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Cuore selvaggio

Titolo originale: Wild at Heart
  • 1990
  • T
  • 2h 5min
VALUTAZIONE IMDb
7,2/10
108.768
LA TUA VALUTAZIONE
POPOLARITÀ
1951
915
Nicolas Cage and Laura Dern in Cuore selvaggio (1990)
Home Video Trailer from Samuel Goldwyn
Riproduci trailer1: 50
7 video
99+ foto
Dark ComedyRoad TripCrimeDramaThriller

I giovani amanti Sailor e Lula scappano dalla varietà di pazzi che la mamma di Lula ha assunto per uccidere Sailor.I giovani amanti Sailor e Lula scappano dalla varietà di pazzi che la mamma di Lula ha assunto per uccidere Sailor.I giovani amanti Sailor e Lula scappano dalla varietà di pazzi che la mamma di Lula ha assunto per uccidere Sailor.

  • Regia
    • David Lynch
  • Sceneggiatura
    • Barry Gifford
    • David Lynch
  • Star
    • Nicolas Cage
    • Laura Dern
    • Willem Dafoe
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    108.768
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1951
    915
    • Regia
      • David Lynch
    • Sceneggiatura
      • Barry Gifford
      • David Lynch
    • Star
      • Nicolas Cage
      • Laura Dern
      • Willem Dafoe
    • 289Recensioni degli utenti
    • 112Recensioni della critica
    • 52Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 5 vittorie e 13 candidature totali

    Video7

    Wild at Heart
    Trailer 1:50
    Wild at Heart
    Pedro Pascal Answers Our Burning Questions
    Clip 2:26
    Pedro Pascal Answers Our Burning Questions
    Pedro Pascal Answers Our Burning Questions
    Clip 2:26
    Pedro Pascal Answers Our Burning Questions
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch
    5 Forgotten Gems From 1990
    Clip 4:04
    5 Forgotten Gems From 1990
    'Wild At Heart' | Anniversary Mashup
    Clip 1:27
    'Wild At Heart' | Anniversary Mashup
    Wild at Heart
    Clip 2:46
    Wild at Heart

    Foto159

    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 154
    Visualizza poster

    Interpreti principali52

    Modifica
    Nicolas Cage
    Nicolas Cage
    • Sailor
    Laura Dern
    Laura Dern
    • Lula
    Willem Dafoe
    Willem Dafoe
    • Bobby Peru
    J.E. Freeman
    J.E. Freeman
    • Santos
    Crispin Glover
    Crispin Glover
    • Dell
    Diane Ladd
    Diane Ladd
    • Marietta Fortune
    Calvin Lockhart
    Calvin Lockhart
    • Reggie
    Isabella Rossellini
    Isabella Rossellini
    • Perdita
    Harry Dean Stanton
    Harry Dean Stanton
    • Johnnie Farragut
    Grace Zabriskie
    Grace Zabriskie
    • Juana
    Sherilyn Fenn
    Sherilyn Fenn
    • Girl in Accident
    Marvin Kaplan
    Marvin Kaplan
    • Uncle Pooch
    William Morgan Sheppard
    William Morgan Sheppard
    • Mr. Reindeer
    • (as W. Morgan Sheppard)
    David Patrick Kelly
    David Patrick Kelly
    • Dropshadow
    Freddie Jones
    Freddie Jones
    • George Kovich
    John Lurie
    John Lurie
    • Sparky
    Jack Nance
    Jack Nance
    • 00 Spool
    Pruitt Taylor Vince
    Pruitt Taylor Vince
    • Buddy
    • Regia
      • David Lynch
    • Sceneggiatura
      • Barry Gifford
      • David Lynch
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti289

    7,2108.7K
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    Recensioni in evidenza

    8Coventry

    Lynch on the road to hell

    The most creative and controversial director in cinema is back with a road-movie! Wild at Heart is one rough roller coaster ride and a typical Lynch-cocktail of violence, sex and of course…bizarre characters. I challenge you to find one personality in this film that could be referred to as a ‘normal human being'. As usually, Lynch introduces a bunch of wicked individuals in his film who're all messed up in the head pretty bad. Yet, I feel like Wild at Heart might be Lynch's most accessible film (outside The Elephant Man and The Straight Story). The structure remains chronological and quite easy to follow. Unlike the previous Blue Velvet, I feel like the plot and development of Wild at Heart is a bit inferior to the wonderful photography. The greatest aspects in the screenplay are in fact the delicious side-chapters that are told without absolute necessity. Like the story about Lula's cousin Dell (Crispin Glover), the torture of Harry Dean Stanton's character and the nasty and disturbing images of a car accident the protagonists come across. These are the little sequences that truly prove Lynch's talent as a storyteller. Overall and simply put: this movie is COOL! It's a joy to watch and you really hate to love some of the offensive characters. Willem Dafoe takes the cake as Bobby Peru. His portrayal is a neat follow-up to Blue Velvet's Frank Booth. Peru is a filthy and despicable pervert with itchy-trigger-fingers! It's a damn shame he hasn't got any more screen time. Wild at Heart surely isn't the greatest masterpiece out there, but you should love it for what it is: an absurd and entertaining adventure with a couple of thought-provoking values and an extraordinary love-lesson.
    7truemythmedia

    A Lynchian Love Story

    I feel like "Wild at Heart" is one of Lynch's forgotten films, and I can sort of see why. Though I enjoyed my time with Sailor (Nicolas Cage, "Leaving Las Vegas"), Lula (Laura Dern, "Marriage Story"), and all the other various other bizarre characters that populate this weird romantic tale, I can honestly say that this is one of my least favorite Lynch movies. It's not bad, it just doesn't do a whole lot for me, especially when compared to Lynch's masterpieces (Twin Peaks TV show, "Eraserhead", "Mulholland Drive", "Inland Empire"). When Lynch is at the peak of his directing powers, his films can prompt me to question and meditate upon the very nature of our reality; "Wild at Heart" is just a decent road trip movie with a few really quirky moments and a whole lot of wackos.

    As a side note: it blows my mind that this won the Palme d'Or in 1990. According to IMDb's trivia section on this film, Roger Ebert, who seemed to have a distaste for Lynch (check out his "Blue Velvet" review), booed so loudly that it almost drowned out the cheers when the award was announced. Though I honestly don't think this film deserves to stand beside the likes of other winners like "Parasite", "Shoplifters", "Blue is the Warmest Color", or "4 Months, 3 Weeks and 2 Days", I also can't ever imagine being so upset over a film award that I'd boo the recipient... but hey, that's just me.
    bob the moo

    A typical Lynch film - I'll leave it to you to decide if that's a good thing or bad thing

    Almost two years after beating a man to death in a fight, Sailor is released from prison and restarts his relationship with Lula - much to the disapproval of Lula's mother. When Sailor and Lula break parole and head for California, she hires a hitman after them to kill Sailor. Unaware of this, Sailor and Lula continue west, encountering all manner of weird and wonderful people on their way.

    I first tried to watch this when it first came on television, but I was watching it with family and felt uncomfortable with the nudity and turned it off. Years later I have seen many other Lynch films, have loved Twin Peaks and looked forward to a chance to watch it. I sat to watch it aware of the basic plot and that it was to be full of references to Wizard of Oz, but I wasn't prepared for the biggest surprise - that it just wasn't that good a film. I am not adverse to Lynch's universe of weird characters but I don't like it when I get the feeling that he is simply being weird for the sake of it.

    Certainly that seemed to be the case here: the plot is so loose and meaningless to almost be pointless even as a frame for weirdness - which is what it really is. The references to Wizard of Oz are all there but, rather than being part of the film, they are stuck in with clumsiness all the way - they seem like a gimmicky afterthought rather than a carefully scripted part of the film. The plot is more a collected of the usual Lynchian weirdness and gore. Sometimes this works really well when it is framed within an engaging film, but here the characters, images and action are all just left drifting in a relatively empty film. It's a shame because I really like many of Lynch's films and was looking forward to this, but even I am forced to admit that this film just isn't that good.

    The cast features many of Lynch regulars, but many seem to be lost due to the fact that they haven't got the material to do their stuff within. Cage is really quite good despite his simple character. Dern is given more to do but comes across rather hammy with it - her character should have had the emotional buy in to the film but she can't deliver it. Turns from Dafoe, Stanton, Rossellini, Fenn, Glover and others are all good but they exist as free floating weird characters rather than part of the film in the way I would have liked.

    Overall this is a typical Lynchian film in it's imagery, weird characters, strange story and violent/sexual content. Usually these would be good things in this context but here they aren't put together very well creating a film that, although worth seeing and weirdly fascinating, is not actually that good a film.
    7emm

    Inventive, bleak romance drama has power

    A real stimulatingly offbeat exhibition from Lynch is the dark and wild backdrop of a romantically engaged traveling pair: "Sailor" who is on parole after committing a brutal murder, and "Lula" whose mother demands her to return from a spoiled trip to Texas with help from a detective. It's a twisted, artsy journey that is often repulsive and long to boot (and certainly not for the squeamish!), but fares inventive at a certain degree and boasts some of the strongest performances ever worked on a Lynch film, perhaps even in 1990. Cage's concert act and the magically rendered semi-ending are two classic acclaims put together in this moving cinematic collage.

    RATING: * * *
    Stu-5

    So violent, bizarre and mysterious that it actually works.

    The opening scene to Wild At Heart features Nick Cage ferociously beating an assassin to death. Heads are rammed against walls, fists are lunged into guts and what results is a brutally bashed corpse with brains pouring out of it's head. This kind of high-octane violence which is fueled by maniacal characters and deranged intervals creates a fantastic effect. One which has so much impact and so much individuality to it's merit that it turns out to be one hell of a movie.

    This is simultaneously a thrilling road movie and a revelation of small town, American country folk. The two protagonists, Sailor and Lula (Nicholas Cage and Laura Dern) are so in love with each other that they'd go to extreme lengths not to be separated. Their separation is exactly what Lula's crazed mother wants, as she believes that Sailor is a cold-blooded murderer who is putting her daughter in danger. Her anger is so fierce that the viewer becomes slightly scared by her: her manic fits of rage where she plasters herself in red lipstick; her bizarre paroxysms fueled by numerous cocktails. All of her slight idiosyncrasies and mannerisms well up to create a very intimidating mother. She sends out a hitman to dispose of Sailor and bring back her daughter, but the lovely couple are on the run from her and the law.

    Sailor and Lula meet up with some very strange characters whilst travelling far away from Lula's mother. The eccentricities of 'Tuna Town' in Texas, the insane car accident victim and Lula's nutcase cousin who believes that "the man with the black glove is coming to get him". It's all rudimentary David Lynch fare. He has mastered the art of contemporary film making: a clever blend of black-comedy, violence and fantasy.

    The viewer builds an empathy for the two main characters, as it would be a terrible thing to see their undying love for each other shattered. The other characters in the movie all seem to want to destroy that love. Sailor's character, although violent and hardbitten, seems the most normal of the lot. It takes a sane man to make sense of all the insane folk in America's underbelly. He puts up with a lot from everyone, but all he really wants to do is escape from it all with Lula.

    After all, who can love in a world that's wild at heart?

    Nine out of ten.

    Altri elementi simili

    Strade perdute
    7,6
    Strade perdute
    Velluto blu
    7,7
    Velluto blu
    Eraserhead - La mente che cancella
    7,3
    Eraserhead - La mente che cancella
    Inland Empire - L'impero della mente
    6,8
    Inland Empire - L'impero della mente
    Fuoco cammina con me
    7,3
    Fuoco cammina con me
    Una storia vera
    8,0
    Una storia vera
    The Elephant Man
    8,2
    The Elephant Man
    Mulholland Drive
    7,9
    Mulholland Drive
    I segreti di Twin Peaks
    8,9
    I segreti di Twin Peaks
    Mulholland Dr.
    8,2
    Mulholland Dr.
    I segreti di Twin Peaks
    8,7
    I segreti di Twin Peaks
    Twin Peaks
    8,5
    Twin Peaks

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Sherilyn Fenn's accident scene came from David Lynch's impression of Fenn as a porcelain doll, and from the idea of seeing a porcelain doll breaking. He kept telling her about that, and that's how the scene was born. Lynch said of the scene, "I just pictured her being able to do this. She's like a broken china doll." Lynch got the same inspiration for the car accident scene in Mulholland Drive (2001). His direction to actress Laura Harring was to act like a broken porcelain doll. Incidentally, the idea for Mulholland Drive came from a desire to spin-off of Lynch's television series I segreti di Twin Peaks (1990), with Fenn as her Peaks character, Audrey Horne.
    • Blooper
      During the scene when Sailor's is running through a traffic jam to find Lula, a crew member and boom mic is visible in the reflection of one of the windows of a black van.
    • Citazioni

      Lula: This whole world's wild at heart and weird on top.

    • Curiosità sui crediti
      The ending credits play over footage of Sailor singing "Love Me Tender" to Lula, rather than a black screen.
    • Versioni alternative
      To avoid an X-rating in the USA, David Lynch added a smoky haze and spark impact to the shots where Bobby Peru (Willem Dafoe) shoots himself with a shotgun and blows his head off. The second shot has the same smoky haze on it to hide the chunk of his head flying though the air. The effect made the removal of his head from his body less clear and muted the blood and gore and got the movie an "R" rating. The uncut version was released outside the USA, but since the David Lynch-approved DVD came out in the U.S. (the shot was altered there), the censored transfer has been used on worldwide DVD releases as well, while most of the versions with the bloodier version of the scene have gone out of print. Oddly enough, the more graphic version is still shown in TV airings in the U.S. on the Sundance Channel.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Darkman/Wild at Heart/Pump Up the Volume/My Blue Heaven/The Witches (1990)
    • Colonne sonore
      Slaughter House
      Written by Joel DuBay, Jeffrey Litke & Adrian Liberty

      Performed by Powermad

      Published by Cosmic Lug Publishing (ASCAP)

      Courtesy of Reprise Records

      by Arrangement with Warner Special Products

    I più visti

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    Dettagli

    Modifica
    • Data di uscita
      • 26 ottobre 1990 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Salvaje de corazón
    • Luoghi delle riprese
      • El Paso, Texas, Stati Uniti(Big Tuna, Texas town setting)
    • Aziende produttrici
      • Polygram Filmed Entertainment
      • Propaganda Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 9.500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 14.560.247 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 2.913.764 USD
      • 19 ago 1990
    • Lordo in tutto il mondo
      • 14.587.084 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 5 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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