Recensioni di Metacritic

I didn't think there was a drop left in this formula, but Sylvester Stallone has reached down, gone into the well, pulled himself up from the mat and found the strength within to come back with one last Rocky movie that's better than all the other sequels and almost as good as the original. [16 Nov 1990, p.E1]

What is undeniably good about Rocky V is that our working-class hero returns to the grimy neighborhood from which he sprang. Seeing a more slender, "street" Rocky is a refreshing change of pace from the muscle-bound champ of Parts 3 and 4. [16 Nov 1990, p.C]

Rocky V takes him out of his gilded cage and back to the director (John G. Avildsen), the settings and the underdog's outlook that made him famous in the first place. It's a smart move. There's life in the old boy yet.

In Rocky V, the fifth and presumably last episode of Sylvester Stallone's Rocky Balboa saga, the writer-star once again contrives a way to make his hulking, sad-eyed gladiator the underdog. And we get whiffs of funkiness and humanity stirring around for the first time since the original Rocky. [16 Nov 1990, p.1]

The old formula is showing its age. The movie just doesn't deliver the emotional highs that addicted millions to the Rocky cycle. For the first time, one does not leave the theater floating on air. [16 Nov 1990, p.8]

Rocky V, for all its faults, is not awful. It is inferior to the charmingly naive, Cinderella-in-sweat-pants opener of 14 years ago, but it's far superior to every other overdetermined installment. [21 Nov 1990, p.C1]

When the underdog always wins he's not much of an underdog anymore, and the narrative cartwheels Sylvester Stallone has turned over the years to put Rocky in that position have peeled away the novelty.

But the later Rocky movies have been low on inspiration and eager to repeat the same formula, in which everything leads up to a climactic fight scene and a triumphant fadeout. Stallone is smart enough that he could have made this series into a meditation on sports celebrity in America, but that theme has always been at the edge of the stories; the formula takes center ring. If Rocky seems to be running on autopilot, that's also the case for the other characters. [16 Nov 1990, p.49]

By now, Rocky of the drooping eyes and damaged brain has turned guru, emphasizing heart, soul and family ties when the evil promoter starts goading him and playing mind games with his protege. Stallone, said to be following Arnold Schwarzenegger into comedy, is starting earlier than anyone realized. [16 Nov 1990, p.78]

Despite Stallone's bantamweight attempts to insert, like, character into the fifth Rocky, it's the same old fight with the same old round of regulars. It seems silly wasting money on actors when the same could be achieved with Muppets. Rocky has little to do except shuffle around and mutter "cute" Rocky t'ings.