VALUTAZIONE IMDb
4,5/10
1514
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Los Angeles police detective partners up with a talking gnome in order to bring down the head of a crime ring.A Los Angeles police detective partners up with a talking gnome in order to bring down the head of a crime ring.A Los Angeles police detective partners up with a talking gnome in order to bring down the head of a crime ring.
- Regia
- Sceneggiatura
- Star
Richard J. Landon
- Gnorm
- (as Richard Landon)
Frank Charles Lutkus III
- Gnorm
- (as Charles Lutkus)
Dave Nelson
- Gnorm
- (as David Nelson)
Rob Paulsen
- Gnorm
- (voce)
- …
Recensioni in evidenza
Fun movie I watched when I was 9 and loved it. I watched it again recently and still made me laugh 24 years later
This film is one of those that makes very clear an adage, which is pretty important in any line of work, and especially in film IMO -- "Know what you know, and know what you don't know." Stan Winston very clearly knew Makeup Special Effects, and he was a master in that field. He clearly did not know film directing ( nor shot coverage nor overseeing editing nor,... well, several other knowledge gaps in his tool chest pop out when one views this movie).
The puppetry and facial animatronics in this movie are very good, but it falls flat in almost every other department (although I think there MAY have been a decent script initially).
Hitchcock didn't sing in films, he knew better. The Coens don't act in films, they know better. Daniel Day-Lewis does not write screenplays, he brings the characters off of the page as a master actor. Stan Winston knew Makeup SFX at a master level, but did not know film directing.
The puppetry and facial animatronics in this movie are very good, but it falls flat in almost every other department (although I think there MAY have been a decent script initially).
Hitchcock didn't sing in films, he knew better. The Coens don't act in films, they know better. Daniel Day-Lewis does not write screenplays, he brings the characters off of the page as a master actor. Stan Winston knew Makeup SFX at a master level, but did not know film directing.
When I was younger I watched over and over. I'm in my late 30s and still absolutely love watching this movie. It has a great cast and Gnorm is an unforgettable character. I've been quoting the movie for years. Unfortunately, I'm one of very few who remember this goofy movie. It has all the classic 80s/early 90s police movie tropes, along side the standard humor and action. Gnorm's character design seems to be ahead of it's time in my opinion. His style holds up to movies today. I personally still love the live action puppeteering over CGI l. So, I might be a albeit bias when it comes to the character. I highly recommend giving it a go.
Set in Los Angeles, Detective Casey Gallagher (Anthony Michael Hall) is seen as a joke by most of the force due to his unconventional and lackadaisical attitude and is given the opportunity by Captain Stan Walton (Jerry Orbach) to run point on a sting involving diamond smuggler Zadar (Eli Danker). With Detective Samatha Kennedy (Claudia Christian) and Detective Kaminsky working backup, the sting seems poised for success until an unknown assailant arrives knocking Gallagher unconcious. Having lost the diamonds and the cash Gallagher is blamed for the failure and is taken off the case and after finding a satchel with a stone returns home. Gallager soon discovers a strange little creature named Gnorm (Rob Paulson) has followed him home and wants the stone back, but Gallagher will only give it back if Gnorm can identify the assailant he witnessed in the park.
A Gnome Named Gnorm (aka Upworld) is a 1989 action comedy (though released in 1994) directed by Stan Winston and written by producers and occasional screenwriters John Watson and Pen Densham who are best known for writing Robin Hood: Prince of Thieves. The film came about from Watson wanting to do a mash-up in the style of. As he described it "E. T. meets 48 Hrs." which laid the groundwork for the initial idea. Initially intended to be a theatrical release, the film found itself in limbo after the original distributor Vestron Pictures went bankrupt and the film sat on a shelf for four years until being released direct to video. A Gnome Named Gnorm is a strange little experiment in its mixture of 80s stalwarts like buddy-cops and magical creatures, but not one that's altogether successful.
Being directed by someone who specializes in special effects, I will say that Winston and his team are to be commended for the work done in bringing the titular Gnorm to life. Created using a mixture of animatronics and puppetry, the creation of Gnorm from a technical perspective is well done and avoids some of the issues that have plagued similar productions (such as Howard the Duck for example). Outside of that however, A Gnome Named Gnorm isn't all that interesting as it goes through a very mediocre retread of standard buddy cop cliches without any real meat or substance to the mystery or the characters. While the film tries to do a parallel of Gnorm and Gallagher being "outsider oddballs" who are disregarded by their peers, there's very little time spent developing them beyond broad archetypes delivering one liners and clumsy slapstick. Gnorm himself is essentially a mix of an Ewok by way of Johnny 5 (Paulson's voice even sounds similar) and aside from being horny and using a spouting a lot of euphemisms for women's posteriors and breasts there's not a whole lot there character wise. Anthony Michael Hall once again shows why he struggled to become a leading man following his failed efforts with Out of Bounds and Johnny Be Good and while the character as written is mostly an inept doofus who has no real busniness doing what he does, Hall comes across as very stiff without any strong showcase of comic timing or leading man charisma.
A Gnome Named Gnorm is the kind of movie where you can definitely feel it was the product of the producers because it feels like the creative thought started and ended with the pitch of "E. T. meets 48 Hrs." before handing it off to the production team to make a purse out of a Sow's ear. It's really just the last dying gasp of two worn into the ground 80s genre formats haphazardly tied together in a vain attempt at squeezing blood from a long drained stone.
A Gnome Named Gnorm (aka Upworld) is a 1989 action comedy (though released in 1994) directed by Stan Winston and written by producers and occasional screenwriters John Watson and Pen Densham who are best known for writing Robin Hood: Prince of Thieves. The film came about from Watson wanting to do a mash-up in the style of. As he described it "E. T. meets 48 Hrs." which laid the groundwork for the initial idea. Initially intended to be a theatrical release, the film found itself in limbo after the original distributor Vestron Pictures went bankrupt and the film sat on a shelf for four years until being released direct to video. A Gnome Named Gnorm is a strange little experiment in its mixture of 80s stalwarts like buddy-cops and magical creatures, but not one that's altogether successful.
Being directed by someone who specializes in special effects, I will say that Winston and his team are to be commended for the work done in bringing the titular Gnorm to life. Created using a mixture of animatronics and puppetry, the creation of Gnorm from a technical perspective is well done and avoids some of the issues that have plagued similar productions (such as Howard the Duck for example). Outside of that however, A Gnome Named Gnorm isn't all that interesting as it goes through a very mediocre retread of standard buddy cop cliches without any real meat or substance to the mystery or the characters. While the film tries to do a parallel of Gnorm and Gallagher being "outsider oddballs" who are disregarded by their peers, there's very little time spent developing them beyond broad archetypes delivering one liners and clumsy slapstick. Gnorm himself is essentially a mix of an Ewok by way of Johnny 5 (Paulson's voice even sounds similar) and aside from being horny and using a spouting a lot of euphemisms for women's posteriors and breasts there's not a whole lot there character wise. Anthony Michael Hall once again shows why he struggled to become a leading man following his failed efforts with Out of Bounds and Johnny Be Good and while the character as written is mostly an inept doofus who has no real busniness doing what he does, Hall comes across as very stiff without any strong showcase of comic timing or leading man charisma.
A Gnome Named Gnorm is the kind of movie where you can definitely feel it was the product of the producers because it feels like the creative thought started and ended with the pitch of "E. T. meets 48 Hrs." before handing it off to the production team to make a purse out of a Sow's ear. It's really just the last dying gasp of two worn into the ground 80s genre formats haphazardly tied together in a vain attempt at squeezing blood from a long drained stone.
A Gnome Named Gnorm
Gnomes are mischievous folks that enjoy making humans look stupid when they pronounce 'gnome' with a hard G.
Fortunately, the dwarfish imp in this comedy enunciates his name with a confident consonant sound.
Headed towards the surface in hopes of recharging the magical stones that belong to his subterranean race, a gnome named Gnorm (Mike Avery) is instead embroiled in a murder case involving a dead police officer.
When his partner is killed in the line of duty and the blame falls on him, Det. Gallagher (Anthony Michael Hall) must team up with the only witness to the incident, which happens to be a gnome named Gnorm.
With a laughable plot that falls betwixt fantasy and buddy-comedy, as well as a pitiable attempt at puppetry, A Gnome Named Gnorm is strictly lowbrow entertainment.
Besides, the police dogs would eat the gnome cop before he could even solve his first case. (Red Light)
Gnomes are mischievous folks that enjoy making humans look stupid when they pronounce 'gnome' with a hard G.
Fortunately, the dwarfish imp in this comedy enunciates his name with a confident consonant sound.
Headed towards the surface in hopes of recharging the magical stones that belong to his subterranean race, a gnome named Gnorm (Mike Avery) is instead embroiled in a murder case involving a dead police officer.
When his partner is killed in the line of duty and the blame falls on him, Det. Gallagher (Anthony Michael Hall) must team up with the only witness to the incident, which happens to be a gnome named Gnorm.
With a laughable plot that falls betwixt fantasy and buddy-comedy, as well as a pitiable attempt at puppetry, A Gnome Named Gnorm is strictly lowbrow entertainment.
Besides, the police dogs would eat the gnome cop before he could even solve his first case. (Red Light)
Lo sapevi?
- QuizFilmed in 1988, received limited release in 1990, pulled from circulation and re-released in 1992.
- Colonne sonoreStrangers in the Night
Music and Lyrics by Charles Singleton, Eddie Snyder and Bert Kaempfert
Published by Champion Music Corporation, Screen Gems-EMI Music, Inc. and Amra, Inc.
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