Billy Bathgate - A scuola di gangster

This film can't make up its mind what it wants to be. Ostensibly it's about the 1930s gangster Dutch Shultz. However, the story predominantly rotates around the romance between Kidman and Deans characters. Yet it doesn't really sufficiently deal with either the romance or the life of Schultz. Neither does Schultz or the romance act as a secondary story to the other. So the movie loses out by not knowing what it is.

While hanging out with friends in 1935 New York City, Prohibition-era poor Loren Dean (as Billy "Bathgate" Behan) notices notorious gangster Dustin Hoffman (as Arthur "Dutch Schwartz" Flegenheimer) doing his dirty work. After admiring Mr. Dean's ability to juggle four balls, Mr. Hoffman gives the younger man a job with the mob. Dean begins by sweeping the floor, but is quickly promoted to keeping smoking hot girlfriend Nicole Kidman (as Drew) satisfied under the sheets...

One of the problems with "Billy Bathgate" is that Dean appears as a fully grown man who is being treated, and often acts, like he's a 14-year-old kid. Sometimes he is made to appear shorter and younger, but it's really a lost cause. Consequently, the scenes with Dean and the other men seem silly. And, even on his own, top-billed Hoffman's character registers nothing but ugly.

Dean is more convincing with Ms. Kidman, who has a brief "full frontal" moment after a swim. A highlight is the "Saratoga" horse-racing sequence, with Dean, Kidman and Steve Buscemi (as Irving). Kidman has a husband (Xander Berkeley) who likes to unbutton a man's shirt on the couch, and another (Bruce Willis) who gets to try on a pair of Hoffman's cement shoes...

***** Billy Bathgate (11/1/91) Robert Benton ~ Loren Dean, Dustin Hoffman, Nicole Kidman, Steven Hill

Through a chance meeting in the street, our hero Billy Bathgate (Loren Dean) encounters and impresses the notorious 1930's gangster and bootlegger Dutch Schultz and even becomes his protégé.

Gangster films, like westerns, have so many cinematic plus points built in that making a totally duff one is pretty hard. This is a very professional piece of work, but hardly takes the genre to another level. One of the games you can play while watching is ticking of the clichés one-by-one.

(For the record the lead's poor mother - she works in a laundry - doesn't reject his "dirty" money, which I thought was compulsory in this type of movie, but most other must-haves are observed: The "surprise" summary execution and the chase through the period streets - to name but two - are both here!)

Dustin Hoffman is surpassingly good as a gangster who treats other people as collectable/disposable items. While he has a cold streak, you feel that only people that cross him are going to get the chop (one of whom is Bruce Willis - who looks like he took a small part to wear the clothes).

More ambiguous is his love (or is she?) interest Nicole Kidman who he seems to enjoy mentally torturing. I couldn't get a clear grip on her mentality or why she goes along with it all - not even for her own security reasons.

Dean is a good looking young actor who looks about ripe for corruption, but the role doesn't require him to be cool or knowledgeable merely look on as a witness, so that we can too. His attraction for Kidman, who seems to like casually undressing in public, is natural given that he is supposed to be a wide-eyed virgin.

Naturally hanging around with gangsters isn't a safe sport and soon Billy is in hot water that he has to think himself out of, but I think you can safely guess that what the final outcome will be.

Billy Bathgate is the work of solid pros from the script to the scenery (very believable 1930's NY), but the piece never reaches the heights and for long periods jogs along like a marathon runner conserving energy.

While delivering no fireworks or giving you anything new it gets you through to the end without being bored. Nevertheless it is hardly the type of film you would want to own or even sit through twice.

It's kind of shocking to see less than 20 reviews (as of March, 2006) for a movie that stars Dustin Hoffman and Nicole Kidman and also has Bruce Willis and Loren Dean.

This story of gangster "Dutch" Schultz is told, like the beginning of Goodfellas, through the eyes of a young guy (Dean) who breaks into the business, so to speak. Probably in this case, he was more attracted to Kidman than the business, and who could blame him?

Dean was a complete no-name at the time and is a fine actor. Hoffman plays the crude Schultz and Kidman is his immoral wife. For some people, this film is remembered for quick full frontal nudity shots of Kidman. The most interesting person in the film, I thought, was Schultz' lawyer/confident Otto Berman, played by Steven Hill. Willis also helps make up a good cast, but his role is short.

For a gangster/action flick, there wasn't a lot of violence in here and I liked the period detail. It looks nice, especially on DVD. One downfall on some of these modern-day films: there isn't one morally upright character in the story and the filmmakers make Dean and Kidman into sympathetic figures. Overall, however, a good crime movie.

This film had some problems, but is still underrated. Hoffman is intense and frightening as Dutch Schultz and I can't believe he wasn't nominated for this. The lead kid, Loren Dean, simply has no acting talent whatsoever. Nicole Kidman is fetching as the spoiled, rich girl and Steven Hill is excellent. Robert Benton is a wonderful filmmaker and I rate this a 7 out of 10.

The novel is better than this, but there are wonderful scenes and even Bruce Willis is believable for the only time other than Pulp Fiction. I can't believe this bombed as it did, but I think in the future people will give a higher rating than they did at the time. One of Hoffman's best performances along with Midnight Cowboy and Straight Time.