G.B.H.

Putting aside Robert Lindsay's much deserved BAFTA for his portrayal of sleazy politician Michael Murray, this show is worth watching because Alan Bleasdale's script is simply phenomenal. Even when the plot actually on occasion does move where you think it will -- you'll still be surprised, amazed, amused, angered. In short, this must be something like the Elizabethan audiences felt when they first watched Hamlet. The script is densely layered, mounting complexities upon issues upon personalities. And for all that, one doesn't have to be a genius to understand it and be moved through a number of emotions and reactions before finally being hung out to dry. It's brilliant.

GBH is an excellent view of the would-be overlords of local government in the UK, using everybody (whether within or without the overlord's grand plan) to achieve the goal of power.

The situation is viewed through the eyes of the elected local government official who is played like a puppet by the would-be power-mongers of the day (pseudo-socialists trying to hijack every situation to make the tory government of the day look ridiculous) regardless of the casualties caused by their actions.

The elected official starts out as a hard character, whose weak spots are exposed by the puppeteers through a relentless barrage of political and psychological attacks, gradually exposing the child within the hard exterior - and ultimately concluding with the deposition of said character - who departs with most of (if not all) of the audience's sympathy.

This is a riot of a screenplay, placing first our hatred, and then our sympathy with main character - often with bizarre & humorous consequences.

I dont know what it was in the 90's but UK TV produced GBH, Our Friends in the North and Prime Suspect.

My favourite was GBH, it is so substantially long that all characters receive the fleshing out they deserve, some episodes are hard hitting drama, others are on a smaller more personal level and others are out and out hilarious (one commentator mentions the daleks scene which was verging on slapstick in the midst of high drama and yet it worked perfectly).

Simple to follow yet complicated plot, great all round performances cemented by towering contributions from Robert Lynsey and Michael Palin, while the script wears its heart on its sleeve it does not become too sentimental, nor does it lecture.

Perfect television, and criminally unreleased on dvd, Channel 4 would make a packet if they repeated it then released a spec edition.

Just an addendum to my review: someone commented on the important scene which takes place during a Dr Who convention. 28 years previously, G.B.H. executive producer Verity Lambert had been the legendary original producer of Dr Who, who recruited William Hartnell as the first Doctor. There's no way that scene was a coincidence :)

During CoVid-19 lockdown I have re-watched GBH for first time since it was shown in 1991. I had forgotten just how good it is but also realised how relevant it still is today. So many references to things happening now, or one step away! On a personal note my mother appears as an extra in the series, so a double pleasure.