Gore Whore

this movie is so cheaply made it's unreal. Wildly fluctuating sound levels, poor poor editing and cheesy effects means you definitely need a four pack to sit back and chill out to this. All said and done, Audrey Street, as the Gore Whore, is creepily cool, and makes the most of the "role", such as it is - she's naked inside the first minute of the movie! Still, gratuitous nudity, cruddy gore, and crappy acting are what these things are all about, right? This has plenty of it all. Believe me though, get a camcorder and for £50 you really can make a better movie than this . ..

Gore

It's missing gore

If they'd have gone as in with that as they did the nudity this would be one of my favourite movies and an instant 10/10. It had all the makings.

But it just didn't have the gore.

Gore Whore stars Audrey Street as white-trash hooker Dawn Day (a tribute to Romero, no doubt) who has made off with a crazy scientist's latest discovery—a Reanimator style bright green goop that is capable of bringing the dead back to life. Ex-cop turned private-eye Chase Barr (Brady Debussey) is hired to locate the girl, unaware that she is in fact a murderous zombie herself, kept alive by the miraculous substance (which she applies via a modified sex-toy) and a constant supply of fresh blood.

Bearing such a blatant title, this scuzzy piece of home-made trash clearly aims to titillate and disgust in equal measures, but with the majority of its already virtually non-existent budget blown on its natty black dildo-cum-syringe prop, viewers shouldn't go expecting tons of quality T&A or realistic splatter: after all, hard-bodied hotties and great gore FX don't come cheap, whereas tattooed trollops and strawberry sauce are a snip.

In addition to its regular but remarkably unappealing nudity and thoroughly unconvincing on screen violence (which includes a couple of crap emasculations, some throat biting, a severed head, and a frenzied but clumsily executed knife attack on a big breasted blonde that involves lots of strawberry sauce, which Audrey licks off her victim afterwards—waste not, want not!), Gore Whore also boasts terrible acting, incredibly lo-fi visuals, and wildly varying sound levels.

However, considering how amateurish the film is in nearly every department, I'm quite surprised to find myself awarding it a better-than-it-probably-deserves rating of 5/10. It might be utter garbage thrown together by talent-free no-hopers, but it managed to hold my attention; and besides, I have to have admiration for any indie project that dares to show so much skin (no matter how manky), presents zombies reanimated by rectal injection, and still finds time to feature a completely pointless shot of a contented-looking horse.

This was made on a low budget, but its still higher than the directors earlier movies (Gorgasm, Gorotica). The title actress does an excellent job. She takes her clothes off frequently for some fairly explicit nudity. The effects are nothing great, but they're not really that bad. Especially compared to Gorgasm. Not bad at all. I'm hoping that Hugh Gallagher keeps on making more movies.

Gore Whore is the twisted tale of a dead girl who must drink the blood of the living and inject herself in a strange place with a strangely shaped syringe of fluorescent green stuff to stay alive. A burnout ex cop is hired to find the whore and bring her to a doctor who made the "gore whore" so she could be his sex slave. What a story, huh? Although it was made super cheap and shot on a video camera it was a surprisingly entertaining and funny flick. Despite the budget and production, you could tell the director had some talent and if you just wanna burnout in front of the tube and see some T&A and have a few laughs, I say go for it and bring along Gore Whore.

The middle, and best installment in the gore trilogy.