Demoni 3

The Demons series is a complex one, all entries after the second film having nothing to do with Lamberto Bava's first two movies. The majority of the series consists of unrelated films that have been slapped with a Demons alternative title in certain countries: Michele Soavi's The Church (Demons 3 in Japan), The Sect (Demons 4 in Japan) and Cemetery Man (Demons '95 in Japan), Luigi Cozzi's The Black Cat (Demons 6 in France and Japan) and Lucio Fulci's Demonia (New Demons in Japan).

Black Demons, directed by Umberto Lenzi, is another contender for the Demons 3 title (the others being the aforementioned The Church, and the made for TV movie Demons 3: The Ogre, which was directed by Lamberto Bava but which shares nothing in common with Demons 1 and 2).

Coming from the director who kick-started the Italian cannibal craze (with Man from Deep River) and who gave us one of the most extreme example of the genre (Cannibal Ferox), it's no surprise that Black Demons delivers several gruesome scenes to delight gorehounds, but the bloodletting is sporadic and doesn't begin until quite a way into the film, so patience is required while Lenzi sets the scene...

Three students - Kevin (Keith Van Hoven), his girlfriend Jessie (Sonia Curtis) and her half-brother Dick (Joe Balogh) - are in Rio de Janeiro, where Dick witnesses a macumba ritual. While driving to another location, the trio's jeep breaks down and they are forced to take refuge at a remote Brazilian plantation, home to young couple Sonia (Juliana Teixeira) and Jose (Philip Murray) and their housemaid Maria (Maria Alves). When Dick plays the recording that he made of the voodoo ceremony, he becomes possessed, and resurrects the bodies of six murdered slaves, who crawl from their graves looking for revenge.

So, essentially, Black Demons is a zombie movie, with the undead picking up a variety of sharp tools with which to kill their victims: Sonia unwisely wanders out into the night (wearing white t-shirt and knickers) and gets her eye gouged out with a hook; Maria also gets her eye gouged out, and has an axe planted in her skull before being hung for good measure. Jose also meets a grisly fate, but he is stabbed in the neck by the possessed Dick.

With a combination of abysmal acting and uninspired direction by Lenzi, Black Demons is not a good film, the only real attractions being the gore and a few moments that are unintentionally funny: a zombie lurking behind Kevin, with knife in hand, is hilarious, as is the scene where the undead suddenly pop up into frame, and the ending, in which Kevin launches Molotov cocktails at the zombies, is completely inept, the bottles of fuel exploding like bombs.

3.5/10, rounded up to 4 for IMDb.

I'm pleased to add this little Cubic Zirconia to my collection of gems. The plot is almost non-existent, the characters incredibly one-dimensional, but despite that, it was a good effort. It was obvious that at least some research on Candomble was done, and the ritual scene was amazingly well-crafted. The "Black Demons" themselves had great make-up, and the few gory scenes there were left little to be desired. Now, we come to the meat of it all: the acting. In a word, terrible. This isn't a film to be taken seriously anyway, but the unintentional comedy is everywhere. From accents that randomly disappear, accents too thick to understand, and the eye-bulging freak-outs of the maid, this is one film that's worth seeing in spite of itself. Get some friends together,pop this in, and have some laughs.

Why not bring director Umberto Lenzi in to direct a DEMONS movie? Sure, why not? Just remember this is not a DEMONS movie. It was just named that to try and cash in on the success of the earlier films.

Here two American siblings Dick (Joe Balogh) and Jessica (Sonia Curtis) along with her English boyfriend Kevin (Keith Van Hoven) are on a vacation in Brazil. Along the way Dick witnesses a black magic ritual. He records it on his tape recorder. The three of them are stranded, but luckily two strangers named Jose (Philip Murray) and Sonia (Juliana Teixeira) take them back to their house. It is here Dick replays the tape and revives the dead. Oopsy daisy.

Big problem I had with this movie was it became a little too dialogue happy. Too much yakkin' and not enough action. For gorehounds the death scenes are graphic and gory. Not worth it really.

This extremely cheap "sequel" to Lamberto Bava's two well crafted 'Demoni' movies (even though only the first one really rocked) has absolutely nothing to do with them. Umberto Lenzi tries to do the best out of a rather old fashioned story about voodoo rituals that - yes - wake the dead. So the demons are rather zombies, but they don't eat their victims - they just split their skulls with axes and/or gouge out their eyes with hooks (ah yeah, and once they also use a pitchfork).

Very similar (concerning production values and gore scenes; and in a way also concerning the story) to Lenzi's made for cable cheapo 'Le Porte dell'Inferno' two years earlier. Horror fans might like this one, but everybody else won't have a good time with this, I suppose.

A bad movie almost bad enough to be good, but not quite bad enough to be worth recommending.

Sonia is missing. Her boyfriend Jose thinks that maybe she went to town, but when she doesn't come back, he's pretty sure something bad happened.

But then Jose finds... one of Sonia's shoes! Now he knows something has happened to her.

"Maybe she changed her shoes," suggests Kevin, a cooler head.

They go to her room, and find another pair of her shoes.

"You see!" Jose exclaims. "These are the only other shoes she had! Are you convinced now?"

"Yeah," Kevin says. "She wouldn't have gone to the village barefooted."

These utterly ridiculous, idiotic scenes are meant to be taken seriously. That's the sort of movie you're in for -- accidental comedy. If you can appreciate a film on that level, this is the film for you.

Worse than the dialogue is the pacing. The movie is as slow as the stumbling zombies of the film -- and these zombies have chains around their ankles. Everything is very predictable, and we're left waiting around for the next moment of gore to show up.

The actors are constantly flubbing their lines -- but not in a particularly interesting way. Just stuttering slightly as they deliver ridiculous, stilted dialogue.

For a horror movie, there isn't much blood. Or fear. Or tension. Or horror. Or movie.