VALUTAZIONE IMDb
4,4/10
813
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA small town is terrorized by an unknown stranger who kidnaps and abuses little girls. When her only child is kidnapped right in front of her, the schoolbus driver begins the desperate chase... Leggi tuttoA small town is terrorized by an unknown stranger who kidnaps and abuses little girls. When her only child is kidnapped right in front of her, the schoolbus driver begins the desperate chase to catch the criminal.A small town is terrorized by an unknown stranger who kidnaps and abuses little girls. When her only child is kidnapped right in front of her, the schoolbus driver begins the desperate chase to catch the criminal.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Gary Carlos Cervantes
- Luis
- (as Carlos Cervantes)
Henry Kendrick
- Kellogg
- (as Henry Max Kendrick)
Sharon Thomas Cain
- Amy Donaldson
- (as Sharon Thomas)
Recensioni in evidenza
That pretty much sums up the film. There's a car without a driver, the aformentioned hotshot, and a "suped-up" yellow schoolbus. The whole 1st half of the movie is set-up for the second half, which is a ridiculous chase between the "driverless car" and our heroine.
Joanna Cassidy stars as Laura, a loving mother who drives a school bus. A sick, twisted psychopath is driving around in a 1974 Dodge Charger and abducting and at times killing young girls in the small town she lives in. They are also terrorizing poor Laura until they are matched in a showdown car chase that could have been great, but teeters toward completely boring.
Directed by Christopher Cain and written by Alan B. McElroy. I was expecting Cain to breathe some life into this film other than the extreme over use of slow motion. As well as the whole idea of an evil car running around and chasing people down by 1990 was no where near fresh or original with the likes of Steven Spielberg's DUEL, Stephen King or John Carpenter's CHRISTINE or even THE HEARSE. All are better films, but if you have never seen those films this might work better, but I would suggest watching those films instead. In addition the ending is a complete WTF moment that completely derails the film.
Directed by Christopher Cain and written by Alan B. McElroy. I was expecting Cain to breathe some life into this film other than the extreme over use of slow motion. As well as the whole idea of an evil car running around and chasing people down by 1990 was no where near fresh or original with the likes of Steven Spielberg's DUEL, Stephen King or John Carpenter's CHRISTINE or even THE HEARSE. All are better films, but if you have never seen those films this might work better, but I would suggest watching those films instead. In addition the ending is a complete WTF moment that completely derails the film.
I saw this movie at 2 AM late one night in 1997. At first I only kept watching because there was nothing else on, and it looked a little slow for my tastes. As the movie went on, I was drawn into the drama of the girls being kidnapped... but the moment that Laura pulled up to her house, saw the infamous black car moving toward her daughter, and I suddenly remembered the mechanic at the beginning of the movie mentioning that all he had to repair the bus with was a racing engine and transmission, I was glued to my seat. The pacing of the movie was perfect, even when introduced to that sudden twist and chase scene. I would recommend this movie to anyone who likes either social dramas or car chases.
A person in a beaten up dirty old Chrysler kidnaps little girls and kills them. When a school bus driver's only daughter is kidnaped right in front of her, she begins a desperate chase to get her daughter back alive. The special effects leave something to be desired, but the the car is a rather scary effect. Entertaining and exciting, but unremarkable made for TV (USA) movie.
Rated R; Violence and Adult Themes.
Rated R; Violence and Adult Themes.
It starts out okay; I like that compressed visual depth of field, as it evokes a distortion of reality, consistent with the story's theme. But oh how this film quickly deteriorates.
Driving a school bus for a living, Laura (Joanna Cassidy) is a single mom who has moved with her teenage daughter to a small, presumably quiet rural town to get away from big city crime. Much to her chagrin, an ugly yellowish old car with windows that apparently are tinted, as you cannot see inside, terrorizes Laura and her daughter, then terrorizes the whole town. The first half is marginal at best, as the script trends cliché-ridden and borrowed, and characters are superficial. Then comes that dreadful second half.
The script is written so that at the midpoint plot turn, Laura, driving the school bus, gives chase to the evil car, which has just kidnapped Laura's daughter. The chase "scene" expands to almost the entire second half, some 35 minutes. It's just Laura in the school bus and Laura's daughter kidnapped inside the car.
Sometimes the school bus chases the car. At other times the car chases the school bus. It all depends on where in the plot you arrive at, after you have used your remote to fast-forward through all that chase redundancy. The ending is as hokey and laughable as any ending I have seen. We get dust flying through the air, lots of frenetic background music, screaming, silly maneuvers, explosions, and vehicles that are so durable that even after falling off a cliff, they still return with purring engines and tires that never go flat.
The editing, stunts, and photography in the chase scenes are actually quite good. And Joanna Cassidy is a fine actress. But the script's plot structure is way too unbalanced. The action is not believable. And the film comes across as a rip-off of James Brolin's movie "The Car" (1977). "Wheels Of Terror" might have had some degree of credibility with a vastly rewritten script. As is, it's not worth watching unless the viewer is interested in learning the technical aspects of filming a chase scene.
Driving a school bus for a living, Laura (Joanna Cassidy) is a single mom who has moved with her teenage daughter to a small, presumably quiet rural town to get away from big city crime. Much to her chagrin, an ugly yellowish old car with windows that apparently are tinted, as you cannot see inside, terrorizes Laura and her daughter, then terrorizes the whole town. The first half is marginal at best, as the script trends cliché-ridden and borrowed, and characters are superficial. Then comes that dreadful second half.
The script is written so that at the midpoint plot turn, Laura, driving the school bus, gives chase to the evil car, which has just kidnapped Laura's daughter. The chase "scene" expands to almost the entire second half, some 35 minutes. It's just Laura in the school bus and Laura's daughter kidnapped inside the car.
Sometimes the school bus chases the car. At other times the car chases the school bus. It all depends on where in the plot you arrive at, after you have used your remote to fast-forward through all that chase redundancy. The ending is as hokey and laughable as any ending I have seen. We get dust flying through the air, lots of frenetic background music, screaming, silly maneuvers, explosions, and vehicles that are so durable that even after falling off a cliff, they still return with purring engines and tires that never go flat.
The editing, stunts, and photography in the chase scenes are actually quite good. And Joanna Cassidy is a fine actress. But the script's plot structure is way too unbalanced. The action is not believable. And the film comes across as a rip-off of James Brolin's movie "The Car" (1977). "Wheels Of Terror" might have had some degree of credibility with a vastly rewritten script. As is, it's not worth watching unless the viewer is interested in learning the technical aspects of filming a chase scene.
Lo sapevi?
- QuizThe story was initially going to take place in Napa Valley, California. This was changed to Arizona at the last minute for budgetary reasons.
- BlooperThe cars consistently change from '71 to '74 Dodge Chargers.
- ConnessioniReferences Dodici lo chiamano papà (1950)
- Colonne sonoreIm Feldquartier
(uncredited)
Traditional
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