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Rosencrantz e Guildenstern sono morti

Titolo originale: Rosencrantz & Guildenstern Are Dead
  • 1990
  • T
  • 1h 57min
VALUTAZIONE IMDb
7,3/10
24.869
LA TUA VALUTAZIONE
Rosencrantz e Guildenstern sono morti (1990)
CommediaCommedia stravaganteDrammaParodia

Aggiungi una trama nella tua linguaTwo minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.Two minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.Two minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.

  • Regia
    • Tom Stoppard
  • Sceneggiatura
    • Tom Stoppard
  • Star
    • Gary Oldman
    • Tim Roth
    • Richard Dreyfuss
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    24.869
    LA TUA VALUTAZIONE
    • Regia
      • Tom Stoppard
    • Sceneggiatura
      • Tom Stoppard
    • Star
      • Gary Oldman
      • Tim Roth
      • Richard Dreyfuss
    • 149Recensioni degli utenti
    • 30Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 2 candidature totali

    Foto39

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    Interpreti principali19

    Modifica
    Gary Oldman
    Gary Oldman
    • Rosencrantz
    Tim Roth
    Tim Roth
    • Guildenstern
    Richard Dreyfuss
    Richard Dreyfuss
    • The Player
    Livio Badurina
    • Tragedian
    Tomislav Maretic
    • Tragedian
    Mare Mlacnik
    • Tragedian
    Serge Soric
    • Tragedian
    • (as Srdjan Soric)
    Mladen Vasary
    • Tragedian
    Zeljko Vukmirica
    • Tragedian
    Branko Zavrsan
    • Tragedian
    Joanna Roth
    Joanna Roth
    • Ophelia
    Iain Glen
    Iain Glen
    • Hamlet
    Donald Sumpter
    Donald Sumpter
    • Claudius
    Joanna Miles
    Joanna Miles
    • Gertrude
    Ljubo Zecevic
    • Osric
    Ian Richardson
    Ian Richardson
    • Polonius
    Sven Medvesek
    • Laertes
    • (as Sven Medvesck)
    Vili Matula
    • Horatio
    • Regia
      • Tom Stoppard
    • Sceneggiatura
      • Tom Stoppard
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti149

    7,324.8K
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    Recensioni in evidenza

    8questl-18592

    RNG are Dead

    I love this movie. I remember first watching it in a college class talking about different takes, different points of view. Watching it again now and I find myself liking it even more. It's such an interesting film with an anti-narrative and such a wonderfully, deliberately bizarre structure. Rose & Guild follows the story of our titular characters but it's really more about what they're doing off to the side of the main story of Hamlet. So much so that they just randomly show up in places when the story demands it and they don't even know how they got there.

    It's weird and it absolutely isn't going to work for some people but I love this one. It's so unique and fun, creative and inventive and I try to give props to any movie setting out to be as different as this one especially when it actually succeeds at what it's trying to do. Strong recommend here, whether you're familiar with Hamlet or not, though a loose understanding of the play would likely be beneficial.
    grlwndr23

    plot within a plot within a plot...

    This clever screenplay by Tom Stoppard challenges the viewer to listen and watch closely as the Shakespeare tragedy Hamlet is turned on its ear via taking the perspective of the oblivious rhetorics, Rosencrantz and Guildenstern. There are multiple 'plot within plot' twists which intersect and skew at will, sometimes creating a surreal experience for the observer. The script is brilliant, full of double-entendres and mixed reactions executed superbly by Tim Roth and Gary Oldman, along with a solid supporting cast (including American actor Richard Dreyfus). Stoppard felt that the title characters, messengers in the original play, were under represented and so examines their possible perspectives in the tale by way of exploring their destiny and their lack-of-awareness of it. Stunning and hilarious wordplay with excellent repartee between Oldman and Roth. Refreshing and creative spin of the tale of Denmark's 'melancholy prince'.
    estherstiff

    one of the best movies ever made

    This is a truly unique movie, comic, sarcastic, tragic, ironic, and definitely hilarious. based on tom stoppard's play of the same name (stoppard also directs the film), "rosencrantz and guildenstern are dead" delves into the tragicomic lives of minor characters everywhere, on-stage and off. ros and guild's lives are thrown into turmoil every time they interact with the regular cast of hamlet, leaving them with few clues as to what their purpose is in the play and in life. stoppard's script is dizzying with puns, plays, feints and twists. the cinematography is minimalist to say the least (remember, the script was originally intended for the stage) but the "stage-presence" of the actors more than makes up for any lacks. if you like theatre and the absurd, this movie is for you.
    sparklecat

    Quotable, Witty, Brilliant

    Okay, so you may want to brush up on your knowledge of "Hamlet" before viewing "Rosencrantz and Guildenstern Are Dead", Tom Stoppard's big screen adaptation of his own classic play. Please don't let that frighten you away, or you'll miss out on a seriously funny movie.

    The lead roles are extremely well cast. Gary Oldman is hilarious as sweet, befuddled Rosencrantz. Tim Roth's angry, frustrated Guildenstern is the perfect complement. They make a great team.

    Stoppard's film has a sprightly step even when raising a few cosmic questions. It's the perfect tonic for some of the more pompous cinematic takes on Shakespeare, and even the Bard would appreciate its sparkling wordplay.
    destronjin

    Fabulously underrated and unappreciated film

    This film is one of the most glorious and intriguing examples of modern cinematic art I have ever encountered. I am not going to run you through the entire movie, as that has been done several times on here already, but I would like to clear up a few misunderstandings and harsh words that I have read in previous comments.

    First and foremost, I have not seen or read the play (although I am looking forward to it) and I was perfectly able to understand all of the so-called "high-brow" concepts like fate, time, freewill, self-awareness, and the light peppering of existential musings (my favorite of which is the "...well at least I'm not dead." speech). The first time I watched this film I was very fascinated, amused, and slightly confused. These Pythoneon nonsensical scenes that some of you are reffering to were a bit difficult to understand, but after a second viewing they all made perfect sense. It does not take a genius to see the multiple layers and metaphors being used in this film. As for being totally lost without first seeing the play, that is rediculous. It took a bit of thinking and rewinding, but it is comprehensible, and after you figure it all out for yourself it is very rewarding and adds to the enjoyment, and genius, of the film. For example, the first time i watched this movie I was very confused by the pages of manuscript randomly floating around after R&G encounter the players for the first time. But once you realize that the lead player is fully self-aware, has been through these scenarios (the play "Hamlet") several times with a full consciousness and memory of the events (demonstrated rather obviously by his full knowledge of future events, the play that his troupe rehearses in front of R&G wich is an exact copy of "Hamlet", etc.) it makes for a wonderful metaphor demonstrating what has happened to the original play (Hamlet) now that some of its more flat characters are starting to think outside the script, so to speak, and become a bit more round.

    Well, I could go on forever about this masterpiece, and maybe I will at a later date, but for now I just wanted you know that this film is anything but simple. If you can manage to put a little thought into what you are seeing and hearing you will find that it is perhaps the most complex, multi-layered, intuitively rewarding film ever created.

    P.S. I am afraid this film is not widely accessible to the majority of movie watchers, which really saddens me because it is truly an amazing work of art. I would very much like to remedy this. So, if you have watched this movie at least 2 times, and are still puzzled by some of the scenes, please feel free to email me and I would be happy to explain anything that might heighten your understanding of the film.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Originally, the two leads (who appropriately spend the movie mixing up their own names) were cast the other way around.
    • Blooper
      Throughout the movie there are scenes where day suddenly changes to night and vice versa. This is a running gag of Tom Stoppard plays which often have "time jumps" written into the stage directions.
    • Citazioni

      Rosencrantz: Do you think Death could possibly be a boat?

      Guildenstern: No, no, no... Death is "not." Death isn't. Take my meaning? Death is the ultimate negative. Not-being. You can't not be on a boat.

      Rosencrantz: I've frequently not been on boats.

      Guildenstern: No, no... What you've been is not on boats.

    • Connessioni
      Edited into Spisok korabley (2008)
    • Colonne sonore
      Seamus
      Performed by Pink Floyd

      Courtesy of EMI Records UK Ltd.

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    Dettagli

    Modifica
    • Data di uscita
      • 1 giugno 1991 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Rosencrantz y Guildenstern han muerto
    • Luoghi delle riprese
      • Croazia
    • Aziende produttrici
      • Brandenberg
      • Thirteen / WNET
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 739.104 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 24.004 USD
      • 10 feb 1991
    • Lordo in tutto il mondo
      • 739.104 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 57min(117 min)
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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