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My review was written in April 1990 after watching the movie on Prism video cassette.

Tanya Roberts approaches X-rated territory in Andrew Stevens' entertaining sex thriller "Night Eyes", a "Body Heat" clone bound to become an important rental title and conversation piece.

With theatrical ratings frequently in the news, this direct-to-video release comes in both R and longer, unrated editions, latter reviewed here. Steamy sex scenes of Roberts and Stevens should generate plenty of word-of-mouth.

Stevens, who co-wrote and served as supervising producer, toplines as a guard for Night Eyes Security Agency, working with his brother (Cooper Huckabee). The two are hired by British rocker Warwick Sims to install home surveillance cameras, supposedly as protection for his wife but, in reality, to gather incriminating info against her for a divorce case.

Roberts is the oversexed lady in question, abused by her husband and cheating on him. First lover to be taped by Stevens' cameras is guest Stephen Meadows and, before long, straight-arrow Stevens succumbs to her wiles.

Several stagings and Richard Gaser's musical score (with wailing sax solos) recall Lawrence Kasdan's "Body Heat". Roberts is extremely alluring in the Kathleen Turner role, telegraphing her bad intentions. Stevens makes for a believable dupe, though a final sex scene after he has figured out her guilt seems a bit much.

The romantic couplings deliver more than expected from name talent, beyond what qualifies for an R rating but never hardcore. Roberts has not gone as far as European actresses but is bound to raise eyebrows among her American peers.

Jag Mundhra's direction is convincing until a hurried windup, typical of video-driven projects.

Pic successfully demonstrates a solution to the theatrical ratings impasse between distributors and Motion Picture Association of America -even a major like Paramount can handle unrated films via home video, in this case distributing for indie Prism Entertainment.

Strolled down the B-grade section of my local video store and noticed this movie. Having read the main IMDb review earlier, I thought this movie might turn out to be quite entertaining. Sadly, it was not ! Very predictable. In its genre of B-grade, there are ample examples of better efforts.

Tanya Roberts and Andrew Stevens together heat up the screen in this scorching erotic thriller. I swear, I think (referring to UNRATED version here,) that this is the biggest amount of sex scenes I've ever seen in a movie!!!

Well, I don't want to spoil the plot for anyone;-)

Basically Nikki (Tanya Roberts) hires Will Griffith (Andrew Stevens) to be her security guard. Trouble with her scuzzy ex-husband ensues, and Will and Nikki have wild passionate sex from there on out every 71/2 minutes of screen time. But, Nikki has some secrets of her own...

I loved this movie. It's my favorite erotic thriller because of Andrew Stevens (great job, Andrew), and Tanya Roberts, although this is the only erotic thriller I've seen her in. I feel the major faults of the movie, are few, but there could have been a bit more character development in the case of Tanya. Overall, sumptuous sets in her mansion. A true winner. But I think this will probably ONLY be liked by straight-to-video erotic thriller fans.

**Review based on UNRATED version**

Parental Discretion Advised:

Contains:

Nudity(a lot) Sex(every 10 minutes) Violence Profanity (not much)

Better then you might expect sex thriller finds Andrew Stevens being security guard for sexy Tanya Roberts who is in the middle of a multi-million dollar divorce. However, the better he gets to know her, the more he wants her and soon the two of them are engaged in a passionate affair.

Not much plot wise to recommend about this movie, but Tanya Roberts good performance keeps you watching and the sex scenes are nice and steamy with the score providing just the right touch. Unrated; Extreme Sexual Content, Nudity, Mild Violence.

The most common description used about "Night Eyes", both on this board and elsewhere, is "erotic thriller"; no fewer than seven of the previous twelve reviewers use this phrase. It is not, however, a particularly accurate description. The phrase "erotic thriller" generally suggests a softcore porno film in which a generic thriller plot is used to provide the links between, and a rationale for, numerous sex scenes. There have, of course, been plenty of films of that type, but this is not one of them. Although an adulterous love affair forms the mainspring of the plot, there are no actual love scenes and no nudity. There is a lot more eroticism in some mainstream Hollywood thrillers from this period such as "Fatal Attraction".

Nikki Walker, the estranged wife of a millionaire British rock star, hires Night Eyes, a firm of security consultants, to provide security at her mansion. Unknown to her, however, the company has been bribed by her husband Brian to spy on her and find evidence that she is having an affair. Brian Walker and his lawyer believe that if they can find such evidence they will be able to achieve a much more favourable financial settlement from the courts. (This implies that the Californian courts take, or at least took in the early nineties, a very moralistic attitude to divorce. I cannot imagine a British court reducing a wife's financial settlement on the grounds that she had formed a sexual relationship with another man after separating from her husband). Things, however, do not go according to plan. Will Griffith, the bodyguard who is supposed to be spying on Nikki, falls in love with the attractive young woman. Not only does he hide from Brian's lawyer the fact that Nikki is having an affair with Michael Vincent, a film star, he also begins sleeping with her himself. The movie then chronicles the disastrous consequences of this relationship.

The best among the cast is probably the little-known actor Warwick Sims as the hedonistic, self-obsessed rock star Brian, probably based on a combination of several British rockers from around this period. (No names mentioned). None of the other actors, however, makes any impression. Tanya Roberts could hardly be described as little-known; indeed, as a Playboy model and Charlie's Angel and Bond Girl she was a well-known celebrity during the eighties and early nineties. Her fame, however, had more to do with her looks than with her talent, a quality with which she was notably under-endowed. (Having a Hollywood scriptwriter for a husband probably helped as well). Here she seems to wander through the film as though in a trance, unable to connect with anyone around her. She had already received two Razzie "Worst Actress" nominations for "Sheena" and "A View to a Kill", and was lucky not to receive a third here. Andrew Stevens as Will is slightly better, but "slightly better than dreadful" is hardly high praise.

In 1990 some people obviously liked this film; it was a financial success at the box-office, having been made on a very small budget, and spawned three sequels, none of which I have seen. Today, however, it comes across as a very poor example of the standard nineties thriller, with second-rate (or in Roberts' case third-rate) acting and a hackneyed paranoid plot revolving around the questions of "who can trust whom?" and "who is betraying whom?" Less erotic thriller than neurotic thriller. 4/10