L'ultima eclissi

It isn't quite fair to say that 'Dolores Claiborne' is a one-woman show, but let's face it; it's pretty much a virtuoso performance from Kathy Bates. She dominates virtually every scene she's in, shows tremendous range, from tender to sour and bitter, to borderline maniacal, and leaves you wondering who else on Earth could possibly have pulled it off.

That's not to belittle the rest of the cast. The other actors are adequate at very least, and Judy Parfitt puts in a performance as the bedridden Vera Donovan, which is the one time that Bates is slightly overshadowed.

Briefly, a middle-aged, working-class widow (Bates) in a small Maine town (where else, for SK?) is suspected of murdering her rich, elderly employer (Parfitt) in an apparently open and shut case. Christopher Plummer is the nasty lawman who is convinced she also killed her husband years before. Meanwhile, her estranged daughter from New York comes up to cover the story for a newspaper, and... well, you don't really need to know any more details before seeing the movie.

It's adapted from a Stephen King novel, and being a drama rather than a supernatural story, it has a flying headstart, being in the company of 'Green Mile', 'Stand By Me', and 'Shawshank Redemption' rather than 'Christine' or 'Salem's Lot'. Whereas it isn't in the exalted league of those movies, it's miles ahead of most of the horror adaptation of King stories. Take Bates out and it might be rather ordinary, but as it it, Dolores gets a very solid 7.0 from me.

Few Stephen King works of fiction translate well to the screen. Horror elements are best left described rather than shown - so that the darkest recesses of our own imaginations can fill in the details. The horror visions of others may or may not affect us the same way - more often than not, they fall short of true terror.

But DOLORES CLAIBORNE is the exception - a masterful condensation of the Stephen King novel of the same name. More compact and deeply psychological than the novel, the film focuses almost exclusively on telling the story (in both present-day AND multiple flashback story lines) of Dolores Claiborne and her daughter, Selena.

Charged with murdering her wealthy but crippled employer, Dolores (Kathy Bates) is reunited with her estranged daughter, Selena (Jennifer Jason-Leigh). Sullen, brilliant, but deeply disturbed by a past that still obviously haunts her, Selena returns to the lonely and isolated Maine fishing village to help her mother face the legal and familial issues raised by the murder accusation.

We learn that Dolores had previously been suspected of killing her abusive and alcoholic husband. The same detective who had been unable to press the case 17 years earlier is now assigned to the new investigation. And as his work proceeds, secrets from the past reveal themselves, through brilliant use of flashbacks.

The acting by all concerned is first rate, with Bates giving probably her finest non-Oscar-nominated performance. Jason-Leigh is spot-on as the psychologically damaged and cynical Selena - more a victim than even she knows. Christopher Plummer is excellent as the detective.

Taylor Hackford's direction is absolutely brilliant - as is the use of color saturation and creative scene blending and transition to move seamlessly between present and past.

This is an outstanding film - well worth the Oscar nominations it received (as well as those it did not!). HIghest rating!

And the last horse crosses the finishing line! It's actually taken me until now to watch Dolores Claiborne but better late than never.

This is the very final Stephen King adaptation for me and that saddens me as I tend to very much enjoy them.

Starring Kathy Bates, Jennifer Jason Leigh and the excellent Christopher Plummer this thriller blew me away to an extent I simply didn't expect.

Set in New England (As all Stephen King tales tend to be) it tells the story of a woman arrested for the murder of the woman she worked for. Her arrest has lured her estranged daughter back home all the way from New York and results in family secrets being dragged kicking and screaming into the light

Alike most King works the movie heavily relies on flashbacks and it works wonders here. Over the course of over two hours the truth is gradually chipped away at until the highly impressive finale and series of twists.

Kathy Bates & Christopher Plummer are on form as always and take this already masterful tale and truly make the characters their own.

Also starring John C Reilly who would go onto do mostly comedy this is a near perfectly crafted little tale that begs the simple question "Why don't they make movies like this anymore?"

Essential viewing.

The Good:

Cast knock it out of the park

Beautifully written

Very well directed

Stunning location

The Bad:

Nothing springs to mind

Things I Learnt From This Movie:

Stephen King needs to write more books so they can adapt them into more movies before I start getting withdrawal symptoms

Dolores Claiborne is directed by Taylor Hackford and adapted to screenplay by Tony Gilroy from the novel of the same name written by Stephen King. It stars Kathy Bates, Jennifer Jason Leigh, David Strathairn, John C. Riley, Christopher Plummer and Judy Parfitt. Music is scored by Danny Elfman and cinematography by Gabriel Beristain.

Plot sees Leigh as Selena St. George, a big-city reporter who travels to her home town island in Maine when her mother is accused of murdering the elderly woman that she was caring for. Her estranged mother, Dolores (Bates), is also widely suspected to have killed her husband and Selena's father some 20 years earlier, even though that was ruled as an accident. As mother and daughter come together, secrets of the past merge with the harshness of the present.

A terrifically well acted and well mounted drama doing justice to a great book, Dolores Claiborne thrusts family trauma to the front of an on going murder investigation. King adaptations are well known for being very hit and miss, but this is certainly one of the better ones, it sees a shift from standard horror monsters, to monsters of a different kind, the human ones. Played out to a perpetually dank backdrop of rain, grey skies and a sea devoid of beauty, film unfolds to reveal the sadness of one family's roots, where emotional discord hangs heavy, constantly.

The structure is well handled by Hackford, as present day scenes merge into those from the past, giving off a perfectly ghost like feel to the plotting. Plummer's weary detective John Mackey is a bit too underwritten for my liking, and the time afforded the pre-trial debate and inquest is simply not enough to make the required impact once all the revelations come tumbling forward - the latter of which is nearly unforgivable given the film runs at over two hours. However, slight irks aside, this is still great stuff and if only for the trio of lead lady performances then this is a must see for the drama seeking film fan whom wants some intelligent emotional heft in the screenplay. 8/10

When I picked up the DVD of Dolores Claiborne, I wasn't sure of what to expect. I remembered that a lot of people were complaining that this wasn't Misery, starring Kathy Bates, who stars here, and the pacing was a bit off. However, when I was watching it, I was fully gripped into it's very gripping storyline of "Did she or didn't she?" and Kathy Bates pulls off another stunning performance (she never dissapoints me). All the other actresses, from Jennifer Jason Leigh, Christopher Plummer, to a then unknown John C. Reilly, also put out great performances. The direction of Taylor Hackford is top notch, and probably the biggest thing here is the cinematogrpahy, which is stunning with all the period photography (dull and grey at present, colorful in the past) and the eclipse photography is nothing short of stunning. A very surprising and entertaining watch,