Che mi dici di Willy?

Longtime Companion chronicles the lives of a group of gay men during the 1980s. The focus of the film is AIDS, unknown to the men when the film opens in 1981, but by the end of the story in 1989, it has become the central defining event in the lives of the survivors. Shot in almost documentary style the story is told almost matter-of-factly. But the reality of the lives of the men in the story is not matter-of-fact; they are dying and dying in the prime of their lives. It's heart-rending. In this, the movie succeeds very well, raising awareness of the effects of AIDS, and putting a human face to its victims.

Blondie's hit record opens this early AIDS film, a kneejerk reaction to the hysteria that was happening in the world in the wake of so many deaths from what was still viewed as 'the gay plague'.

'Longtime Companion' centres on a group of friends who are affected by AIDS in various different ways - two are victims of the disease, while others survive to remember their friends with affection. There are one or two stereotypes here (the camp Fuzzy, who mimes to disco records), but in the main the characters are played with sensitivity (and a degree of humour): Bruce Davison, Mark Lamos, and Campbell Scott stand out from a good cast.

I particularly liked the moving and celebratory ending, a surreal segue which brings everyone together in a huge, joyous beach party where everyone is alive, in love, and together. This single scene says more about the effects of the AIDS epidemic than many other right-on scenes from more traditional films.

As the famous Blondie ballad The Tide Is High opens Longtime Companions the song got me thinking. The Tide was high for LGBT people in 1981 as we began winning more and more battles for civil rights ordinances in various municipalities across the country. Then life and the tide ebbed radically as a bisexual man brought a virus over from Africa that had been decimating population on that continent and it spread like a prairie fire amongst us. Longtime Companions focuses on the intertwining lives of several gay men and how the plague virus affected both the infected and those around them.

I lost so many people in the next 15 or so years I feel like an Ishmael at times, left alive to tell the tale. That's what Longtime Companions does, it tells the tale of the loss of so much from the most famous names of all like Rock Hudson to the most insignificant in the cosmic scheme of things. How much art, music, science, human freedom, name the field could have advanced if these people had lived their allotted normal lifespan. Those who survived and especially those who worked in the field have a responsibility to be Ishmaels.

Longtime Companions boasts a great ensemble cast that functions like a well tuned Rolex watch. Some of my favorites are Patrick Cassidy the soap opera hunk who loses his job and eventually his fight for life. Campbell Scott who throws himself into the fight after losing his Longtime Companion. Most of all lovers Bruce Davison and Mark Lamos and there will be no dry eyes as you see Davison guide Lamos from one world to the next.

Two things standout for me in the Eighties which decade this film covers about AIDS. The first was in 1983 and my first exposure to someone with the virus. In my working life with New York State Crime Victims Board and after I had come out at work, I got a call from a bedridden man in Tribeca whose home health attendant had just robbed him blind of everything and he called us because the cops at New York's 1st precinct refused to go to even take the report. As our office was downtown and my dear friend Ermano Stingo lived there as well, we both went to this man's flat, a rather dingy place overlooking the Hudson River that was pretty well emptied of most of what was there save this bedridden man with lesions going into his last stage of life. Sad to say both of us saw that sight a lot more over the next decade. I filled out my paper work for a claim, witnessed his signature and Ermano went to the 1st precinct to file the report on the victim's behalf. To this day I wish I could recall his name, but Ermano is also now in another world.

The second thing was the hearings for the New York City gay civil rights law. At the many forums the City Council gave us and our opposition to testify for the bill, I remember a lot of the homophobes walking in with surgical masks covering their faces as if that would prevent them from catching the disease from the opposition which they all assumed were sufferers or carriers. How ignorant they were and still are and worse how they did not want to be dissuaded from their firmly held beliefs. A frightening time for all.

To understand AIDS and its impact on LGBT people and society as well you have to see Longtime Companions. And this review is dedicated to both my claimant in the Tribeca flat and to the first person that I knew that died of AIDS, a bartender named Bobby Lynn who worked in a long since gone gay bar in Brooklyn Heights.

i bought the DVD and watched it the other night. cried like a baby. i remember the fairly gay crowd i saw it with originally in the movie theater. two scenes are especially going to stay in my mind forever. the ICU scene and the bedroom scene with Bruce Davison telling someone that its okay and let go. i can believe why he was nominated for an Oscar, i am amazed that he didn't win. does anyone remember who did??

The film faithfully depicts an era of gay life that shocked some people and was applauded by others. its frankness was one of its best features. it was not a soap opera but a slice of real life, both joyous and tragic. as thousands still die every year, apparently a lot of people missed the point. it had no apologies and its many relationships: brother and sister, partner and partner, friend and friend are as vital today as then. gay in those days was based on sexual experimentation, it is unfortunate that the results were/are so deadly. i really suggest young people today find this film and pay attention. and if you haven't seen this, rent it/buy it/watch it. you won't soon forget it.

A landmark film, not only in that it is the first film to deal with the AIDS crisis, but also in its portrayal of gay men and their friends. Sitting on the cusp between earlier depictions of gays as murderous or suicidal and later caricatures of funny, sexless "best friends", the men shown here are very real and very honest in their decade long struggle with death and illness. I defy you to watch Bruce Davison's heartbreaking farewell speech and not be choked up on some level of emotion. And Mary Louise Parker add a special touche. This movie has arguably the greatest final scene in gay cinema.