Giocando nei campi del Signore

I'm watching it for the third time on TV. I'm glad there are no commercials [with a film of this length it helps to have no interruptions; the narrative is also much easier to follow].

It's true that it is not a feel-good movie; but it is profound, illuminating, and with humorous moments. It seems immensely true to human nature in the ways I know it--interpersonal, native & religious. Some characters are a bit too stereotyped, but how long would the movie be if they were drawn more slowly?

A comparison: I couldn't watch the movie "The Mission" three times. To me that seemed only painful.

The only nudity I had a problem with was Daryl Hannah's--it seemed a bit gratuitous.

Great acting in many quarters. The Indians were superb. I liked Tom Berenger better than in any other of his movies. I liked the use of the setting, the camera work, the editing, the soundtrack...

I want the DVD!

Directed by Academy Award nominated Argentinian-Brazilian writer-director Hector Babenco and co-written by a longtime Luis Buñuel collaborator Jean Claude Carriere this is a breathtakingly beautiful, masterfully directed film, that features a story of two protestant missionary couples from a small town in U.S. that come to Amazonia with an intent to preach to the wild Indians of the area and an American pilot, wonderfully played by Tom Berenger, who feels atracted to the way of life of the Indians and joins and lives with them. Following the life of it´s protagonists in Amazonian forest, the film explores many subjects, such as: religious fanaticism and intolerance, ecology, destructive external influence on an unique Indian culture and, of cause, lust and greed. It´s slowly paced and has a duration of over 3 hours but it never became boring, at least for me. I was surprised to find that this film has an average rating of only 6.3 here on IMDB. It certainly deserves much more. 8/10

I fell into this movie, broadcast by Belgian 2, in the scene where the evangelists travel up the river. The cast immediately caught the attention: what are all these actors, who usually don't play adventure type characters, doing in the Amazon?! Then Berenger is shown in a kind of nudity I thought US/Hollywood culture forbade. This absence of hypocrisy combined with quality actors made me sit straight. I had already missed a lot, but there was plenty of great and convincing story telling left. People struggle, try over and over to keep on going when things go wrong. Cultures try to interact but fail in different ways. Several of the main characters die of unexpected but reasonable events. And everything is so well set, framed and timed that it keeps watchable. The scene where Bates, dressed as a native exorcist, dances on her grief over a horrible loss was beautiful. There's MAYBE one scene just a bit artificial, where Hannah has pulled up a leg to hide some of her nudity for The Camera: it contrasts with her subsequent confrontation with Moon where she doesn't show any embarrassment.

The supporting acting by natives (mostly people who had only just adapted 'civilization' and who could still remember village life) is surprisingly good. The native language that was created sounds really well, not like any language I've ever heard, and it is spoken consistently as far as I can hear. The final shot is impressive, and the accompanying music sublimely subtle. I really must see the first 30 minutes some time!

A late adaptation of author-naturalist Peter Mathiessen's 1965 novel about missionaries in South America (Aidan Quinn and John Lithgow), their wives (Kathy Bates and Darryl Hannah, respectively) and their chance encounter with an American Indian (Tom Berenger) who is trying to exorcise the ghosts of his life on the reservation by joining a stone age tribe that the missionaries are trying to convert. This is a remarkable cast for a movie with such intense, personal themes, and each of the actors delivers an excellent performance. Berenger was perhaps an odd choice to play an American Indian, but he does the best that he can with the role.

Mathiessen is one of the great writers of the late twentieth century--an American answer to Graham Greene or Joseph Conrad, perhaps--whose literary canvas is literally almost the entire world. This is an appropriately challenging and demanding interpretation of his always challenging and demanding (though under-appreciated) work.

In "At Play in the Fields of the Lord", the remarkable Hector Babenco (Pixote, Kiss of the Spider Woman) paints a portrait of disillusion and despair on a canvas of sun-dappled green.

This is no mere tract on the consequences of cultural imperialism, but an examination of the myriad ways in which human folly, ignorance and arrogance (with an assist from the heedless juggernaut of Nature) conspire to overcome idealism, innocence, and the fragile constructs of civilization. This is not a "feel-good" flick, but it is a powerful and affecting one.

The actors involved--including Tom Berenger, Aidann Quinn, John Lithgow and Daryl Hannah (!)--all give intelligent and well-modulated performances. And, once again, the astonishing Kathy Bates blows everyone else away with her wrenching turn as Quinn's reluctant (and ultimately devastated) wife.

The film is long, dark and stubbornly pessimistic-- but also visually lush and emotionally cathartic; ultimately, the viewer will find it unforgettable.