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IMDbPro

Fino alla fine del mondo

Titolo originale: Bis ans Ende der Welt
  • 1991
  • R
  • 4h 47min
VALUTAZIONE IMDb
6,8/10
12.079
LA TUA VALUTAZIONE
William Hurt and Solveig Dommartin in Fino alla fine del mondo (1991)
Home Video Trailer from Warner Home Video
Riproduci trailer2:27
1 video
99+ foto
CyberpunkEpicoFantascienza epicaAzioneDrammaFantascienzaThriller

Nel 1999, la vita di Claire è cambiata per sempre dopo che è sopravvissuta a un incidente d'auto. Salva Sam e inizia a viaggiare in giro per il mondo con lui. Lo scrittore Eugene li segue e ... Leggi tuttoNel 1999, la vita di Claire è cambiata per sempre dopo che è sopravvissuta a un incidente d'auto. Salva Sam e inizia a viaggiare in giro per il mondo con lui. Lo scrittore Eugene li segue e scrive la loro storia.Nel 1999, la vita di Claire è cambiata per sempre dopo che è sopravvissuta a un incidente d'auto. Salva Sam e inizia a viaggiare in giro per il mondo con lui. Lo scrittore Eugene li segue e scrive la loro storia.

  • Regia
    • Wim Wenders
  • Sceneggiatura
    • Peter Carey
    • Wim Wenders
    • Solveig Dommartin
  • Star
    • William Hurt
    • Solveig Dommartin
    • Pietro Falcone
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    12.079
    LA TUA VALUTAZIONE
    • Regia
      • Wim Wenders
    • Sceneggiatura
      • Peter Carey
      • Wim Wenders
      • Solveig Dommartin
    • Star
      • William Hurt
      • Solveig Dommartin
      • Pietro Falcone
    • 104Recensioni degli utenti
    • 43Recensioni della critica
    • 63Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 1 candidatura in totale

    Video1

    Until The End of the World
    Trailer 2:27
    Until The End of the World

    Foto116

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    Interpreti principali59

    Modifica
    William Hurt
    William Hurt
    • Sam Farber, alias Trevor McPhee
    Solveig Dommartin
    Solveig Dommartin
    • Claire Tourneur
    Pietro Falcone
    • Mario
    Enzo Turrin
    • Doctor
    Chick Ortega
    • Chico Rémy
    Eddy Mitchell
    Eddy Mitchell
    • Raymond Monnet
    Adelle Lutz
    Adelle Lutz
    • Makiko
    Ernie Dingo
    Ernie Dingo
    • Burt
    Jean-Charles Dumay
    • Mechanic
    • (as Jean Charles Dumay)
    Sam Neill
    Sam Neill
    • Eugene Fitzpatrick
    Ernest Berk
    • Anton Farber
    Christine Oesterlein
    • Irina Farber
    • (as Christine Österlein)
    Rüdiger Vogler
    Rüdiger Vogler
    • Phillip Winter
    Diogo Dória
    Diogo Dória
    • Receptionist
    • (as Diogo Doria)
    Amália Rodrigues
    Amália Rodrigues
    • Woman in Street Car
    • (as Amalia Rodrigues)
    Elena Prudnikova
    • Krasikova
    • (as Elena Smirnova)
    Jinzhan Zhang
    • Truck Driver
    • (as Zhang Jinzhan)
    Naoto Takenaka
    Naoto Takenaka
    • Custodian
    • Regia
      • Wim Wenders
    • Sceneggiatura
      • Peter Carey
      • Wim Wenders
      • Solveig Dommartin
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti104

    6,812K
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    Recensioni in evidenza

    7marshalskrieg

    Magnificent yet meandering...?

    Director Wim Wenders crafted a majestic, multi-continent -spanning, and quite long near masterpiece here, that near the end falls somewhat short due to certain loosely connected plot outcomes. Here, I am reviewing the 'quickie' 2 hour US version, though. The cinematography , casting, sound track... are all about as good as it gets, the cat and mouse chase between the main characters is nicely done, and through it all we have the overhanging threat of a global nuclear catastrophe in the form a runaway Indian nuclear satellite, which I felt could have been more urgently presented. All the characters meld well with the script and plot, but near the end I felt that the 'end of the world' aspect- the threat of literal annihilation- should have went in a more dangerous direction. Wenders punted . Part road trip movie, and totally an early 90's hipsters favorite, everyone should see this commercial failure- turned cult classic at least once, and try to watch the extended full length version if you can, I hear it is overall more engaging, it just adds up better, than the US one, despite the length ( about 5 hours). One subplot is the two edged nature of technology- nuclear power to heat and light up our lives yet a satellite might end it all.. and then more technology might save the day...... and a mysterious invention that relates to vision and dreams, but do we really want this? Overall very good, plus Max Von Sydow and William Hurt are in it, so how can you refuse ?
    9devojane1

    You don't know the half of it...

    The first 2 times I saw this film (on video), I fell asleep before the end. I thought the beginning was great, though, so I kept at it. When I finally saw the whole thing, I still thought it was pretty good, although rather disjointed. On the whole, I would agree with many other Imdb user comments (too long, incoherent, two movies in one, excellent soundtrack, etc.) That was before I saw the _whole_ movie.

    I had been watching the 158-minute American version and the 179-minute European version (almost indistinguishable) I had heard about the 280-minute "Trilogy" version 4 or 5 years ago when it was screened at the American Cinemateque (sp?) and when I read that it was to be screened again Jan 14 at the Egyptian Theater in Hollywood, I figured that a 5-hour (with 2 10-min. intermissions) version would be bloated and slow. I couldn't have been more wrong!

    "Die Trilogie" version of "Bis ans Ende der Welt" (prepared for German released w/ no subtitles) was one of the best movies ever! The extra footage gave more room to the story, the music, and ultimately made for a much more coherent movie. The relationship between Claire and Eugene is better explained, among other things. The Indian satelite is not ignored, like in the "Reader's Digest Version" (Wim Wenders' term). Songs heard for 10 seconds originally are now presented in their full glory, including a previously deleted version of Elvis Costello's "Days" performed by Solveig Dommartin, Chick Ortega, Ernie Dingo, Charlie McMahon, and David Gulpilil.

    According to the director, this version will be released on DVD in Europe in 2001, and possibly in the USA before 2002. I hope everyone can have a chance to see the complete, non-mutilated version of this wonderful movie!
    7gbill-74877

    Beautiful, lots of great moments, too long

    There are so many things to love about this film, starting with all of the places it takes us to and how beautifully they're captured. My goodness, it's gorgeous at times. There's also a wonderful little lookahead to technology of the future; though it's only set 8 years later, in 1999, there are all sorts of advances shown that are fun to compare to how things really turned out, such as the video phones, the Russian surveillance program with the animation of a bear that informs the user "I'm searching," and what Max von Sydow is cooking up in the desert. The soundtrack is comprised of great songs from an all-star list of bands from the period, and they fit the mood of the film perfectly. The film has got an apocalyptic feeling to it, and yet the story is playful and light, because the focus is on stolen money and chase that goes all over the world in the first half. As Solveig Dommartin's character puts it, "If it was the end of the world, why shouldn't we go down laughing?"

    I confess that for most of the runtime I thought this would have been better either as a drama/chase focused on the threat of nuclear Armageddon, or as a science fiction film about the technology of extracting images out of our brains, which is what we see in the second half, but not both. Aside from making the film god-awful long, it wasn't clear how these two things were really connected, that is, until the final half hour or so. Wenders seems to be saying that the threat to humanity may not actually be what everyone was worried about at the time, nuclear war (or in this case, a catastrophic nuclear accident), it may be people become addicted to technology, and having it steal their souls. It was absolutely remarkable to see the characters staring down bleary-eyed into their devices, when 30 years later we've all ended up staring down into our phones. What was a wonderfully organic community out in the Australian outback, with time for dancing and music amidst all of the research, becomes fractured, with isolated individuals caring more about their devices than others. I absolutely loved this aspect of the film.

    While it had a lot going for it, so much so that I might have rated it a little higher, I also struggled with it. Four hours and 47 minutes is a lot, and the film drags at times. In the first half it suffers from escape sequences that seem hokey in their conception and then not all that well acted, and in the second half, it just lags. I've liked William Hurt elsewhere, but did not like him at all here; I thought his performance was weak from beginning to end. Solveig Dommartin is just barely passable; while she brings a certain soul to the role and is easy on the eyes to say the least, she delivers her lines with very little range. Thank goodness for Max von Sydow and Jeanne Moreau, who were such a joy to see. Maybe I'm being too hard on the film or maybe I would have liked the three hour theatrical release that Wenders dismissed as the "Reader's Digest" version better, I don't know. It's got lots of moments that are 5 star and overall it's definitely worth seeing, but I wouldn't recommend it without reservations.
    10BillW

    An grand and inspiring adventure

    I have only seen the full-length 280-minute "trilogy" version of this film (at the 2001 USA Film Festival in Dallas), and I honestly cannot identify any sequences that could be cut without seriously compromising the flow of the story.

    This film works so well on so many different levels -- an adventure, a love story, a question of ethics and technology, life and death, love and family, but mostly it explores the question, "how far must we travel (or how long must we sit in the theater) to find that which we seek, and what exactly is it we're seeking anyway"?

    Yes, 4-1/2 hours is a long time to sit still (although, with two intermissions it's not all that bad), but for those of us who enjoy a good film that's not made from a pat formula of committee-designed ingredients in strictly regulated proportions, it's worth every minute.
    7loganx-2

    Seeing The World For The First And Last Time

    Wim Wenders over 5 hour globetrecking cyberpunk epic, is intended to be the ultimate road movie. It plays out like a miniseries, about a woman who just separated from her writer boyfriend(played by Sam Niel who serves as narrator), and crashes cars with wounded bank-robbers, they offer to give her some of the money if she will transport the cash the rest of the way to Paris for them. She agrees and uses her money to finance the trip that ensues for the rest of the movie. She immediately after meets William Hurt, a mysterious hitchhiker she becomes fascinated with. He is on the lamb, but from who, and why? After he ditches her and steals a hefty sum she becomes obsessed with finding him.

    All the while a rouge Indian nuclear satellite hovers above the Earth, haywire and endangering a possible nuclear Apocalypse if it accidentally detonates. The world is closer to ending than it has ever been, which means its just a story on the news in the background, most people try to ignore.

    The first segment, in this three part film, is their chase cross country and continent, "A Dance Around The World", as the book about their lives is latter called.

    They begin in Italy, and go on to Paris, Berlin, Moscow, Bejing, Tokyo, San Francisco, and finally the Australlian Outback, our heroin Miriam discovers, that Hurt is wanted for a stolen piece of Government property, a device that records the experience of seeing and translates the information as images. He is recording the most beautiful places in the world, for his blind mother. He is the son of Max Von Sydow, the inventor of the device. Their cat and mouse game becomes a whirlwind romance of constant movement and escape.

    By the third segment they reach Sydow's underground lab in Australlia, where they also discover that the device cannot only record seeing for the blind, but can record dreams if left on during sleep. The aboriginals who run the lab with Sydow refuse to work on his dream machine. Slowly but believably the rest of the staff, becomes obsessed with staring into the recordings of their dreams, "It got to the point where they dreamed of their dreams...and fell ever deeper into the black well of Narcissus .".

    There are car crashes, planes losing power midlight, and one gorgeous locale after another. Like "Alphaville" and "The Fall" this film is completely indebted to its beautiful sights, that it finds and photographs. At five hours long, you can imagine it meanders a good deal. And it does, but for a film so dedicated to the pure spectacle and profound importance and danger of "seeing things", I didn't mind.

    Future content wise, there is a clear opposition between the dual natures of the machine, helping the blind to see the world, and allowing the sightful to intrude upon their private internal world, whose appeal is magnetic and addictive. Tecnhology is a double edged sword, amazing but not without its serious ethical and philosophical dilemmas (which is the more real world the one within or without? etc), this movie doesn't delve into it conversation wise, it's lets everything play out, at five hours it gives you the credit that you can work it out for yourself.

    It's really just a beautiful film to watch, that's much sweeter and gentler than most sci-fi, and more fascinating too because it doesn't shove its implications down your throat.

    Wim Wenders, got people like The Talking Heads, Can, Lou Reed, Patti Smith, Elvis Costello, U2, Nick Cave, and many many more, to make original songs for the soundtrack about the new millennium. While many of the songs are very good, most are awkwardly placed as well. No doubt Wenders was really excited about all the music and just wanted to use everything.

    Definitely flawed, but a richly excessive and eccentric experiments and time capsule. Despite its hefty run time, I thought Wenders was sensitive, to the changing dynamics of the future world, it's not dystopian and it's not Star Trek/Fifth Element Space Opera either, it occupies, a space, where simple good or bad, are no longer really relevant to discussion.

    At one point when everyone assumes the world has ended Sam Niel's character is playing in a small band with several Aboriginal neural scientists, a few french-bank robbers, a British bounty hunter, and some random strays who wandered into the Australian compound fearful of nuclear fallout, and they play a music that sounds like Australlian Blue Grass; Didgeridoo's and pianos, harmonica's, and trumpets, blending together to create something singular and new. He notes to himself, "This entire trip has not been about helping a blind woman to see, or gazing into ourselves. But this adventure, the satellite, the machine, the crash, it all occurred, so we could be here, at this moment, to create this music which would have never otherwise existed, right at the crest of the end of the world".

    Few sci-fi films are dedicated to power of music(that the characters play), words(that Sam Neil records for his novel), and images(of coming war, of the beauty of the world, and the contours of our own mind/dream/souls,etc). In Alphaville when the computer asks Lemmy Caution, "What moves the night?", Caution responds, point blank, "Poetry". Wim Wenders updates, upgrades, and extends this concept for the new millennium. Though I cant remember too much of what was said, I'm still humming along days later, with some pretty pictures circulating in my head like post cards from an alternate universe.

    It's a bittersweet, love, travelogue, adventure story, for the New Millennium; "Where In The Wolrd Is Carmen San Diego?", as written by William Gibson on a sentimental day.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Wim Wenders' original rough cut for this film was twenty hours long.
    • Blooper
      When several of the European characters leave the Mbantua settlement to take a group photo, believing the adventure to be over, the voice-over mentions that it's February, 2000. Yet shortly after, as Henry Farber is trying a new series of experiments on recording dream imagery, a computer display for the current experiment shows January 21.
    • Citazioni

      Eugene Fitzpatrick: [voice over] Soon they were hooked; all of them. They lived to see their dreams, and when they slept they dreamed about their dreams. They had arrived at the island of dreams together; but in a short time they were oceans apart. I watched helplessly as Claire and Sam were drowning in their own nocturnal imagery. They ignored each other, and neglected themselves. The dreams which should have been flushed away with the first yawn, were now their only diet; and thus became more and more concentrated. They made monsters for themselves that they could neither tolerate nor do without... They wandered in and out of lost worlds. Feelings and figures emerged from a forgotten past. Their dreams became black holes of isolation... They suffered, finally; from a complete loss of reality.

    • Versioni alternative
      The film exists in four separate versions. The first is the significantly cut American 158-minute version released by Warner Bros. in theaters, and on VHS, LaserDisc, and some streaming platforms. Wenders has disparagingly referred this cut as the 'reader's digest version'. The second is a 179-minute cut that existed only on Japanese LaserDisc. The third is Wim Wenders' director's cut, which runs 300 minutes. This cut significantly expands scenes, motivates Claire's romantic involvement with Sam Farber and keeps it from seeming less frivolous and more the expression of a wounded heart, additional scenes in Japan, and in San Francisco with Allen Garfield as an evil car salesman (a take-off on his character in another Wenders film), and numerous other expansions/additions. This full-length version divided the film into three parts, all given episode names, and all with opening credits because it was originally intended for this version to be shown as three separate films, or as a mini-series. This 300-minute cut was only available on DVD in Germany, Italy and France. It was screened several times over the years in America and the UK: the National Film Theatre in London on Saturday 2nd July 1994, December 6, 1996 at the University of Washington, with director Wim Wenders attending, Jan. 14, 2001 at the American Cinematheque (with Wenders attending), February 24, 2001 at the Directors Guild of America Theater with Wenders announcing the film would be released on DVD.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Memo to the Academy - 1992 (1992)
    • Colonne sonore
      Opening Titles
      Written by Graeme Revell

      Performed by David Darling (cello solo)

      Courtesy of Trans Glide Music BMI

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    Dettagli

    Modifica
    • Data di uscita
      • 12 settembre 1991 (Germania)
    • Paesi di origine
      • Germania
      • Francia
      • Australia
      • Stati Uniti
    • Siti ufficiali
      • Criterion Channel
      • Criterion Collection
    • Lingue
      • Inglese
      • Francese
      • Italiano
      • Giapponese
      • Tedesco
    • Celebre anche come
      • Hasta el fin del mundo
    • Luoghi delle riprese
      • Tosca Cafe - 242 Columbus Avenue, North Beach, San Francisco, California, Stati Uniti(Claire meets Sam again)
    • Aziende produttrici
      • Argos Films
      • Road Movies Filmproduktion
      • Village Roadshow Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 23.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 829.625 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 38.553 USD
      • 29 dic 1991
    • Lordo in tutto il mondo
      • 829.625 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 4h 47min(287 min)
    • Colore
      • Color
    • Proporzioni
      • 1.66 : 1

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