Le montagne della luna

It's 1854. Entitled aristocratic John Hanning Speke (Iain Glen) arrives on the East African Coast on leave from the Army. He recruits Captain Richard Francis Burton (Patrick Bergin) on a journey to find the source of the Nile. Burton is an expert on natives. They call the location Mountains of the Moon. The expedition is soon attacked by a local tribe. Burton and Speke barely escape. Back in England, Burton is organizing a new expedition with the Royal Geographical Society. Isabel Arundell is a well-read spinster and completely taken with Burton. With Speke at his side, Burton returns to Africa to lead a grand expedition following Arab slave trade routes into the interior. They rescue escaped slave Mabruki (Delroy Lindo) from the lions.

It is an epic Victorian adventure. It's too bad that few saw it and it continues that few people knows about it. It is grand and a character study. The black Africans are not cartoon characters. One can compare it to Lawrence of Arabia. The cinematography is not quite as great but the story is every bit as compelling. This is an old fashion epic that is being made less and less. There is so much in this story. Surprisingly, the last half hour takes place in England. Changing tone from tense adventure in Africa to Academic back-fighting in London can be tough but the movie never stops being interesting.

Every time I watch "Mountains of the Moon," I grow more and more fascinated by it. An epic drama and adventure, an exploration of what makes a hero and the value of friendship... this movie is a marvel.

I barely know where to begin. The acting is exceptional, of course. Patrick Bergin really makes Captain Richard Francis Burton come alive, so much so that I started reading up on Burton on my own after seeing the movie. His Burton is a man of great courage and insatiable curiosity, but also of great pride (the film only hints at Burton's infamous sexual escapades). Iain Glen brings great depth to John Hanning Speke, a man who desires greatness but cannot escape his fundamental weakness. It would have been so easy to make these two characters into square-jawed cartoons or place them in the easy Great Hero / Cowardly Villain mold, but director Bob Rafaelson, the script, and the actors wisely give us three-dimensional real people.

While I was watching this movie, I felt like I was actually transported to Africa in the 1850s, when the first explorers ventured into what was truly the Dark Continent. You see Burton and Speke's expedition endure weather, illness, injury, and attacks by hostile tribesmen, bringing home the reality of how dangerous these expeditions really were. By the time the film ended, I felt I had been to Africa itself.

If you want to see a real epic and a fine, exciting film, this is the one to see.

When this film came out in 1990, it disappeared from the theaters as quickly as it came. Which is a shame really, because MOUNTAINS OF THE MOON is an excellent historical drama about the search for source of the Nile. The film is beautifully photographed on real African locations. I hate to call this film an epic, because that word has bad connotations today, and the film does not suffer from "epicitis" like so many films dubbed "epics". But MOUNTAINS OF THE MOON is an epic in the positive sense of the word.

The cast is uniformally good. A lot has already been written in this forum by others about the leads so I won't say anymore. Supporting player Delroy Lindo sometimes steals the show with his excellent role as the expeditions African guide.

I recommend you rent this along with STANLEY AND LIVINGSTONE for a night of good viewing.

Till next time...Your pal Jim.

"Mountains of the Moon" is the kind of epic that seems to need a director like Bob Rafelson. I hoped this would be his "Lawrence of Arabia," but something goes amiss in the construction of the drama which Rafelson coauthored. For instance, we learn more about the two protagonists in two single lines than the 40 minutes that begin the film: Speke: (asking permission to organize some specific details of setting up an expedition in to the interior of Africa) responds, "I already have"; and for Burton: (a voice over) "Dear Isabelle…." The meandering, surprisingly cruel, first 40 minutes of the film become irrelevant.

Speke and Burton's search to find the source of the Nile is great material for a film. The scenery alone would lead any director to jump at the chance, but as so often occurs with films about Africa, the Continent overpowers the human drama. Rafelson is a master of human intimacy, and this story of two men's friendship which turns to rivalry is badly mangled by the screenplay. Burton's life alone is a huge trove for the subject of a film, and Rafelson seems to never grip the nature of these men, the essence of the story nor how to tell it.

Yet, the film is worth spending time with only to lavish in the effort of these two men and perhaps the last time when "discovery" meant a places on a map.

Capt. Sir Richard Francis Burton and his mate, John Hanning Speke's travels to find the source of the Nile, and travails to claim the rigth to say that either of these two gentlemen adventurers discovered the source of the Nile makes for one of the biggest and best EPIC adventure films in recent memory. The performances from Patrick Bergin (better known for PATRIOT GAMES and SLEEPING WITH THE ENEMY), and Ian Glen (last seen on Broadway opposite Nicole Kidman in THE BLUE ROOM), turn in career-making perfomances as the two polar opposites who race to find the glory at the end of finding the source of the Nile. Bob Rafaelson, the man behind the camera, does not feel the need to spare the audience of any graphic details from the expeditions (including spearings, native sex, castrations, and ugly political maneuvering), and in the end, this is the best way to go since sparing us would have cheated us. Nor does he feel the need to spare us from any ticks in the characters themselves (Burton's blatant drinking and womanizing) and their questions (Is Speke gay? Who does end up with the bigger ego?). But the film's greatest achievements are:

1 - It makes you understand why these two gentlemen lived the lives they lived.

2- It makes you want to read more about them.

3- It really does make you feel like you too, got to go to see the Mountains of The Moon.