Memphis Belle

World War II and as the battle for the skies rages, the youthful crew of B-17 Bomber Memphis Belle embark on their 25th and final mission...

David Puttnam co-produces with Catherine Wyler and Michael Caton-Jones directs this poignant and gripping WWII story. The crew of "Belle" are made up of a youth inflected cast of actors headed by the likes of Eric Stoltz, Sean Astin, Billy Zane and Matthew Modine, while John Lithgow and David Strathairn provide the mature acting weight on the ground hoping that the boys come back safely.

In truth it's all a bit too predictable, but never insultingly so, though research into the real exploits of the brave heroes involved reveals that Hollywood has, well, been Hollywood. Tech credits are a mixture of the brilliant and the poor, but when it involves the aerial sequences the film is stunning, and the makers do a sterling job of making "Belle's" final flight suspenseful and emotionally potent. 6.5/10

I first saw this movie on video round about 1991, when I was about seven years old or so. I enjoyed it then, because it had airplanes in it, and there was nothing particularly offensive or difficult for a seven year old boy to understand.

Watching it again some nineteen years later, I'm struck by the exact same things. It's a very family-friendly war movie, earnestly trying to show us the difficult lives of American bomber pilots in Europe in 1943. The cast of characters come out of a guidebook for writing war movies, complete with The Religious One ("There's always a religious one," says John Lithgow's character), The Scared One, The Good-Luck Charm, The Smartass, and The Captain. The screenplay hits all the familiar notes: the crew pulling together for one last mission, overcoming obstacles, bonding as a surrogate family.

The actors all do a good job. Reed Diamond, Sean Astin, Matthew Modine, and Eric Stoltz are the most noteworthy (and how young they all were in 1990!), plus Lithgow and David Strathairn on the ground. Modine is almost funny as the straight-laced pilot who seems uncomfortably aware of just how boring he really is. Stoltz stands out in the thankless role of the all-around nice guy who gets wounded.

The flying scenes are exceptional. Real B-17s were filmed at real wartime airfields, and there's a bare-bones authenticity about a lot of it. The scenes inside the Memphis Belle, where most of the movie takes place, do an excellent job of showing you how cramped, cold, and noisy a place like that could be. Not to mention dangerous: the action scenes when German fighters attack the bombers flick by at a very fast pace, which must be something like what the bomber crews experienced. All this, of course, has been cleaned up for movie audiences: real bomber crews would never have taken off their oxygen masks or engaged in the lengthy conversations and horseplay featured in the film.

So it's a sincere and generally harmless movie, saturated in nostalgia, motivated by a desire to pay tribute to its subjects. That leads it into clichéd territory, leaving me with the feeling that the producers dusted off a screenplay dating to the 1950s, only adding a few lines here and there for modern audiences. Not entirely a bad thing, mind you, but not all that it could have been. Notable, however, is the total absence of the sort of flag-waving patriotism we've come to expect from period war films: there's nary an American flag in sight, and the film is dedicated to all the pilots and aircrews who lost their lives in the war -- not just the Allies.

I love this movie. Plain and simple. Great cast, great story, and seeing those B-17s in flight against the clouds....wow.

This is by far my favorite Matthew Modine role, his quiet and efficient manner made him a believable Captain. He doesn't say much but he doesn't need to.

The scene between the Colonels and the letters hits me in the feels every time.

There's more but I'll let you judge for yourself. Highly recommended.

No?? … then shut up.

My dad was. Didn't fly B-17s, but he was the PIC (pilot-in-command) of a crew of seven, all younger than he, of a B-26 Martin Marauder medium bomber (the Flying Prostitute – 'no visible means of support'; referred to the short wingspan and hot landing speeds) in the Mediterranean Campaign out of Corsica and Sardinia, bombing German-controlled ball-bearing factories in northern Italy at 10,000 ft. Lost his nose-gunner from "fright" - frozen to the gun – wouldn't bail out when they were shot down right after 'delivering the pizza' over Bergamo-Seriate airfield on my mom's birthday, Aug 08th, 1944…about 9 weeks before I was born. His story about getting out of that B-26 before it crashed would raise the hair on your young necks. Survived Stalag Luft III and the 500 mile foot-march – yes, in January, through snow – to Stalag Luft VII (Steve McQueen – "The Great Escape"). Gen'l Patton liberated all in April, 1945 – including my dad and five of his crew.

Dad didn't make furniture like Matthew Modine's character in "Memphis Belle". But he did pick and truck-haul tomatoes on HIS dad's farm in the Ohio River Valley around Racine, right out of the black river-bottom soil just above the banks; became a basketball hero in high school; then entered the Army Air Force at 19. Pilot training in Texas and Florida. I have the letters from him to my mom during all that...

And the dialog in the film? Pretty true-to-life, he said – everybody was young and talked and acted JUST LIKE THAT…

This review isn't meant to be about my dad. But I hope it says a little something about the producer's efforts for "Memphis Belle." Very young kids – normal Americans – tough (even impossible) duty – in advanced machines (then) – in hard times – in a country far from home – doing what they were trained for. Sound familiar even today?...

And don't be too hard on the details. Remember, this is a 'representative film' of what happened to many, many bomber crews in many, many different bombers during WWII. Many thousands of very young American air crews were lost in this effort to help keep America and our Allies 'free.' Think about that whole image, listen to the music score, cherish the action from a fresh perspective. TRY to put yourself in their shoes.

Then watch the film again

Seeing movies about World War II we are always informed that the glamour service was the Air Corps. A bit of a carryover I suspect from World War I when you had those small biplanes with individual pilots acting like knights of old. That was not the mission of the Air Corps in World War II.

In fact people in the Air Corps were the first to see combat in both Europe and the Pacific. Before the invasion of North Africa the only blows against the Axis were struck by the people in the skies. The Americans and British had differing ideas about what to do which is discussed somewhat in Memphis Belle and also in other air films like Twelve O'Clock High for instance. The British believed in night bombing, fly high avoid the anti-aircraft, drop your load and let it do whatever damage it did wherever it landed. The Americans believed in what you see here, daylight bombing to try and limit damage to specific military targets. Casualties were greater that way.

So when a B-17 like the Memphis Belle completes its run of 25 missions with the same crew it is a miracle of chance that Captain Matthew Modine and his crew have gone through with the same bunch for 25. After that the tour of duty is up.

An eager Army Air Corps publicity guy John Lithgow wants to get them all on a war bond tour when that 25th mission is in the books. But the commander David Strathairn is just treating them like any of the rest of his crews. Not for the least reason that these guys have enough psychological pressure.

The crew is a cross section of Americana, white Americana to be sure as the armed forces were segregated at the time. Standing out in the performances are Eric Stoltz and Billy Zane and Harry Connick, Jr. To say that last mission was a rough one is putting it mildly.

The battle scenes are well staged, especially inside the plane which was one small contained area. I had never seen it portrayed so well before in a film about the war in the skies. Howard Hughes would have been proud of the staging.

This fine film is dedicated to those who fought in the skies in the 2nd World War. I could do no less with this review.