Il distintivo di vetro

The Glass Shield (1994) is a movie that I recently watched on Prime. The storyline follows a black police officer on the force who is trying his best to fit in to the culture of the department. He witnesses an arrest that he knows is wrong; but to fit in, he bites his tongue and lets it go to trial. Once faced with the task of testifying, he will need to decide what's more important - the truth or his job.

This movie is written and directed by Charles Burnett (Killer of Sheep) and stars Michael Boatman (Hamburger Hill), Lori Petty (Tank Girl), Ice Cube (Boyz n the Hood), Michael Ironside (Total Recall) and Erich Anderson (Friday the 13th: The Final Chapter).

The storyline is well written, and the circumstances are a challenge to this very day and the cast is pretty good in name...but Ice Cube is the only performance that is well executed. Lori Petty delivers a strong supporting character also, but the villains were a bit cliche, even if their characteristics are a challenge within our society. Michael Boatman's mannerisms, facial expressions and overall delivery of the main character left a lot to be desired. The dialogue is very well written, as is the court drama, and the ending is worthwhile.

Overall, this is a movie with a solid premise but inconsistent execution. I would score this a 6/10 but strongly recommend it.

I was hesitating between giving 8 or 9 and decided for a 9 when I thought "It was so difficult watching this film - it really showed well how frustrating some things can be in Life; I'm exhausted".

And that in itself sums up this film : it does not have the top notch direction of Crash which won the 2006 Oscars, but, just like Crash, I was on the edge of my seat till the very very end of the film. I was punching the wall out of feeling as frustrated as some of the characters, I was tense and worried that someone was going to get shot, I was a total ball of nerves by the end. And for that alone I went for a 9 rather than an 8 : this film is 10 out of 10 in terms of drawing the viewer into the frustrations of police corruption, racism, sexism, cover-ups, minor mistakes which come back to haunt you big time, the effect on communities, fate. It is not a traditional Police film, it is a hundred times more than that.

If you liked Crash 2006 (the one which won the Oscars), then you'll like this film. Guarantee.

There's a strong resemblance to the much praised L.A. CONFIDENTIAL in this vivid story of crime and corruption on the police force, based partially on a true story involving these events.

Basically, it's the tale of a black police rookie who tries to fit in by covering corrupt practices and tries to uncover the truth behind the false prosecution of a black man (ICE CUBE). The black rookie (MICHEAL BOATMAN) suffers slurs inherent with being the first black man on the force and other social injustices within the department.

All the performances are first rate, beginning with Boatman, who does a fine job, MICHAEL ANDERSON, BERNIE CASEY (especially good as Ice Cube's lawyer), and ELLIOT GOULD--all first rate. LORI PETTY is also convincing as the only woman rookie who helps Boatman in his investigation. MICHAEL IRONSIDE is chilling as one of Anderson's most corrupt officers.

Given terse direction by Charles Burnett in well paced, brisk, documentary style, it maintains a grip on the attention throughout as it unravels a tale of police corruption and the hard decisions that have to be made.

John J Johnson (Michael Boatman) is a rookie in the Los Angeles police department that is also the only black cop in his office, but he won't let the racial prejudices stop his plans. After clashing with deputy Deborah Fields (Lori Petty), they gradually become friends and do their best for exposing corruption in the police department. It begins when deputy Bono stops Teddy Woods (Ice Cube) at a gas station, finds a warrant for Woods' arrest in his car and even a gun that Woods reveals he stole it, and Woods is also a prime accused for a murder, but Johnson and Fields will do everything for uncovering the truth even against their chief Gene Baker (Michael Ironside). There is a lot more than this but it's best if you just see it for yourselves.

While it may look like a made for TV vehicle and the plot is a bit too complicated for explaining it full, it's still worth a look. While Michael Boatman has never been an household name Lori Petty, Michael Ironside and Ice Cube give very decent performances. There are various twists and turns as well that are well inserted in the plot, and also some nice 1990s music as well. The themes are very actual even for 2022 as it talks about prejudices on the job derivating from the skin colour.

Overall, not an outstanding movie but one that falls in the time passer category. If you don't have high expectations, it can make your day.

Being that I was only thirteen when this film came out, I vaguely remember the promos for THE GLASS SHIELD. As usual, the Hollywood establishment misrepresented this film during its release and I fear no one saw it, and those who expected 1) Ice Cube to have a huge role or 2) Lori Petty to get naked were severely disappointed. (I think this came out very close to CLOCKERS, too, which might have confused some people.)

I've been hearing a lot of underground talk about Charles Burnett, lately, so I picked up this film (thinking it was a usual cop-meets-gangsta film previous to my knowledge that Burnett directed it.) I must say that it is an excellent, incisive picture that manages to duck every convention one expects from Hollywood. I was reminded of IN THE HEAT OF THE NIGHT, but this was without the Mr. Tibbs-like over-the-top innocent; JJ (an excellent Michael Boatman) is truly a real character, with real guilt and real problems. Ice Cube plays his role well, and Lori Petty is good, but it is the creepy fraternity of mustachioed white cops that makes this film truly frightening. They are bad, but not outright evil; they are, instead, men too pumped up on the power of the badge and the sidearm and the encouragement of their peers.

This is a riveting film with less than two "action" scenes; the tension exists instead in the idea that terrible violence awaits every character at every turn, and when the higher-ups descend to the levels of insane criminals, we realize the significance of the title, and the vulnerability of peace.

Highly recommended.