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A very much lighter and more humorous version of "The Ugly American", this film spotlights the misadventures of a naive and utterly clueless diplomat as he attempts to assume the role of foreign diplomat in an unnamed African country. The lead character is vacuously played by no one that most audiences would recognize, or remember for that matter. I found myself hoping to see Sam Neill come creeping up in the next scene. Brilliant performances by Diana Rigg, Joanne Whalley-Kilmer and Sean Connery, along with several other known and unknown actors, provided intriguing counterpoint and kept me watching. As with any good satire, I was enticed to confront many assumptions, beliefs and contradictory feelings. There is much original humour and more than a few tributes to revered filmography - enough to keep me laughing, smiling and/or trying to remember what movie was being referred to, for most of the movie. Comedy/satire may not be Beresford's best long suit, but I'll take this over just about any Hollywood comedy movie I've seen in quite some time.

Continuing my plan to watch every Sean Connery movie in order, I come to A Good Man In Africa (1994)

Plot In A Paragraph: In a fictional African town, British diplomat Morgan Leafy (Colin Friels) is caught in bed with Celia (Joanne Whalley-Kilmer), wife of corrupt Kinjanjan presidential candidate Sam Adekunle (Louis Gossett Jr.). As punishment, Leafy is forced into bribing an official who has voted down a project that stands to make Adekunle very rich. Leafy thinks he's gotten off easy until he learns the lone holdout is none other than Kinjanja's own brick wall of integrity, Dr. Alex Murray (Connery).

Despite a great cast, this is awful. Even the great John Lithgow (whom I love) is poor her, and Connery who has saved some awful movies, has his work cut out here.

A Good Man In Africa flopped at the box office, grossing only $2 million

Don't be fooled by the "East Africa" disclaimer. This is about Nigeria, specifically Lagos at the time of the oil boom, when it was the capital. Although many names have been changed, the Yoruba thunder god, Shango, is not, nor are some of the others.

There was so much humor possible in that time and place (you had to laugh just to keep from crying sometimes) that of course some of it found its way into the film. The author never understood what was happening, so of course he missed a lot, but then he made the very ignorance of the British one of the butts of his humor. God I love British humor, I envy them for it and I'm grateful to them for giving us Chaplin, Bob Hope, and so many others. But I digress. And this film is not on the level of Chaplin or Hope. I was disappointed.

The biggest disappointment was watching great talents like Sean Connery, Diana Rigg and Lou Gossett sleepwalking through their roles on their way to a paycheck. They could have done better.

I have never read a William Boyd book but after having seen this movie, I have a mind to look out for them. A Good Man in Africa felt pretty much how I imagined a Tom Sharpe novel would appear on screen, farcical, riotous, uproarious and hilarious. Except there was something important missing in the film. There were a some very good scenes which showed up the farce to excellent effect. The unfortunate intervention of a tropical disease into the evening's entertainment, the unequal game of golf, the fitting for the Santa outfit, the corpse removal, the shower scene, the flight from disgruntled locals are just some examples of the farce. Friels' diplomat is at the heart of each embarrassment and he is charming in a very understated way, but he seems as bemused by his role as he is by events that unfurl around him.

Friels' supporting cast is also pretty mixed, John Lithgow, Diana Rigg and Sean Connery are amongst the best and they seem to have more fun than Friels does in his role and this is not just because Friels is hard done by as the 'put-upon' embassy attache. The belly laughs expected of a good farce do not materialise although there is plenty to chuckle about and think on. However, for the chuckles alone the film is well worth seeing, now let us see how the book compares.

A quite interesting comedy about the British aristocrats in a newly-independent country of Africa. Colin Friels does a very decent job as the Mr. Leafy, the first secretary of British High Comissioner. So does Sean Connery. The screenplay has a very smart satirical flavor in it with fine sense of humor regarding royal formalities, sexual clichés and even venereal diseases.

But the main problem of the movie is perhaps its ending. The ending is quite abrupt and the scene thereafter is surprisingly mundane. In fact, I don't get the idea behind all that stuff. I haven't read the original novel but seems like now I want to check it out.