VALUTAZIONE IMDb
6,6/10
11.498
LA TUA VALUTAZIONE
Carol ti danno la caccia perché sei testimone di un omicidio. Se vuoi continuare a vivere devi essere protetta e sarà la legge a farlo affidandoti ad un uomo che cerca quegli assassini da an... Leggi tuttoCarol ti danno la caccia perché sei testimone di un omicidio. Se vuoi continuare a vivere devi essere protetta e sarà la legge a farlo affidandoti ad un uomo che cerca quegli assassini da anni e adesso li combatterà con te!Carol ti danno la caccia perché sei testimone di un omicidio. Se vuoi continuare a vivere devi essere protetta e sarà la legge a farlo affidandoti ad un uomo che cerca quegli assassini da anni e adesso li combatterà con te!
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
James Sikking
- Nelson
- (as James B. Sikking)
M. Emmet Walsh
- Sgt. Dominick Benti
- (as M. Emmett Walsh)
Barbara Russell
- Nicholas' Mother
- (as Barbara E. Russell)
Recensioni in evidenza
Gene Hackman and Anne Archer star in a good thriller that has tense moments and wonderful Canadian scenery. The story is of a frightened woman who sees a man killed and takes flight to avoid having to appear as a witness to a murder. Hackman is the resourceful district attorney who convinces Archer to return to Los Angeles and testify against the killers. The rest of the picture details a game of cat and mouse between Hackman, Archer and their pursuers who see Archer as a loose end and are determined to keep her from the courtroom. The scenes of pursuit atop the moving passenger train have been done in other films but is expertly done here without becoming a cliché. The picture does have its flaws but is a diverting film and any movie starring Hackman is certainly worth watching.
Gene Hackman is razor-sharp and in fine form here as a Deputy District Attorney who accompanies frightened murder witness Carol Hunnicutt (Anne Archer) on an eventful train ride through the wilds of British Columbia. You see, Carol had watched from the bathroom while mobster Leo Watts (Harris Yulin) and one of his many henchmen (Canadian character actor Nigel Bennett) rubbed out her blind date (the too briefly seen J.T. Walsh). Caulfield (Hackman) tracks Carol down, but these many henchmen are right on their heels, and turn up on the train. Said goons are confident that it's only a matter of time before they find her, although one supposed thing that Caulfield and Carol have in their favour is that the bad guys don't know what she looks like.
Veteran filmmaker Peter Hyams, well known for diversions like "Capricorn One" and "2010" remakes the 1952 film noir classic with surprisingly engaging results. It doesn't quite have the same stark atmosphere, or sense of menace, but it still displays some genuine tension, has some terrific action set pieces (especially on top of and outside the train), and also has some pretty amusing dialogue by Hyams. Hyams, who's served as his own cinematographer since the early 80s, does tend to under light scenes at times, a common element in his work. But he gives it some great pace; even though this version runs about 25 minutes longer than the 1952 one, it doesn't meander and gives us a number of compelling scenes. Particularly strong are conversations between Hackman and James B. Sikking (a regular in Hyams' filmography), who plays one of the goons, and between Hackman and Archer. The latter does a wonderful job of humanizing her, since it is possible that some people might not find her sympathetic enough before that point.
Hackman is always fun to watch, and he makes for a solid hero. Archer is a delight, as usual. J.T. Walsh has one of *his* most sympathetic roles in a movie (he was often relegated to sleazy, white-collar criminal types), and he of course is great. So is M. Emmet Walsh, even if he's also under utilized as the detective who accompanies Caulfield to Carols' hideout.
Ultimately, this movie version doesn't pull off its twists as well as the 1952 version, but it has enough entertainment value to make it well worth a viewing.
Eight out of 10.
Veteran filmmaker Peter Hyams, well known for diversions like "Capricorn One" and "2010" remakes the 1952 film noir classic with surprisingly engaging results. It doesn't quite have the same stark atmosphere, or sense of menace, but it still displays some genuine tension, has some terrific action set pieces (especially on top of and outside the train), and also has some pretty amusing dialogue by Hyams. Hyams, who's served as his own cinematographer since the early 80s, does tend to under light scenes at times, a common element in his work. But he gives it some great pace; even though this version runs about 25 minutes longer than the 1952 one, it doesn't meander and gives us a number of compelling scenes. Particularly strong are conversations between Hackman and James B. Sikking (a regular in Hyams' filmography), who plays one of the goons, and between Hackman and Archer. The latter does a wonderful job of humanizing her, since it is possible that some people might not find her sympathetic enough before that point.
Hackman is always fun to watch, and he makes for a solid hero. Archer is a delight, as usual. J.T. Walsh has one of *his* most sympathetic roles in a movie (he was often relegated to sleazy, white-collar criminal types), and he of course is great. So is M. Emmet Walsh, even if he's also under utilized as the detective who accompanies Caulfield to Carols' hideout.
Ultimately, this movie version doesn't pull off its twists as well as the 1952 version, but it has enough entertainment value to make it well worth a viewing.
Eight out of 10.
This movie succeeds on the talent of Gene Hackman and his co-stars especially Anne Archer and James Sikking. The story is as follows Carol Hunnicutt (Archer) is a witness to a mob killing, so she hides in a remote part of Canada. los Angeles Deputy D.A Robert Caulfield (Hackman)is given the task of finding her to bring her back to L.A to testify at a Mob trial, but he accidently tells the Hit-men out to silence her - her whereabouts, so when he arrives at her remote cabin, there a helicopter full of bad guys waiting for them - so begins a enjoyably suspense chase through remote Canada, they decide to get on a Cross-Country train.. but the bad guys are also on board, so theyt spend the night trying to avoid a bullet. If it sounds familiar it's because the movie's a remake of the 1950'S RKO Picture of the same name starring Charles McGraw and Marie Windsor.
Double crosses,dirty cops and tension throughout but the script could have been better and the movie (just over 90 mins) could have been longer and the climax is slightly disappointing
otherwise it's a good early 1990's movie from Peter Hyams who's had a bit of a hit and miss career since,HIT:- Timecop (1994) and The Relic (1997) and Sudden Death (1995) - MISS:- Stay Tuned (1992) and End of days (1999)
My rating 8/10
Double crosses,dirty cops and tension throughout but the script could have been better and the movie (just over 90 mins) could have been longer and the climax is slightly disappointing
otherwise it's a good early 1990's movie from Peter Hyams who's had a bit of a hit and miss career since,HIT:- Timecop (1994) and The Relic (1997) and Sudden Death (1995) - MISS:- Stay Tuned (1992) and End of days (1999)
My rating 8/10
Terrific action thriller with great actors. Unfortunately, they don't have much to say because the action takes over. There isn't much time to develop a character when you're being chased up and down a mountain. Still, this is a great example of the genre. I can't help but think that it would have been a lot more successful financially with younger, hipper stars. I also think that would have ruined it.
The direction is very matter-of-fact. Some movies like this reel you in with a definite "atmosphere", stylized to death. I'm tempted to say this movie has no style at all, but that would be a disservice to Hackman and Archer, who give it all the style it needs.
The direction is very matter-of-fact. Some movies like this reel you in with a definite "atmosphere", stylized to death. I'm tempted to say this movie has no style at all, but that would be a disservice to Hackman and Archer, who give it all the style it needs.
It's odd to like an original film and then like the re-make equally so, if not more, but that's the case with this film. I have viewed both versions of this film at least three times apiece and thoroughly enjoy both.
Almost 55 years ago, this was a film noir called "The Narrow Margin" and in 1990, this re-make took off the "The" on the title. However, as is sometimes the case with remakes, some of the twists and turns of this thriller were also changed from the first film.
They didn't spoil it. I have no objection to the changes made here because the bottom line is entertainment, and that's where this movie excels. Plausible? No, but neither was the original, for that matter, and neither are a lot of suspense/ crime films.
What makes this re-run good, in addition to the great suspense, are several other things: 1 - Gene Hackman, one of the best actors of his generation and often overlooked in discussions of great actors; 2 - nice photography featuring some great train shots and the scenic Canadian Rockies; 3 - an interesting assortment of characters, some of which keep you guessing whether they are the good guys or the bad guys; 4 - a dash of humor thrown in here and there to break the tension.
In addition to Hackman, we see the sexy Anne Archer, who gives a nice film noir feel to the movie and we get some good supporting performances including two from guys with the same last name: J.T. and Emmet Walsh and one from a guy who plays one of the hit men: James Sikking. That's a name I'm not familiar with, but he has a scene talking to Hackman that is riveting.
The main fault of the movie at least to me, was the "Rambo" mentality in which I mean the villains have the good guy in point-blank, can't-miss range several times and....you guessed it: they miss. The action scenes in here are great but lack credibility, or this would be almost as good as it could ever get for a "thriller." I'm still tempted to rate it a "10" for the entertainment value alone.
Almost 55 years ago, this was a film noir called "The Narrow Margin" and in 1990, this re-make took off the "The" on the title. However, as is sometimes the case with remakes, some of the twists and turns of this thriller were also changed from the first film.
They didn't spoil it. I have no objection to the changes made here because the bottom line is entertainment, and that's where this movie excels. Plausible? No, but neither was the original, for that matter, and neither are a lot of suspense/ crime films.
What makes this re-run good, in addition to the great suspense, are several other things: 1 - Gene Hackman, one of the best actors of his generation and often overlooked in discussions of great actors; 2 - nice photography featuring some great train shots and the scenic Canadian Rockies; 3 - an interesting assortment of characters, some of which keep you guessing whether they are the good guys or the bad guys; 4 - a dash of humor thrown in here and there to break the tension.
In addition to Hackman, we see the sexy Anne Archer, who gives a nice film noir feel to the movie and we get some good supporting performances including two from guys with the same last name: J.T. and Emmet Walsh and one from a guy who plays one of the hit men: James Sikking. That's a name I'm not familiar with, but he has a scene talking to Hackman that is riveting.
The main fault of the movie at least to me, was the "Rambo" mentality in which I mean the villains have the good guy in point-blank, can't-miss range several times and....you guessed it: they miss. The action scenes in here are great but lack credibility, or this would be almost as good as it could ever get for a "thriller." I'm still tempted to rate it a "10" for the entertainment value alone.
Lo sapevi?
- QuizThe cabin featured in the first act was specifically built for the movie. Peter Hyams decided to build it on top of a mountain in that particular spot while it was still covered in winter snow. After the snow melted, it turned out that the spot was a dump and it took a short while to clear it out.
- BlooperThe helicopter bringing Caulfield and Benti to the cabin has different rear windows in different shots. From the interior, it has ordinary flat windows with sliding ventilation panels -- the rectangular panel frames and tracks are visible. From the exterior, it has unventilated one-piece bubble windows which allow sightseers unobstructed views and photography.
- ConnessioniEdited into No Tomorrow (1999)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Narrow Margin
- Luoghi delle riprese
- British Columbia, Canada(Exterior train shots)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.873.237 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.628.060 USD
- 23 set 1990
- Lordo in tutto il mondo
- 10.873.237 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 2.39 : 1
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