Rodrigo D: No futuro

The music is the must important expression in the film, all in this sound Peste Mutantex a band of punk band from Medellin. They music say about serius problems and discontent becauase the politician situation in colombia is terrible. The music respresent shout by rodrigo (the principal actor).

"Rodrigo D no No Futuro" is a film direct by victor gaviria and the principal star is ramiro meneses a recognized actor in Colombia. The movie is set in medellin in 1988 was to much violence and drugs, Rodrigo is a teeneger who lost his mother and he find to replace the void left by his mother whit punk music but his family is very poor and he has a lot of problems after his mother died.

I thik is a diferent point of view than other films by victor gaviria, he show diferent parts of medellin, diferent drugs, diferent types of violence and overcoat how the situation in this country impact childrens, teenegers and adults. Most of people try to do something for the situation. This movie leave a ethical reflection and one problematic what has live now.

The movie is based on real facts.

There is no linear story to be found in this documentary style film from director Victor Gaviria, so fans of typical mainstream style films probably will not like this, very important film. "Rodrigo D. No Futuro" is basically a glimpse into the lives of a group of Medellin teenagers, living a pointless existence. With no opportunity for work, or escape, they spend their days hanging out in the streets, drinking, and sometimes robbing people who they see as being in a better position than themselves. Never having money unless they rob someone or sell some stolen goods, they have nothing, and nothing to lose. Rodrigo, according to his sister, is a bum, with no ambition, and no purpose in life. This is not really true, as he does have one dream, and that is to start a punk band. To do this, he needs a set of drums. Rodrigo is a likable character, and we want this guy to somehow realize his dream, to get his drums, to form the band, and to possibly find the way out of a bleak situation. But as the film goes on, we see that this will not be, for any of the young people in this place. As far as a story goes, that is pretty much it. The director, rather than casting professional actors, instead used real teenagers, from the barrio in which this is filmed. Of all the kids featured here, only the main actor, Ramiro Meneses continued to make films after this one. Four of the others died shortly after completion, murdered some say, because of their involvement with this film. I believe that fact makes this movie all the more important, as these guys should not be forgotten, and their stories and lives should reach the attention of as many people as possible. Everyone turns in great and powerful performances. There are scenes of the kids interacting with their families and friends, and although they have so little in the way of material things, they do seem to have some feeling of family in their community, as everyone lives so close to each other. The landscape of the environment is that of a brutal, treeless urban desert, with the hot Colombian sun forever beating down, adding to the general feeling of hopelessness that this film has. There are no artistic camera angles, no scenes of typical artistic merit, and I believe this to be intentional. The tone and style simply reflects the lives of these teenagers. Some complain that it is unfocused, and that nothing happens in the course of it's 90 minute running time. But that is the point, to show lives with no focus or direction, or future. Rodrigo D. has a small cult following among punk rockers, and for good reason. There is some good street punk music throughout the movie, and the main characters are punks, listening to and wearing t-shirts of bands like Sex Pistols and Exploited. And there are so many great scenes, like the band rehearsal in the hills, and 'Little John's' funeral, and the scenes of Rodrigo arguing with his sister, or his dad, who is forever trying to talk some sense into his rebellious son. And Rodrigo is forever banging his drumsticks on walls, and everywhere else, always trying to get those drums. But he never does, there is no happy ending. I recommend this film to people who are interested in looking beyond their own lives and worlds, to see other cultures, and to understand their struggles and dreams. Unfortunately this is a hard title to find, but if you get the chance, see this special film.

Someone told me about this movie years ago and, for whatever reason, they thought it was a serious documentary. It isn't, but it sort of seems like one, though. Honestly, if you aren't a fan of 80's punk, I'd think this one would wear on your nerves pretty quick but, happily, I am so it was OK but not great. This subject matter of lower class youth with no future has been covered before in numerous other films and, having been heavily involved in the punk subculture for over 25 years, starting in the early 80's, you'd think I'd have more sympathy for the characters in this film but I really don't. It didn't end well for many of the people I knew back then and, apparently, it didn't end well for some of the guys in this flick, either. The shanty town portrayed in the movie is clearly a mess, but it's the bad attitude that dooms you. Period. The lack of character development doesn't help, either, and the film just kind of rambles on, but I found it enjoyable enough and it has a great soundtrack. If you feel you need to see every depressing punk rock or juvenile delinquent flick ever made, then you probably need to see it; if you are looking for fun, punk rock shlock south of the border, watch "Intrepidos Punks" because this thing is pretty much a non-stop downer and not fun at all.

Rodrigo and his friends are bored teenagers living in Medellin. Rodrigo wants to start a punk band. The youths mainly loaf around the hillside shanty towns and, for kicks, steal a bike or car, or shoot someone.

This film really grabbed me. Not necessarily for any specific reason, but more for the overall concept. One, you have the setting in Medellin. For me, that is synonymous with the drug cartel. And at the time this film was released (1990), I am sure that is exactly what it was going for.

Also, the punk rock scene. This is probably naive on my part, but I don't generally think of punk music as being so international. I know there are punk bands everywhere, but it seems odd to have one as the focus of a South American movie. Maybe that's normal. But this surprise is what really made this a great film for me.

This is a brilliant movie about Rodrigo and his friends, a group of punks who wander the streets of Medellin, getting high, stealing cars, listening to Punk and Heavy Metal music. They're stuck in lives of poverty, with no opportunities and no motivation to try to improve their lives. Their routine is interrupted only when the cops catch up with one of them (which is really an inevitability for all of them, sooner or later), or they get into a fight. Rodrigo dreams of starting a rock band, something that might give his life some meaning (he has no education beyond the 1st grade, has no job, and basically sits around the house all day listening to his family complain about how lazy he is). The movie depicts the world of Rodrigo and his friends with harsh realism, accompanied by striking cinematography, pulsing rock music, and a script with an ear for how these people communicate. While this movie is clearly influenced by "Los Olvidados," it also bears a resemblance to Alex Cox's great "Sid and Nancy" - we are invited to see the world in which these young rebels live, and to understand the ways in which it can destroy them.