Dormire con rabbia

Danny Glover shows up at the door of his old friends and moves in. Over the next few weeks, a lot of stuff happens.

Charles Burnett's movie seems to be a slice of life piece, showing the variety and contradictions of a small Black community, nominally in Los Angeles. There are tough guys and weak guys, but it's a solid working-class community where the choir sings polite gospel, and the preacher comes to visit the visit and chide them for using "old-fashioned" obeah cures instead of prayer.

This isn't the world of rap or youth, but of the older, settled community. In some ways it seems idyllic, with no drug dealers or gang violence, the standard modern cinematic image of Black communities. There's no rap music, but there is the blues and a small boy playing a trumpet very loudly.

It's warm and frequently silly, and beneath it is a had recognition of being unregarded. I found it very familiar, and if the older folks had been speaking Yiddish, i might have been, if not my own home growing up, then a cousin's, or that of one of my father's old friends.

This film involves a black family in southern California. They have a rather autocratic father who is impatient but also kind. There are two brothers who are polar opposites. One is shiftless and married and searching for a place in the world. The other is hard working and settled but also rather dull. Then an old friend named Harry shows up. He is played by the gregarious Danny Glover. The problem is this guy is evil but charming. Soon bad things happen. I rented this blindly and am glad I got a chance to watch it. It has a wonderful cast with Richard Brooks as the wayward son and several other fine actors.

This film reminded me a bit of some of Toni Morrison's novels-about the shared heritage of American descendants of slaves, the grief and the magic. The film begins in a Black neighborhood that is if anything a more virtuous reflection of postwar middle-class white neighborhoods: neatly-kept bungalows with big yards, kids playing in the street (and with pigeons on the rooftop) and practicing musical instruments (a trumpet, in this case), a paterfamilias who keeps chickens and irons his own slacks, a mother who supplements her shopping with produce from her own garden and works as a midwife, two handsome sons with wives and a (quiet, respectful) child each.... The main problem is that the younger son's wife is bored silly by the agricultural table-talk at Sunday dinner: she sells real estate, and that is what land is to her. Also, the roof leaks, and the two sons can't get together to fix it.

Then Gideon remarks that he can't find his "toby" (thank you, subtitles, and also Wikipedia for mentioning this as a synonym of a mojo), a teapot with marbles in it falls to the floor and breaks, and Harry arrives. Harry is from that place in the South from which Gideon and Suzie emigrated when their sons were children. Harry is the drinking, gambling, womanizing friend who keeps his possessions in a few cardboard boxes instead of a bungalow. He draws to him a whole crowd of Gideon's fellow emigrés, mostly men, and with them comes fierce misogyny and the potential for violence.

Enough with the plot summary. This is a rich and entertaining film. I see that many of the other reviews are from this very month, so I guess it has just started streaming.

What a strange, powerful, unsettling and unique film. If you want to experience the tingling of terror, than over the course of 97 minutes becomes more and more apparent, this might be the film for you. Some of it is more ambition than execution. Sometimes it tries to be a bit too profound, and some of the acting is a bit low key, but I have never seen anything like this in my life.

We first she him in the shape of an old friend. We hear a knock on the door and in comes Harry, the family friend who hasn't set a foot in the town for 30 years. He makes it clear that he was heading somewhere else, but needed a rest after a long bus ride. The old married couple invites him to stay, but our friend Harry never leave. He seems so friendly, but one on one he can make the most unsettling remarks that would crawl under the skin of anybody.

His past could very well be covered with blood, and his present surroundings starts to descend into hell. Danny Glover plays the magnetic and devilish persona, and this is certainly his magnum opus. Never seen such an enigmatic and bigger than life performance from him, and few could match it. Some become his disciples, others look at his with hate. It's built around, or perhaps within the mystique between old folklore, superstition and religion Some of it is slightly simple minded. And it's allusions to the devil and the battle between good and evil might seem a tad forced. But this is certainly one for the books.

"To Sleep with Anger" It is one of the richest film experiences I've had in a very long time. Since I saw it in 1993, no other American film has seemed as winning and varied as this one. It is a film I return to again and again, for the brilliant ensemble cast, the witty writing and the blend of humor, folklore and tragedy. There are no cinematic pyrotechnics. Mr. Burnett's approach to filmmaking is deceptively simple and yet his film seems far richer and more cinematic than many a more "sophisticated filmmaker". Mr. Burnett has taste and economy. He knows where to place his camera for the greatest effect and how to edit his films in a way that enhances the drama of each scene, rather than using edits to manufacture drama in a scene that is dramatically inert. He is a filmmaker of integrity and genius. This is his masterpiece.