Beastmaster 2: Attraverso il portale del tempo
Titolo originale: Beastmaster 2: Through the Portal of Time
VALUTAZIONE IMDb
4,2/10
3790
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDar is a warrior who can talk to the beasts. He is forced to travel to Earth to stop his evil brother from stealing an atomic bomb and turning their native land from a desert into, well - a ... Leggi tuttoDar is a warrior who can talk to the beasts. He is forced to travel to Earth to stop his evil brother from stealing an atomic bomb and turning their native land from a desert into, well - a desert.Dar is a warrior who can talk to the beasts. He is forced to travel to Earth to stop his evil brother from stealing an atomic bomb and turning their native land from a desert into, well - a desert.
- Regia
- Sceneggiatura
- Star
Lawrence Dobkin
- Adm. Binns
- (as Larry Dobkin)
Steve Donmyer
- Police Officer
- (as Steve Donmeyer)
Richard L. Duran
- Guard #1
- (as Richard Duran)
James Patten Eagle
- Soldier
- (as Jim Eagle)
Recensioni in evidenza
First of all: Remember that this genre was quite popular in the beginning of the 90's, as well during the 80's of course. Many out there who're voting, and never seen this before, tend to compare this with modern movies and their film techniques and not seeing it for what it is. Not going to say masterpiece here, nor a work of art, but well above average. Actually, there's one part of this movie-series that are in some fashion a work of art, and that'd be the work they did with the animals. No you say? How do you get a friggen tiger to behave, the ferrets (Of which we won't get to see too much, except for in the beginning, as they "acted" in the first movie. That eagle, how do you train one to begin with? Let alone getting it to lay almost dormant on the ground for that period of time until Dar picks him up?
Then there's that nostalgic feeling of the 90's vs. a parallel world without modern technology. That part I like, and also am missing the 80-90's when ppl. were more friendly (Started to become worse during the 90's though) and not like today were we're screwing one another over something as trivial as monetary issues, or even worse, status. I'm not saying that y2k is when it all started or anything, 'cos it did way before that, I'd say like the 70's or something like that, probably before that, but what I'm saying is that it has escalated enormously since technology grew into what it is today when it's easier to hide behind a computer instead of socialize as we did 'back then'.
With this I want to point out that "thanks" to science we've become increasingly obsessed about, or should I write picky about how well a movie is made, what funding it had, how good the directors (status) are etc. This is what passes for good movies nowadays. Yeah, sure, a lot of them ARE good, but that's most likely because they (Companies behind them) were well funded and all of that ballet. Back in the old days the filming-crews were experimenting with new cameras, lenses, and generally improvised whenever something difficult to shoot came up. They didn't have the same kind of funding either, as the the investors weren't aware whether it'd be a success or not. And by saying that, they also didn't have that much insight into the technical stuff (A.k.a. - This is how the movie will turn out to become!).
It bothers me that ppl. are ignorant of such things, as well as clanking down on actors ("Bad" movies in general), when it's really the (casting-) directors fault, or just a bad written script. It's rarely ppl. take a movie for what it is and how much heart has been put into it.
This movie I think they mostly did for fun, and because we ppl. always have it in for cultural hick-ups and also we like it when disasters happen and all that jazz.
I gave this 6 out of 10 just because it's fun, retro, and I like Mark Singer (Mostly from V-series really) as an actor.
Then there's that nostalgic feeling of the 90's vs. a parallel world without modern technology. That part I like, and also am missing the 80-90's when ppl. were more friendly (Started to become worse during the 90's though) and not like today were we're screwing one another over something as trivial as monetary issues, or even worse, status. I'm not saying that y2k is when it all started or anything, 'cos it did way before that, I'd say like the 70's or something like that, probably before that, but what I'm saying is that it has escalated enormously since technology grew into what it is today when it's easier to hide behind a computer instead of socialize as we did 'back then'.
With this I want to point out that "thanks" to science we've become increasingly obsessed about, or should I write picky about how well a movie is made, what funding it had, how good the directors (status) are etc. This is what passes for good movies nowadays. Yeah, sure, a lot of them ARE good, but that's most likely because they (Companies behind them) were well funded and all of that ballet. Back in the old days the filming-crews were experimenting with new cameras, lenses, and generally improvised whenever something difficult to shoot came up. They didn't have the same kind of funding either, as the the investors weren't aware whether it'd be a success or not. And by saying that, they also didn't have that much insight into the technical stuff (A.k.a. - This is how the movie will turn out to become!).
It bothers me that ppl. are ignorant of such things, as well as clanking down on actors ("Bad" movies in general), when it's really the (casting-) directors fault, or just a bad written script. It's rarely ppl. take a movie for what it is and how much heart has been put into it.
This movie I think they mostly did for fun, and because we ppl. always have it in for cultural hick-ups and also we like it when disasters happen and all that jazz.
I gave this 6 out of 10 just because it's fun, retro, and I like Mark Singer (Mostly from V-series really) as an actor.
During the closing credits (at least in the version that hit theatres), the Beastmaster can be seen running into the sunset. This sunset is actually a painted backdrop, and after a while, you can clearly discern that the guy is actually running in place for almost two minutes as the credits roll! A perfect end to a perfect movie!
Dar (Marc Singer) fights against the villain Arklon (Wings Hauser) who can shoot laser beams and uses his devilish laugh frequently to prove how evil he really is. A witch (Sarah Douglas) offers him access to a strange world, the so-called LA, where Arklon can obtain a weapon of ultimate power, the neutron bomb. Quicker than you can say 'transdimensional gate', Arklon, Dar and the witch jump through the gate and confuse people in Los Angeles by their outlandish garb. Dar meets a senator's rich daughter (young Kari Wuhrer) who introduces him to cars and other miracles of this world.
The sequel is nowhere near the qualities of the first movie, and it suffers from some scenes where the contrast between barbarians and modern age is just not as funny as the makers expected it to be. Still an entertaining little trash flick with a couple of good moments - I don't think I have seen another movie where policemen are trying to catch a guy with a pet tiger.
The sequel is nowhere near the qualities of the first movie, and it suffers from some scenes where the contrast between barbarians and modern age is just not as funny as the makers expected it to be. Still an entertaining little trash flick with a couple of good moments - I don't think I have seen another movie where policemen are trying to catch a guy with a pet tiger.
A middling sequel to the original, not as good as that but far better than the third. This one does actually have a budget, albeit a B-movie budget, and starts off with the usual low rent heroic action before moving the action to then-modern day L. A. where the usual fish out of water action takes place. A typical mix of CONAN and DR DOOLITTLE here, a far cry from THE ICEMAN COMETH but reasonably entertaining if you're in the right cheesy mood. The cast includes genre standby Wings Hauser, a young Kari Wuhrer, and Uncle Phil himself.
- Near the end, when Jackie and Dar approch the military base, they are on a Mercedes. A few shots later, it has become a BMW - At the begining, Jackie leave her car in the desert and go looking for gas, but she let her lights full on. That is not logical, especially singe at the very end we see that her car is still having power. - At the end, just before Dar returns in his world, Jackie's car is facing the wall. After Dar leaves, the car is in the other side.
Lo sapevi?
- QuizThe subtitle of the film is "Through the Portal of Time," but the plot doesn't involve travel through a time portal. The characters travel through a portal to a parallel universe where the 1991 Earth exists.
- BlooperIn the first film, Dar's symbol is on his left hand. In this film, it's on his right hand, as seen in the battle against the creature, at about 19:20.
- ConnessioniFeatured in The Making of 'Beastmaster 2: Through the Portal of Time' (1991)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Beastmaster 2: Through the Portal of Time?Powered by Alexa
Dettagli
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 869.325 USD
- Fine settimana di apertura Stati Uniti e Canada
- 381.889 USD
- 2 set 1991
- Lordo in tutto il mondo
- 869.325 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti