VALUTAZIONE IMDb
5,9/10
1862
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA wealthy businessman shows his young-adult offspring how tough life can be.A wealthy businessman shows his young-adult offspring how tough life can be.A wealthy businessman shows his young-adult offspring how tough life can be.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Timothy D. Stickney
- Marcus
- (as Timothy Stickney)
Tabitha St. Germain
- Secretary
- (as Paulina Gillis)
Recensioni in evidenza
This "farce" about a wealthy millionaire who puts his spoiled children out of their plush lifestyle, forcing them to live in a Brooklyn slum building he owns is a strange little item. There was possibilities in the storyline but Coleman's children (which include Uma Thurman) are so flighty they get on your nerves quickly. Circumstances occur that force Coleman to enlist his children's help and the movie gets unglued at the end. Both Dabney Coleman and Joanna Cassidy, both fondly remembered from the "Buffalo Bill" tv series of the mid 80's, deserve better.
This film brought out the barracuda in most of the major critics. And did the public take one bit of notion? It did and flocked elsewhere.
But I still remember the overall impact this forgotten little gem had on me when I watched it some 14 odd years ago in one of these little arthouse cinemas that had all but vanished as multiplexes became the latest rage. 'Breathtaking' was the word for it. This reaction was caused by the picture's extraordinary visual beauty: cinematography as an art form has never been more ravishingly demonstrated as in the composition of light, shade and colour. I remember a series of scenes so beautiful I wanted to stop the moving pictures occasionally and just be a picture.
But like other visual masterpieces, its triumph did not extend to the screenplay and dialogues that were often boring, sometimes even downright foolish.
But I still remember the overall impact this forgotten little gem had on me when I watched it some 14 odd years ago in one of these little arthouse cinemas that had all but vanished as multiplexes became the latest rage. 'Breathtaking' was the word for it. This reaction was caused by the picture's extraordinary visual beauty: cinematography as an art form has never been more ravishingly demonstrated as in the composition of light, shade and colour. I remember a series of scenes so beautiful I wanted to stop the moving pictures occasionally and just be a picture.
But like other visual masterpieces, its triumph did not extend to the screenplay and dialogues that were often boring, sometimes even downright foolish.
Pity the poor reviewer who disliked / didn't understand this wonderful film. What a sad life he must lead!
This movie has more to say about life and relationships than most I've ever seen, yet it's not dark or preachy like the "ordinary people" type of film. It is mostly humorous, though not technically a comedy.
The whole thing feels a little like a fantasy, perhaps Shakespear's "Midsummer Nights' Dream." Beautiful, intelligent women abound, with wonderful cinematography and a non-insulting screenplay that doesn't miss a beat.
I look forward to seeing it every time this film is re-run on cable. It's like re-reading a favorite, treasured book.
This movie has more to say about life and relationships than most I've ever seen, yet it's not dark or preachy like the "ordinary people" type of film. It is mostly humorous, though not technically a comedy.
The whole thing feels a little like a fantasy, perhaps Shakespear's "Midsummer Nights' Dream." Beautiful, intelligent women abound, with wonderful cinematography and a non-insulting screenplay that doesn't miss a beat.
I look forward to seeing it every time this film is re-run on cable. It's like re-reading a favorite, treasured book.
A film that doen't get mentioned with the best of John Boorman is this sweet and poignant motion picture about the rise and fall and rise of a whalthy family. The family is made up of eccentric characters that are memorable in their individual characterizations. Where the Heart Is(1990) is a bright and wonderful movie that is one of Boorman's overlooked and underrated. The performance of Dabney Coleman is probably the best he has given in a long career of making motion pictures. One of the best films of the 1990s which I would love to see on DVD.
One of John Boorman's finest films. Dabney Coleman rises above his paper-cutout character status of the "bad guy" to become a basic family man with real family problems and the "kids" played by Hannah, Glover and Amis are really fun characters. The plot actually has twists in it that make the whole thing fun to watch and the ending has a "rightness" to it which lets you come away from the film with a good feeling about life and people. A really good way to spend a couple of hours.
Lo sapevi?
- QuizCrispin Glover filmed this movie at the same time Ritorno al futuro - Parte II (1989) was being shot. Crispin Glover did not reach a payment agreement for BTTF2 and archived footage was used with prosthetics added to stand-ins to portray his character. Glover later sued and won.
- Citazioni
Stewart McBain: Harry, your loyalty was an accusation. Blame someone else.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Oscar Nomination Surprises for 1989 (1990)
- Colonne sonoreBlue Moon Revisited (Song For Elvis)
Written by Margo Timmins and Michael Timmins, Richard Rodgers and Lorenz Hart
Performed by Cowboy Junkies
I più visti
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- How long is Where the Heart Is?Powered by Alexa
Dettagli
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.106.475 USD
- Fine settimana di apertura Stati Uniti e Canada
- 530.893 USD
- 25 feb 1990
- Lordo in tutto il mondo
- 1.106.475 USD
- Tempo di esecuzione
- 1h 47min(107 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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