Un ricco businessman ha bisogno di una compagna femminile al suo fianco per eventi sociali ed assume una bella prostitute, della quale finirà per innamorarsi.Un ricco businessman ha bisogno di una compagna femminile al suo fianco per eventi sociali ed assume una bella prostitute, della quale finirà per innamorarsi.Un ricco businessman ha bisogno di una compagna femminile al suo fianco per eventi sociali ed assume una bella prostitute, della quale finirà per innamorarsi.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 8 vittorie e 11 candidature totali
Billy Gallo
- Carlos
- (as William Gallo)
Recensioni in evidenza
Obviously similar to Shaw's "Pygmalion", but updated, more modern.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
Sometimes you have a romantic comedy that is remembered for a long time. Movies with Audrey Hepburn, 'When Harry Met Sally...', little parts from other Meg Ryan-movies and... 'Pretty Woman'. Of course we have the famous song and the real launch of the Julia Roberts career that help a little but it just is one sweet and very funny movie.
Julia Roberts is great in romantic comedies and especially with this movie (and 'Notting Hill') she proves this. With Richard Gere she has a perfect chemistry and in the end that is all we want to see. That Roberts is a prostitute and Gere a very rich man, living in a penthouse, make things only more interesting, joke-wise. One of the better romantic comedies made in the past and definitely one to watch again. And again. And may be again.
Julia Roberts is great in romantic comedies and especially with this movie (and 'Notting Hill') she proves this. With Richard Gere she has a perfect chemistry and in the end that is all we want to see. That Roberts is a prostitute and Gere a very rich man, living in a penthouse, make things only more interesting, joke-wise. One of the better romantic comedies made in the past and definitely one to watch again. And again. And may be again.
Romantic film, nice music, interesting plot, fine beautiful actress, (Mrs. Roberts) and handsome actor, (Mr. Gere) in prime roles, a success story from the very beginning. But, although I am enjoying movies like that, I would never rate this one as 9. The difference (and the extra points) is made by the secondary role actor Mr. Elizondo! I saw him, for the first time, in a rather extreme and rather stupid drama/comedy "Young doctors in love" (1982) and I was impressed by his acting performance. In "Pretty woman" he is the absolute star. The script supported his role, of course, but the talent is indisputable.
What is it about this movie that made it such an instant mega smash when it was released? I'm not sure if it's The incredible chemistry between Gear and Roberts, the smart dialog, the storyline-combination of all of the above-etc etc. But I do think These days, so few GREAT romantic comedies get made. Pretty woman is great. I enjoyed every moment of this and have seen it many times.
I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!
I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!
Edward Lewis needs a prostitute to accompany him to a few business meetings, he employs Vivian Ward, but unexpectedly he falls in love with her.
It's nonsense, I get that, but some of the reviewers are taking it all too seriously, and way too literally, it's just an enjoyable fantasy romance drama, headed up by two glorious, beautiful people.
I get the whole, if Disney made prostitutes, it would be Vivian thing, but come on, it's a little bit of escapism, and who wouldn't have wanted to be wined and dined by Edward.
The iconic scene is the moment in the clothes shop, it's a scene I think that many of us can relate to, who among us hasn't gone into a store feeling a little out of sorts, maybe a little scruffy and felt awkward by a superior being.
Still my favourite Julia Roberts film, she looks spellbinding, and is just wonderful as Vivian. As for Here, no words.
I'd watch this over a bit of Marvel nonsense any day of the week, and that soundtrack is spot on.
8/10.
It's nonsense, I get that, but some of the reviewers are taking it all too seriously, and way too literally, it's just an enjoyable fantasy romance drama, headed up by two glorious, beautiful people.
I get the whole, if Disney made prostitutes, it would be Vivian thing, but come on, it's a little bit of escapism, and who wouldn't have wanted to be wined and dined by Edward.
The iconic scene is the moment in the clothes shop, it's a scene I think that many of us can relate to, who among us hasn't gone into a store feeling a little out of sorts, maybe a little scruffy and felt awkward by a superior being.
Still my favourite Julia Roberts film, she looks spellbinding, and is just wonderful as Vivian. As for Here, no words.
I'd watch this over a bit of Marvel nonsense any day of the week, and that soundtrack is spot on.
8/10.
Julia Roberts Through the Years
Julia Roberts Through the Years
Take a look back at Julia Roberts' movie career in photos.
Lo sapevi?
- QuizRichard Gere and Julia Roberts had obvious chemistry upon their first meeting; however, Gere was not planning on taking the role. He was on the phone ready to turn down the part when Roberts slid him a Post-it note with the words "please say yes" written on it. He accepted the role right then.
- BlooperWhen Vivian finds Edward sleeping, she wears a long white nightgown when she comes in the room. She kisses him and they begin to make love. When Edward pulls her nightgown over her head, it is now a camisole. Actually the mid-length nightgown has spaghetti straps and she removes it herself, with him on top of her, making it hard to see what she removes but it looked like the same garment.
- Citazioni
[after negotiating three thousand dollars]
Vivian: I would have stayed for two thousand.
Edward Lewis: I would have paid four.
- Versioni alternativeThe Director's Cut of "Pretty Woman" features additional dialogue during the first encounter of Edward and Vivian; additonal scenes featuring Carlos the pimp chasing after Vivian for the money Kit owes him; a longer restaurant sequence, and a longer montage of scenes when Edward takes the day off from work to spend more time with Vivian on their last day together.
- ConnessioniEdited into Sex at 24 Frames Per Second (2003)
- Colonne sonoreFive for Louie
Written by Karen Hernandez
Performed by Karen Hernandez, Eugene Wright, and Earl Palmer
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Dettagli
Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 178.406.268 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.280.591 USD
- 25 mar 1990
- Lordo in tutto il mondo
- 463.406.268 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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