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6,9/10
4241
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Chinese Ghost Story II Chinese 倩女幽魂 II人間道 is a 1990 Hong Kong romantic comedy-horror film directed by Ching Siu-tung and produced by Tsui Hark. It is the sequel to A Chinese Ghost Story an... Leggi tuttoA Chinese Ghost Story II Chinese 倩女幽魂 II人間道 is a 1990 Hong Kong romantic comedy-horror film directed by Ching Siu-tung and produced by Tsui Hark. It is the sequel to A Chinese Ghost Story and is followed by A Chinese Ghost Story III.A Chinese Ghost Story II Chinese 倩女幽魂 II人間道 is a 1990 Hong Kong romantic comedy-horror film directed by Ching Siu-tung and produced by Tsui Hark. It is the sequel to A Chinese Ghost Story and is followed by A Chinese Ghost Story III.
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SINNUI YAUMAN II isn't bad at all, but it's disappointing. It isn't as funny, exciting, touching or visually inventive as its predecessor. The device used to reintroduce Joey Wong into the story is just plain wrong; if they didn't want to bring back her original character ( I have to admit they probably couldn't) they should have come up with a new love interest played by a new actress. Limiting Wu Ma to such a brief appearance limits his chemistry with Leslie Cheung, which is one of the things that made the first film such fun, and there's just about no one else here, except Cheung, who has as much charisma. It is a novel way to bring back the two actors, but it's a letdown.
As for Cheung himself, he just isn't as disarming here as in the original; he doesn't fit his character as well. There's also what seems to be some kind of political allegory near the end that doesn't fit the rest of the story - maybe you have to be more familiar than I am with China to appreciate it? Oh, maybe I'm griping too much; it has its good moments (especially a scene concerning a slowly 'thawing' monster)...just not nearly as many as 1987's SINNUI YAUMAN. It waters down the impact of that jewel a bit, and frankly, I wish they'd taken all the good stuff in this film and used it on some entirely different project.
As for Cheung himself, he just isn't as disarming here as in the original; he doesn't fit his character as well. There's also what seems to be some kind of political allegory near the end that doesn't fit the rest of the story - maybe you have to be more familiar than I am with China to appreciate it? Oh, maybe I'm griping too much; it has its good moments (especially a scene concerning a slowly 'thawing' monster)...just not nearly as many as 1987's SINNUI YAUMAN. It waters down the impact of that jewel a bit, and frankly, I wish they'd taken all the good stuff in this film and used it on some entirely different project.
"Chinese Ghost Story 2" is almost as amazing as the first "Chinese Ghost Story"(1987).Again the film is incredibly energetic,atmospheric and filled with incredibly well-choreographed fight scenes.Of course the special effects may be a little bit cheesy at times(especially the monster is funny looking!),but the film is extremely entertaining for horror,fantasy and even comedy fans.So don't wait any longer-check it out now.Highly recommended.10 out of 10.
I'm torn between admiring A Chinese Ghost Story II for its sheer craziness and disliking it for being such an incoherent mess of a sequel to one of my favourite HK movies.
The original A Chinese Ghost Story was the film that showed me there was more to Hong Kong cinema than Jackie Chan, director Siu-Tung Ching brilliantly blending romance, fantasy, comedy and horror; part 2, also directed by Siu-Tung Ching, is non-stop insanity that never achieves the lyrical beauty of its predecessor, but does deliver a giant, toothy monster and a demonic high monk who can transform into a massive golden Buddha and a giant centipede.
Leslie Cheung reprises his role of timid debt collector Ling Choi San, who escapes from jail (having been wrongly arrested as a bandit after escaping from cannibals!); mistakenly stealing the horse of Taoist Chi Chau (Jacky Cheung), the young man seeks shelter in an abandoned villa in the woods. Chi Chau catches up with Ling Choi San, and the pair sort out the misunderstanding. During the night, the men are attacked by rebels posing as ghosts, who mistake Ling Choi San for renowned scholar Elder Chukot Ngo Long (Feng Ku), with whom he shared a cell. Amazingly, one of the rebels, Ching Fung (Joey Wong), is the exact double of ghost Siu Sihn (also Wong) from the first film; Ling Choi San is unsurprisingly smitten and agrees to help rescue her father, who is prisoner of the Imperialists.
Despite the title, there are no real ghosts in this movie, but there's plenty of supernatural silliness as Ling Choi San and his new found friends do battle with evil forces. The film is a smorgasbord of over-the-top special effects filled sequences, most of which make very little sense, but which are undeniably visually impressive. Even the less effective effects - such as the silly demonic monster that continues to menace our heroes despite being cut in half - are entertaining, and there's surely something for everyone to enjoy (I particularly liked the 'sword surfing' scene).
So, not the sequel I was hoping for, but still worth checking out if you like your HK movies to be completely bonkers.
The original A Chinese Ghost Story was the film that showed me there was more to Hong Kong cinema than Jackie Chan, director Siu-Tung Ching brilliantly blending romance, fantasy, comedy and horror; part 2, also directed by Siu-Tung Ching, is non-stop insanity that never achieves the lyrical beauty of its predecessor, but does deliver a giant, toothy monster and a demonic high monk who can transform into a massive golden Buddha and a giant centipede.
Leslie Cheung reprises his role of timid debt collector Ling Choi San, who escapes from jail (having been wrongly arrested as a bandit after escaping from cannibals!); mistakenly stealing the horse of Taoist Chi Chau (Jacky Cheung), the young man seeks shelter in an abandoned villa in the woods. Chi Chau catches up with Ling Choi San, and the pair sort out the misunderstanding. During the night, the men are attacked by rebels posing as ghosts, who mistake Ling Choi San for renowned scholar Elder Chukot Ngo Long (Feng Ku), with whom he shared a cell. Amazingly, one of the rebels, Ching Fung (Joey Wong), is the exact double of ghost Siu Sihn (also Wong) from the first film; Ling Choi San is unsurprisingly smitten and agrees to help rescue her father, who is prisoner of the Imperialists.
Despite the title, there are no real ghosts in this movie, but there's plenty of supernatural silliness as Ling Choi San and his new found friends do battle with evil forces. The film is a smorgasbord of over-the-top special effects filled sequences, most of which make very little sense, but which are undeniably visually impressive. Even the less effective effects - such as the silly demonic monster that continues to menace our heroes despite being cut in half - are entertaining, and there's surely something for everyone to enjoy (I particularly liked the 'sword surfing' scene).
So, not the sequel I was hoping for, but still worth checking out if you like your HK movies to be completely bonkers.
Although a little shorter on plot than the first movie, this one might be a bit funnier. With the welcome additions of Jackie Cheung as a wandering ghost fighting Monk and the lovely Michelle Reis to the cast, the movie has even more Hong Kong star power than the last. Of course the chemistry between Leslie Cheung and Joey Wang is still there, and the film is funny and fast paced. If you liked the first movie, then put this on your must see list.
Not entirely sane mixture of martial arts, supernatural tomfoolery, adventure epic, picaresque, Eastern philosophy and religion, and monster movie; featuring cowardly, yet devilishly handsome scholar-heroes, potty priests with magical nous, fearsome, yet cute, highkicking heroines, fat evil fake Buddhas, mendacious high priests, lumbering trolls, hairy gurus and noble warriors. You can choose either THE PHANTOM MENACE and George Lucas, who stole many of these elements to create an enervating sticky gloop that goes on way too long; or this, directed at a breathless pace, full of fun, joy, energy, terror, invention and wonder (and socio-historical critique) which ends far too soon.
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- ConnessioniEdited from Storia di fantasmi cinesi (1987)
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