Ambientato durante la Seconda Guerra Mondiale, una famiglia borghese inizia a crollare a causa dello scontro tra il patriarca conservatore e i figli dai valori progressisti.Ambientato durante la Seconda Guerra Mondiale, una famiglia borghese inizia a crollare a causa dello scontro tra il patriarca conservatore e i figli dai valori progressisti.Ambientato durante la Seconda Guerra Mondiale, una famiglia borghese inizia a crollare a causa dello scontro tra il patriarca conservatore e i figli dai valori progressisti.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 6 vittorie e 9 candidature totali
Recensioni in evidenza
Paul Newman and Joanne Woodward are the Bridges with two daughters and a son who are all reaching adulthood. Kyra Sedgwick is the rebellious Bohemian type who just wants to shake the dust of her conservative roots and fly. Maureen Collins wants to get married and she makes a disastrous choice of a husband. But that is partly to get away from her father's ideas. And son Robert Sean Leonard is an Eagle Scout and apparently a chip of dad's old block. But he thinks there is more to life than his father's ideas. He's looking to join the army.
The film netted Joanne Woodward an Oscar nomination for Best Actress and she is the most interesting character in the film. She longs to recapture her youth when Newman was apparently a far more passionate individual than the stuffed shirt lawyer. She tries to shake Newman out of his smug complacency, but ultimately fails.
The Bridges are an interesting pair, but ultimately not very satisfying. I have to applaud the characterizations which are first rate, but this story which seemed really not to have a point just left me cold.
However fans of Newman and Woodward will like Mr.&Mrs. Bridge.
The film fails to find an equivalent technique to present the parallel perspectives of the novel, those of the two main characters as well as an omnicient, often ironic narrator.
Nevertheless, I think the film could have succeeded more than it does if it were not for the misconceived role of Mrs. Bridge. First of all Joanne Woodward is too old for the part by twenty years or more and appears more like the children's grandmother than their mother. Secondly, she, and the author and director, create a highly emotional, always-on-the-verge-of-tears character that totally misses the central theme of the novel which is that Mrs. Bridge is completely out of touch with her emotional self. Her unhappiness lies deep beneath the surface of her everyday life. She copes by either doing as she is told by her husband, or by resorting to platitudes or the values of her middle class upbringing. In one of the first scenes of the film, Mrs. Bridge bursts into tears in her husband's presence and expresses insights about their marriage that are completely beyond the capability of the character in the novel. This robs the film of any chance of catching the ironic tone of the novels.
Paul Newman is perfect as Mr. Bridge, but again without the interior perspective, much of the essence of the novel is lost. The other actors are all fine, especially Blythe Danner. The scene in which Danner tries to explain to Mrs. Bridge the depth of her unhappiness and Mrs. Bridge can only respond with bromides and offers of tea gives a hint of what the film could have been.
The film is certainly a noble failure and worth seeing. But if you want a completely brilliant reading experience, get the novels.
"Mr and Mrs Bridge" is an amazingly accurate depiction of upper middle class lives, caught in the trap of repression and respectability. To watch the fate of Mrs Bridge (exquisitely portrayed by Joanne Woodward) as a woman trapped in a marriage to an inexpressive, career-focused man is to understand how women, even today, can lead limited, unfulfilled lives, bound up with a decisive husband and children who grow into self-absorbed adults, leaving their mother with a longing they won't or can't assuage.
Seeing the character of Mr. Bridge (another outstanding performance by Paul Newman), himself caught in the routine of his life, his sexual yearnings repressed, convinced of his correctness and respectability is a picture of the rigidity of ideas, values and prejudices rampant in our society, even in our own time.
An amazing and insight movie!!
Lo sapevi?
- QuizSeveral scenes with the Bridge children as toddlers and grade schoolers were shot, but were left on the cutting room floor, except for a few excerpts that appeared as home movies prior to the opening-credits roll. Joanne Woodward, who was 59 years old at the time of filming, told the Feb 1991 Interview magazine that the decision to leave those scenes out was made because she "didn't look young enough to have those young children."
- BlooperIn the DVD version, when the awning is ripped from the country club during the tornado, the wire pulling it is clearly visible.
- Citazioni
India Bridge: [as a tornado rages outside the room they are in] Walter, don't you think we might be better off downstairs in the basement?
Walter Bridge: India, now look here, for 20 years I've been telling you when something will happen and when it will not happen. Now, have I ever, on any significant occasion been proved wrong?
- Curiosità sui creditiShakespearean Tutor to Mr. Newman---Senator Bob Dole.
- Colonne sonoreWah! Hoo!
Written by Cliff Friend
Chappell & Co.
Performed by Janet Gaynor and Fredric March
(from È nata una stella (1937))
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- 未路英雄半世情
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.698.010 USD
- Fine settimana di apertura Stati Uniti e Canada
- 57.959 USD
- 25 nov 1990
- Lordo in tutto il mondo
- 7.698.010 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1