Rivelazioni

'Disclosure' is not to be missed. The plot is well-known enough not to be summarized here, but suffice it to say that this movie is loaded with crackling drama, edge-of-your-seat suspense, witty and snappy dialogue (best line - Garvin, on transferring Sanders to Austin: "Making a lateral move to Austin is like a duck making a lateral move to 'a l'orange'".) and a celluloid-melting seduction scene. Excellent acting all around (I like Michael Douglas, I don't care what they say), and the movie captures in a visceral way the high-powered, high-stakes, cutthroat world of business politics in the world of leading edge computer hardware and software development. My wife and I both give this one a straight 'A'.

I have not read the Crichton novel, so I cannot compare the two. It's too seldom you see a thriller that really *works* without the threat being that of the protagonist(s) being physically harmed by someone chasing and/or attacking them. After his new female boss throws herself(quite literally) at him, Tom Sanders is in trouble. Who's going to believe him? The allegation sounds absurd, it seems. This is a believable scenario, and it remains that way through most of the film. The plot is interesting, and the twists and turns are unexpected. This has a marvelous pace, and it's never boring. It's exciting from start to finish. The leads have great chemistry, and all parts are well-cast. Every acting performance is riveting. Douglas, Moore and Sutherland are of course magnificent, and Miller is spot-on in a role that you can tell, as the Trivia confirms, was written to fit him. Cinematography and editing are good. The special effects do look a tad dated, and I'm not sure the film absolutely needed that portion, but they do the job fine. Computers and such in this are not completely credible, it is Hollywood after all. This touches upon important subjects, and treats them with respect. Barry Levinson does an impeccable job directing. There is no nudity, one sequence of strong sex, and a moderate amount of unrestrained language in this. I recommend this to any fan of those involved in making it and/or the book(possibly). 7/10

This is a pretty good drama with an excellent cast of characters. The story centers around Michael Douglas, who plays a division head in a high tech company in Seattle that is undergoing a merger. Demi Moore plays his old girlfriend, an aggressive corporate executive, who comes in and snatches away the job promotion he was counting on, then failing to seduce him after hours, files a false sexual harassment with the company in order to get rid of him.

It's interesting that although the story revolves around Michael Douglas's plight, it's the women who set the events in motion and who help the protagonist resolve the problem he's presented with. Female empowerment is the main theme of this movie.

Demi Moore gets perhaps her best movie role ever by playing the sexual predator to Michael Douglas's easygoing mid-level manager. She knows how to play the corporate game much better than him, and quickly boxes him into a dicey situation. How does a guy explain that it was his female boss who hit on him and not the other way around as she claims? Demi Moore controls the situation well for most of the movie, and plays the villain so well that the viewer really enjoys when she finally gets her comeuppance.

Roma Maffia does an excellent job of playing Michael Douglas's lawyer. He's lost on how to respond to the sexual harassment charges and what to do to preserve his job, and she forcefully takes over his defense and steers him towards a successful resolution. She also understands how the game is played and keeps her nerve when the company comes after her client.

Caroline Goodall plays Michael Douglas's wife and displays a perfect combination of anger and support while he resolves the charges against him. A lawyer herself, she understands the situation her husband has gotten into much better than he does, and is there for him as both an advisor and partner.

Rosemary Forsyth plays another female executive at the company who, without giving away the plot, mentors Michael Douglas through his dilemma. She's smart, but calm and principled, and in fact it is she, not Douglas, who eventually gets the promotion to head the company.

Even though Michael Douglas is the protagonist and eventually overcomes the crisis he's facing, his character is basically weak in the movie. He's carefree and unfocused at the outset, assuming the job promotion is his because he's done a good job for the company, and is completely blindsided when a woman takes it away from him and then threatens his career and his marriage. Douglas eventually takes charge and with alot of outside help and some improbable plot twists gets the upper hand, but in the cutthroat world of corporate intrigue, he's the little fish who gets lucky and swims out of the net.

Donald Sutherland hands in his usual fine performance as the president of the company. Dennis Miller plays a computer geek working for Michael Douglas and has a few humorous moments, but suddenly turns nasty in the middle of the movie and then just disappears. Dylan Baker plays a sort of Mr. Smithers kind of character to Donald Sutherland's Monty Burns, and is just egregious enough make you hate him, which is a good sign of a performance well done.

There are a few plot twists that offend the viewer's senses and things are wrapped up just a bit too neatly, but all in all, this is pretty good entertainment from start to finish. The movie touches an important issues, sexual harassment in the workplace, and makes it more interesting by making the woman the aggressor and the man the victim. Not surprisingly, I noticed that women gave this movie a higher average rating than did the men.

"Disclosure" deserves better treatment than it got from the critics. Sexual harassment of males by female superiors may be rare (and more likely than harassment of females by males to go unreported) but it takes place. Both Michael Douglas and Demi Moore are playing against type; only Donald Sutherland fits his character like a glove. But it's a reasonably good film and the major scene in which Moore's character is exposed as a liar and schemer works well, though with a boat load of improbable touches. If it makes the corporate world look like a jungle with predators around every bend, well, if you've been exposed to the corporate world it isn't much of a stretch.

I'm really surprised that there are next-to-no comments on this excellent thriller. It has been on ITV many times now, but I have only just caught it now after reading a second-hand copy of the novel. This thriller deals with the inequality between men and women in the corporate workplace brilliantly, displaying the clichéd attitudes of so-called friends and colleagues. this film has a real moral to it that rises it up from the blockbuster it is intended to be. The plight of the man against the megalomaniac female corporate boss seems quite desperate against the political correctness of the 90's, but is also sadly realistic showing what an unphilanthropic, complicated world this sometimes is. Especially in the ever-dominant world of corporations, simple human empathy is lost against a backlash of other most often selfish concerns. Michael Douglas as Tom was superb, although the acting of Meredith was sometimes a bit too clichéd, although this of course is what it was meant to be. All-in-all a very enjoyable, gripping thriller with all the plot that only usually a novel adaptation can give, exploring a real contemporary issue which other thrillers typically leave blank.