-calculated roles. "Bugsy" is one of the best films of the 1990s. It stood tall in 1991 as it had more Oscar nominations than any other movie that year. Beatty and Bening's chemistry is exceptional and their love for each other in real life just seems to glisten brightly on the silver screen. An excellent production that should be discussed and praised much more than it is. 5 stars out of 5.