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Whoopie Goldberg got gypped in 1990, when she was nominated for, and won Best SUPPORTING actress for the movie "Ghost". THIS was the movie she should have been nominated for; in the BEST ACTRESS category. This was one of the finest performances of the year, and definitely of Ms. Goldberg's career. Regrettably, she is too well remembered as a comedienne. People forget how well she handles drama. This is a performance worth seeing. Sissy Spacek is fresh and forthright; and the story manages to be didactic without being heavy handed.

whoopi goldberg shines in this gripping and moving racial drama! she won the oscar for "ghost" (released the same year), but better deserved it for this film. i think that just goes to demonstrate underlying racism in hollywood (giving the award for a comedic performance by a black performer), which as of the academy awards 2002 has seemingly begun to crack. the film is a triumph of spirit and emotionally challenging to watch at times. it just makes me shake my head at how slow understanding between people who are different can be. this is one film all involved should be very proud of!!

The real life, 1955, bus boycott in Montgomery, Alabama provides the backdrop for this fictional story about an upper middle class white homemaker named Miriam Thompson (Sissy Spacek) who gradually becomes disenchanted with racial segregation. Her changed attitude comes about as a direct result of her Black maid, a woman of deep moral principles named Odessa Cotter (Whoopi Goldberg).

Odessa normally would take the bus to work. But she supports the boycott, and therefore chooses to walk the long distance from her shabby house to the manicured, suburban Thompson home. Yet, despite several incidences wherein Southern whites display their hatred of the boycott and of Blacks in general, Odessa, with the support of her own family and her religious faith, maintains a respectful and thoughtful attitude toward Miriam and the Thompson family. The story is told in retrospect, from the viewpoint of Miriam's daughter, Mary Catherine (Lexi Randall), who was seven years old at the time.

There is nothing subtle about this slow paced story. It is forceful and frank. The overt hatred by Southern whites toward Blacks is palpable. In no character is this odious racial superiority more evident than in Miriam's cigar chomping brother-in-law, Tunker (well played by Dylan Baker).

But Miriam and Odessa relate to each other as individuals, not as members of some group. Perceptive and sensitive, Miriam comes to understand that Southern racist attitudes, those feelings and emotions she grew up with, are passed down through generations. "You just don't question it", she tells Odessa, apologetically.

Both Miriam and Odessa are multi-dimensional and sufficiently unique to give the story depth of characterization. The acting is fine. Whoopi Goldberg in particular gives a great performance, along with the always reliable Sissy Spacek. The film's production design and period costumes are credible. Lighting is subdued. I liked the background gospel music, but I could have wished for even more. "We're Marching To Zion" not only is a great gospel hymn; it's also the film's theme.

Technically well made, "The Long Walk Home" has value mostly as historical perspective on an important contemporary social issue. As such, the film's message is just as relevant now as it was fifty years ago.

This movie should be shown to every White person over the age of 16! The reason I say that is because it tells the cold, hard truth of what Blacks had to go through back in the 60's and it's not sugarcoated at all. It's not being said to make people feel guilty over something that they probably never took part in, but to educate people in what most public school systems DON'T teach about. As someone of primarily Native American descent who considers themselves pretty educated about Black history, I myself was very shocked and saddened at the brutality that Black Americans had to face (and still do at times). A picture (or movie) is worth a thousand words. This movie would be educational to everyone who views it. I would definitely recommend this movie to others.

"The Long Walk Home" (1990): Sissy Spacek, Whoopi Goldberg, Dwight Schultz, Ving Rhames, and Dylan Baker star in this story about the 1955 Montgomery Alabama bus strike. It had to happen, but it wouldn't happen overnight, and not without serious new problems. The "back of the bus" rule was no longer acceptable to some citizens. This is a serious and insightful look at two fictional women, existing at opposite ends of the Montgomery social structure, who, while having accepted their current relationship, find themselves hesitant participants in the "larger" world. "The Long Walk Home" brings history back to life in reasonable and wonderfully detailed way. The acting is strong, dialog good, the sets and costuming some of the most thorough I've ever seen. Women have to take off their clip earring before speaking on the telephone. They leave lipstick on the edge of their Russel Wright coffee cup. Children stand in fear of adults doing things they don't understand, and often do NOT get explanations. THEY learn from behaviors.