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IMDbPro

Sto dney do prikaza

  • 1991
  • Not Rated
  • 1h 11min
VALUTAZIONE IMDb
5,3/10
516
LA TUA VALUTAZIONE
Sto dney do prikaza (1991)
Dramma

Aggiungi una trama nella tua linguaThis Soviet movie follows five Red Army recruits at a training camp in Central Russia. It has no narrative structure, and rather than telling a story it uses vignettes with minimal dialogue ... Leggi tuttoThis Soviet movie follows five Red Army recruits at a training camp in Central Russia. It has no narrative structure, and rather than telling a story it uses vignettes with minimal dialogue to expose the conditions in which Soviet army recruits lived.This Soviet movie follows five Red Army recruits at a training camp in Central Russia. It has no narrative structure, and rather than telling a story it uses vignettes with minimal dialogue to expose the conditions in which Soviet army recruits lived.

  • Regia
    • Hussein Erkenov
  • Sceneggiatura
    • Vladimir Kholodov
    • Yuri Polyakov
  • Star
    • Vladimir Zamanskiy
    • Armen Dzhigarkhanyan
    • Oleg Vasilkov
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,3/10
    516
    LA TUA VALUTAZIONE
    • Regia
      • Hussein Erkenov
    • Sceneggiatura
      • Vladimir Kholodov
      • Yuri Polyakov
    • Star
      • Vladimir Zamanskiy
      • Armen Dzhigarkhanyan
      • Oleg Vasilkov
    • 14Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto41

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    Interpreti principali17

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    Vladimir Zamanskiy
    Vladimir Zamanskiy
    • The Unknown Man
    Armen Dzhigarkhanyan
    Armen Dzhigarkhanyan
    • Brigade Commander
    Oleg Vasilkov
    Oleg Vasilkov
    • Elin
    Roman Grekov
    Roman Grekov
    • Zub
    Valeriy Troshin
    Valeriy Troshin
    • Kudrin
    Aleksandr Chislov
    Aleksandr Chislov
    • Zyrin
    Mikhail Solomatin
    Mikhail Solomatin
    • Belikov
    Sergei Romantsov
    • Titarenko
    Sergey Bystritskiy
    Sergey Bystritskiy
    • Senior Lieutenant
    Elena Kondulaynen
    Elena Kondulaynen
    • Death
    Oleg Khusainov
    Oleg Khusainov
    • Angel
    Sergey Semyonov
    Sergey Semyonov
    • Captain
    Aleksey Volkov
    Aleksey Volkov
    Vladimir Puchkov
    Vladimir Puchkov
    Pavel Stepanov
    Pavel Stepanov
    Oleg Yakovlev
    Vitaliy Endovitskiy
    Vitaliy Endovitskiy
    • Soldat
    • (non citato nei titoli originali)
    • Regia
      • Hussein Erkenov
    • Sceneggiatura
      • Vladimir Kholodov
      • Yuri Polyakov
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti14

    5,3516
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    Recensioni in evidenza

    Kirpianuscus

    a poem

    only a poem. bitter, cold, honest image against reality, precise verdict about an institution. in same measure, an aesthetic delight. because it seems be at the border between dream and reality.because, behind eroticism or humiliations, it preserves the flavor of Paradjanov , Sokurov or Tarkovsky work, the fundamental lines from war films and the precise verdict about a political system. more than a film, it is a wake up. a strange story from East, aggressive and delicate, terrible and useful. the force of images does, in many scenes, the story only a pretext. and the feeling after the final credits remains long time as convincing warning/testimony in the memory of the viewer.
    4JoeytheBrit

    Oh, those Russians...

    This is one of those enigmatic 'artistic' films beloved of intellectuals and elitists that will mystify everyone else due to the internalised nature of its narrative (if it can be called such) which makes its meaning virtually impenetrable. In fact trying to describe it is like trying to describe a colour to a blind man: each scene is its own little story that bears little or no relation to those that precede or follow it. People die, but we never learn why. People stare at each other without talking. There's a lot of nudity, and this being a film about soldiers, much of it is of a homoerotic nature. Oh, and there's lots of cameras – so they're probably quite meaningful, although I couldn't say why. In fact I think I might have been watching the out-takes.
    10peter-209

    Make-yourself-a-plot film kit in the vein of Tarkovsky or Sokurov

    This is, and I guess, will remain, an extremely underrated film. There is no chance that those of us who are just a little bit intellectually lazy will like it. The viewer's participation in creating (or re-creating) the plot is absolutely required, to an even higher extent than in Bertolucci's "Besieged". This short film consists of several disconnected vignettes from the life of the Red Army soldiers living, training, working - and let us not forget: washing themselves - on an army base. The country is deserted and the buildings are dilapidated, but everything is beautifully shot. The atmosphere is oneiric, the dreams and imaginations blend with the reality, thus resembling the works of the Master - Andrei Tarkovsky or the Disciple - Aleksander Sokurov. There is not much dialog, which leaves us on our own to interpret sometimes surrealistic happenings on the screen. As in many other soldier movies, the topic is the clash between individual's humanity and the inherent brutality of the system. The clash is treated very delicately, there is not a single scene of the direct physical violence in the movie. Yet, we witness - or infer, for that matter - hazing and several deaths on the camp. Although not an overly gay film, it is remarkably open in its homoerotic subtexts. In contrast, the scenes with direct nudity, like those in the showers or the pool, are devoid of eroticism. They are shot in a documentaristic style, but the beautiful sacral music of Johann Sebastian Bach gives them another meaning and elevates them to unanticipated heights. The film opens with a biblical motto and it is not a chance that the story of St. George battling the dragon appears twice in the movie. Another hint to a deeper meaning of the film is that two persons of the cast are named Death and Angel... As for the acting, there will be some that will not like it, but, incredibly, all the roles are played by real-life soldiers, except for one professional actor (guess which). Watching "Sto dnei do prikaza" (and I recommend to watch it multiple times ) is a strange, difficult, but rewarding experience.
    2ewanharper

    What a strange film

    This is the first film I have seen where there is no plot. Apparently that is the plot???? A friend of mine who did his military service in the Soviet Army during the late 1980s said that the film's portrayal of the uniforms and barracks etc are very accurate. There was however no apparent mention of the dedovshina endemic in much of the Russian Army. Dedovshina (Law of the grandads) is the bullying (often very violent) of the new soldiers or dushi (spirits) by the older soldiers known as deds or dembels (grandads).

    Many have commented on the supposed homoerotic scenes in the communal bath or banya, where the soldiers are seen washing each other down. According to my friend this portrayal of the banya is accurate, however the homoerotic interpretations are NOT!!! In the USSR homosexuality was considered to be a mental illness, and in the Soviet military it was an imprisonable offence. In addition there is substantial and often violent homophobia in Russia, nowhere more so than in the military. According to my friend if you were even suspected of being gay, let alone getting turned on by the sight of your fellow soldiers naked in the banya you would not have left the banya alive - literally.....BE WARNED!!!! All in all this is a very odd film. There is clearly some deep an inner meaning in it somewhere, but I'm afraid it was a bit too deep and inner for me.
    8Mattydee74

    Visually Commanding and challenging

    A companion film to Come and See and The Guard, 100 Days Before The Command offers a very different rhythm and style to the war training film. Where films like Full Meal Jacket and Jarhead present the behavioural disintegration of their subjects, this film offers a more subconscious vision of where the personality goes when fragmented by the rigours of a depersonalising military command. This is not a film for viewers after a coherent narrative or a dialogue-driven journey, but for those brave enough to surrender their militant devotion to narrative film boundaries and spoon-fed cinematic experiences there is plenty here to explore. If films such as Father and Son excited your urge to introspection, this film will be a worthwhile venture. If a slowly evolving, visually commanding exploration of the male psyche and body in the Russian military and the relationship between men in such circumstances isn't where you are at I would settle for something less challenging.

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    Trama

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    • Quiz
      The film broke the taboo against depicting homosexuality on screen for Russian films.
    • Connessioni
      Edited into Green Elephant (1999)

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    Dettagli

    Modifica
    • Data di uscita
      • febbraio 1991 (Unione Sovietica)
    • Paese di origine
      • Unione Sovietica
    • Lingua
      • Russo
    • Celebre anche come
      • 100 Days Before the Command
    • Aziende produttrici
      • Goskino
      • Kinostudiya imeni M. Gorkogo
      • Mir
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 11 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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