VALUTAZIONE IMDb
6,1/10
2093
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring... Leggi tuttoNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.New Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.
- Premi
- 2 vittorie totali
Anna Thomson
- Faith Hope
- (as Anna Levine Thomson)
Recensioni in evidenza
I love this movie. I love everything about it.
It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.
The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?
Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.
As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.
The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?
Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.
As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
Nothing is more exciting to Pedro Carmichael than "reality impacting." It happens when the radio serial he writes offends Albanians who picket the station and attack the diminutive scenarist in the street, and it happens when a young news writer falls in love with his sexy aunt, a situation bearing similarities to the latest storyline from Carmichael's prolific pen. Reality impacts a little too much for the couple, however, when their words and actions turn up on the radio exactly as they were played out in their lives.
The premise of "Tune in Tomorrow..." is one that could certainly be the springboard for some first-rate comedy and if it had been written by someone as imaginative as the writer portrayed in the film by Peter Falk, it might have been just that. Instead, the movie sputters along, never quite catching fire, except literally at the conclusion when those fed up Albanians bomb the station.
The cast is almost perfect. Almost, you say? Two words: Keanu Reeves. Affecting a less than convincing Southern accent, Reeves is as dull here as he's been in most of his films. Barbara Hershey is fine as his sexy aunt,
and in the strictly imaginary visual reenactments of the radio soap operas, John Larroquete, Buck Henry, Dan Hadeya, Henry Gibson, Peter Gallagher, and Elizabeth McGovern are terrific. The star of this show, however, is Peter Falk who saves "Tune in Tomorrow..." from being a total misfire with a wonderfully eccentric performance. As Carmichael, Falk dresses up as a maid, surgeon, rabbi, fireman, and cardinal, all in an effort to create new characters from a base of reality. Falk rates a solid four stars. The movie only rates two and a half.
The premise of "Tune in Tomorrow..." is one that could certainly be the springboard for some first-rate comedy and if it had been written by someone as imaginative as the writer portrayed in the film by Peter Falk, it might have been just that. Instead, the movie sputters along, never quite catching fire, except literally at the conclusion when those fed up Albanians bomb the station.
The cast is almost perfect. Almost, you say? Two words: Keanu Reeves. Affecting a less than convincing Southern accent, Reeves is as dull here as he's been in most of his films. Barbara Hershey is fine as his sexy aunt,
and in the strictly imaginary visual reenactments of the radio soap operas, John Larroquete, Buck Henry, Dan Hadeya, Henry Gibson, Peter Gallagher, and Elizabeth McGovern are terrific. The star of this show, however, is Peter Falk who saves "Tune in Tomorrow..." from being a total misfire with a wonderfully eccentric performance. As Carmichael, Falk dresses up as a maid, surgeon, rabbi, fireman, and cardinal, all in an effort to create new characters from a base of reality. Falk rates a solid four stars. The movie only rates two and a half.
This was my first Peter Falk movie and I certainly hope it won't be my last. I saw "Tune in Tomorrow" to see Barbara Hershey (a favorite actress of mine) but was completely taken with this funny, eccentric middle-aged man looking like either a French maid or a Jewish rabbi. The plotline was charming and the characters were cute...Simply that. Don't expect a whole lot out of "Tune in Tomorrow" because when you see it, it'll then blow you away. Keanu looked so young! Besides that, it was a very VERY funny movie with a lot of "Paris When it Sizzles" type fluff added to it. Very sweet. 9/10
i have never seen such a romantic movie ever. this movie has it all. laughs, love, keanu reeves and sorrow. i love this movie~~its so lovely, enchanting and dreamy. in a few sentences of summery about this movie: martin falls in love; but this love is wrong. trying to keep their relationship-he will do anything~~perhaps even kill??>>but one thing is for sure>they live happily ever after~~. i really enjoyed this movie because it shows us the ones who have fallen out of love> someone else is out their waiting for them-no matter how old you are love will come but you just got to be patient!i would also like to recommend the movie: a walk in the clouds also stars keanu reeves.
From some of the other comments (especially the one complaining about the Southern accents), it's clear that people are judging this film at face value. This movie is not meant to be realistic! It's a whimsical, highly stylized fable, right in line with director Jon Amiel's best work -- and it's a delight from start to finish. Everybody in the cast is clearly having a great time -- particularly Peter Falk -- and if you have an open mind, and are willing to surrender to the film's atmosphere, you'll have a great time too.
Hilarious, smart, sexy, surprising -- in other words, not your typical Hollywood comedy. Give it a chance!
Hilarious, smart, sexy, surprising -- in other words, not your typical Hollywood comedy. Give it a chance!
Lo sapevi?
- Citazioni
Pedro Carmichael: Life is a shitstorm, and when it's raining shit the best umbrella is art.
- Curiosità sui creditiThe opening credits are read over the radio instead of being shown.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Silent Classics (1990)
- Colonne sonoreChewin' Fat
Written by Wynton Marsalis
Performed by Wynton Marsalis and His Band
Featuring Johnny Adams
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Dettagli
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.794.001 USD
- Fine settimana di apertura Stati Uniti e Canada
- 62.747 USD
- 28 ott 1990
- Lordo in tutto il mondo
- 1.794.001 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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