Luther the Geek

As a child, little hillbilly Luther once witnessed a sideshow geek doin' his thing in a barn and was immediately transfixed by the man's bloody antics. Now Luther is grown and incarcerated on three counts of murder, but he is about to be granted parole...

Pretty much as soon as Luther hits the street he mauls an old lady (who for some reason is a young actress made-up to look old) with his razor sharp set of steel dentures, then while on the run from the police, he jumps into a parked car's backseat to hide. Shortly thereafter, the owner of the car, Hilary, hops in and drives home to her secluded farmhouse to prepare dinner for her daughter Beth, and her boyfriend who are soon to be returning home from college for the holidays. Luther's about to have a feast fit for a king! The first thing I noticed about this film is that it looks like it was made in the late 70s-early 80s; with the faded colours, grainy film stock, and overall atmosphere it really feels just like some grimy piece of trash discarded and forgotten about by the local grindhouse (though I loathe to use this now filthy word!). The other thing that immediately sticks out is that its almost a silent film - there is very little dialog aside from the constant clucks, squawks & crows that emit from Luther's mouth as he does his bizarre chicken act.

Now to the violence and nudity! There's definitely some bloody scenes here as we witness Luther gorily tear into necks, fingers and chests with his grill, but it's nowhere near as ultra-violent as its reputation / reviews suggest. The only nudity here is from Hilary's daughter, Beth, (TV star Stacy Haiduk who played Lana Lang in the Superboy TV series) who has a lengthy shower scene - of which there is a whole seven more minutes of in the outtakes section for all you sleazefiends - and a sex scene.

All in all, a decent semi-slasher flick with plenty of grubby ambiance. Luther is a total freak and it's fun to watch him gore people up and run around like a retarded chicken, especially when he does his wacky victory / death dance after a kill.

One major negative with this disc though, is the idiotic Troma extras: first off we have an utterly witless intro to the film with Troma head honcho Lloyd Kaufman introducing Troma's "freakshow" which consists of some fag that pretends to suck Kaufman's dick and another f@ckwit who tries to suck his own cock, but farts instead. These childish attempts at humour are really not funny and had me p!ssed off before the film even started. Aside from the brainless intro there's also Troma extras like a global warming awareness short and a twelve minute PETA propaganda film trying to convince us all to become vegetarians. I really don't think this kinda proselytizing bullshit should be on a DVD - yes, I understand that Kaufman is obviously worried about the environment and a vegetarian who wants to get the message out there, but I'm sure most of us know what goes on in a slaughterhouse and what the short life of a battery hen consists of, why force it onto the unsuspecting public who just wanna watch a campy horror film?

One thing's for certain: there aren't a lot of horror movies like this one. If this is a good or a bad thing however is for you to decide. Although Luther The Geek isn't your average splatter film, it obeys the basic rules of the genre and provides its viewer with all the classic ingredients. There is the psycho killer, remorseless and cruel, slashing his victims' neck with razor sharp metal teeth. There is the woman living isolated on a farm in the middle of nowhere, resembling the perfect victim. There is her beautiful, busty daughter who brings along her college boyfriend for some nude and even sex scenes. And there is the small town cop, who heroically takes on the killer all by himself due to his evident lack of intelligence.

It's all there - yet, this movie definitely is different. You'll quickly recognize the unusually silent atmosphere. Furthermore, the movie maintains a slow pace which reinforces the intensity of the pictures and leaves the viewer alone with the strange and sometimes pretty sick action he is forced to witness. A good example is the opening sequence when little Luther meets the chicken killing circus geek in a dark barn. There is no distraction from the picture, no cheap dialogue to fill the silence, no fast cuts. In a time when the typical splatter movie maintains a fast pace, has a high frequency of cuts, is filled with senseless dialogues, with screams and dramatic music, Luther The Geek manages to disturb its viewer by doing quite the opposite. And if this wasn't enough, Luther's behavior does the rest, walking around clucking like a chicken throughout the whole movie.

I don't know if you should consider "Luther The Geek" a classic but it's certainly a memorable movie you won't forget that easily. If you're really into horror movies and especially into those that are somewhat strange and different from mainstream films, you'll like this one. If you're looking for a "cool" scary movie - go and look somewhere else! Anyway, if you consider yourself a splatter film fan you just have to give this one a try! Me? I liked it! Well, kind of...

Odd, original and entertaining horror. The film concerns the disturbed Luther, who witnessed a Geek perform as a child and also lost his teeth. Eventually the weirdo kill numerous chickens and 3 people, and is incarcerated for 25 years. Paroled, the first thing he does is tear an "old" woman's throat out with his homemade metal dentures and escape to the country to terrorize a woman and her daughter. He never speaks, clucking and behaving like a chicken. Surprisingly well acted, with great fx. Despite the unintentional humor provided by what must be the stupidest cop in the state, it's a very well made and interesting film.

Even though this is an 1990 movie, it still feels and looks like a typical '70's exploitation flick/slasher. It uses the same sort of style and approach and it is more successful in this than most other modern attempts that try the recreate the '70's style of slasher.

And really, as far as low-budget horror film-making goes, this is quite a good movie, that is only being held back by its writing.

It's really only the writing that makes this quite a weak and stupid film to watch at times. First of all, its main premise is already quite flawed. Here we have a psychotic killer, that doesn't talk at all and acts like a chicken, that is nevertheless getting released from prison because it is thought he is no longer being a danger to the society. Why? It's not like this guy ever does anything normal. And all that the rest of the movie basically is, is the guy biting people in the neck and terrorizing a family at the countryside. No, there isn't that much to the story really and to be honest, it all gets progressively worse.

About half way through the movie isn't that interesting to watch anymore because it sticks to mostly just one location, with all of the same characters, who never seem to be doing enough to get or kill the Geek. But if they did the movie of course would had been way shorter than its already mere 80 minutes of running time.

It's still a fun movie to watch for the lovers of slasher/exploitation flicks. It's no better or worse than the average genre attempt and it besides also has some good gore in it.

5/10

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Revisiting old films that you thought were average isn't necessarily a good thing. They sometimes get worse. Championed by the Fangoria camp (in Gorezone they labeled it "the scariest film since Texas CHAINSAW"…um, no), LUTHER THE GEEK inexplicably developed a cult following as an "intense" horror picture. Actually, it is just an average stalk and slash…uh, bite film that briefly sets itself aside from the pack by featuring a killer who clucks like a chicken. Yes, clucks like a chicken. To the filmmaker's credit, at least they didn't make the killer sound like a duck a la THE NEW YORK RIPPER. That would just be silly.

Narrative logic is completely abandoned in LUTHER THE GEEK. I'm not saying that slasher films are abound with reason, but at least in HALLOWEEN Michael Myers escaped. Luther is actually paroled after a lengthy scene where people argue he is reformed, even though he clucks like a chicken and has razor dentures (which he apparently fashioned in prison). It is the kind of film where a couple sees a bashed in door and the girl dismisses it by saying, "Oh, my mom must have forgotten her keys. She forgets a lot of things since my dad died." The kind of film where the hysterical mother runs into a cop looking for Luther and tells him, "The killer is in my house!" So what does he do? He grabs her and literally drags her back to the house and says, "Just show me where he is and I'll do the rest." Why not call back up?

It is too bad the film is filled with such horrible action and dialogue because the Luther character is actually pretty interesting. Most of the credit goes to Ed Terry, a dead ringer for Tom Noonan in MANHUNTER, who gives the clucking Luther a genuine air of menace. In the hands of a right director, LUTHER THE GEEK could be on the same level as SONNY BOY or SANTA SANGRE and be a true cinematic oddity. But Albright is not that director and merely places the fascinating character of Luther in tedious slasher trappings.