Mo' Better Blues

One of the best film's Spike Lee has ever created. Denzel Washington plays Bleek Gilliam, a selfish musician who only listens to his music. He cheats on his women and wants the spotlight only to himself. On his road to redemption he encounters betrayal, lies, and greed before he finds happiness. A happiness that comes at a heavy price. Denzel Washington and Wesley Snipes give superb performances in their roles. The supporting cast members also give terrific performances in this film. The supporting cast members include Giancarlo Esposito, Samuel L. Jackson, Bill Nunn and Spike Lee. Spike Lee gives these characters enough personality to keep this movie entertaining. Each member adds enough color commentary to the film making this a joyous event from beginning to end. Add this movie to your video collection if you haven't already.

One of Spike Lee's best, "Mo Better Blues" captures the atmosphere of jazz. The soundtrack flows with the acting like a song. Denzel Washington does a great job of portraying a jazzman's quest for perfection, while living in a "real world" full of problems. Being a musician myself, I appreciated the struggle Washington's character was going through. All of Spike Lee's trademark camera angles (which I've disliked in some of his movies) worked to perfection in this movie. Great music, good acting, and a solid plot. Recommend!

This is a very entertaining movie and it is underrated. The characters, story and music are captivating.

However, I think part of the reason for the lower ratings is the the poor camera effects. Lee focuses in on characters at times, as though they are standing and talking to a camera by themselves in some sterile room, such that it actually cheapens the film. There is a real lack of realism to this technique - it reminds me of 1960's style TV shows like Batman. It gives a feel that they ran out of money and when they had to go back and re-shoot the scene, they did so on the cheap. A minority may find this unique or appealing, but no great movie or director will use this technique. The filming with multiple characters in the shot is generally very good. But, the movie could have been better without these flaws.

The writing at times is exceptional. There are great lines, as well as very entertaining dialogue. The scenes between Denzel and Snipes are exude an extraordinary power and they offer an exceptional dynamic to the movie as a whole. The female characters are also very compelling. "Clark" (Cynda Williams) is extraordinarily attractive and the movement of the character through the course of the movie is well done.

It is difficult not to be captivated by this film. The positive cultural dynamic it captures is one that Americans can only hope to be present. Yet, one gets the feeling that reality is closer to the darker elements the movie exposes. Yet, there is ultimately a very positive message of love, responsibility.

This was a frustrating movie for me because it was at times brilliant, yet there are a few things that could have been done better.

Spike Lee shows why he is revered as a writer director, with beautiful dynamic shots, intercut with smooth jazz. It is a charming presentation. Also the dialogue is interesting and feels natural and spontaneous. The combination of strong writing and acting makes for interesting conversations.

The things I found frustrating was the lack of a focused or interesting story. Also Spike Lee's performance was very weak compared to Denzel's and he should have stayed out of the movie. He actually took a lot of the attention from the other characters and tried to make the movie about himself.

This is a good romantic film featuring two of hollywood's biggest stars in denzel and wesley. What struck me most about this film was what it shared with the film called "Unforgiven". Without giving away too much, I was shocked that the hero here was found to clark kent leanings more than superman ones. Unsettling at first, I grew to appreciate that the protagonists small steps and minor triumphs are okay and arguably more realistic than the shafts of the world. I grew to accept the vulnerability of this spike lee character called bleak.