Sentieri disperati

This western starts out very well, then gets too Rambo-ish, meaning the bad guys can't hit the side of a barn with their shots. Despite that credibility problem, it's a pretty good film with excellent sound, nice cinematography, some interesting special-effects and sound with the gunshots and wounds and a different kind of soundtrack. I needed the TV Guardian with this because there is an excessive amount of Lord's name in vain in here.

Actually, this is a modern-day film noir put in a western setting. Edgy characters played by Sam Elliott (the ultimate cowboy face), Craig Sheffer, Linda Fiorentino (hard-nosed, as always), Bradford Whitford and Frank Whalley.

Linda Fiorentina develops from sexy seductress in The Last Seduction into a merciless killer in this effort, and it's a world away from Jessie the happy cowgirl from the Toy Story films. She'll blast your brains out without so much of a second glance, and she wears them Western clothes like she was born in the outfit. Partnering with a smart mouthed confidence trickster, she's on the run from the always excellent Sam Elliott, who plays a grizzled old sheriff. She committed the unpardonable sin of killing his son (Who she was married to, and he knocked seven bells out of her, hence the reason for her slaying him) so needless to say, this lawman is slightly more persistent in pursuing his target than most...

There are no signs of this being a straight to video effort, as the productions values are decent throughout. There are also some well staged and fast moving shootouts, but in terms of gore this ain't no The Wild Bunch, so the 18 certificate is a bit of a mystery. Like the film I last watched, The Kentuckian, this is hardly going to go down in history as one of the genre classics. But it'll pass 85 minutes, and you won't feel you've wasted your time. Which is good enough for me. 6/10

This movie seems to have been written under the shade of Unforgiven - the beating of a woman justifies over a dozen murders. I didn't see it that way. Throughout the movie, my sympathy (unlike that of Mr. English who also reviewed this) was with the marshal (as rough as he was) in catching and hanging the murderer - and her partner.

The movie was very well-done though - and a particularly wonderful and surprising beginning.

Note the wonderful chimed music when things get most exciting.

It's worth seeing. Linda Fiorentino is superb - and Elliott was born to play westerns - and does this wonderfully - with great restraint.

A woman , convict of killing an abusive husband , manages to escape from the marshal Bill Speakes (Sam Elliott) who's escorting to her hanging . After a failed stagecoach robbery Sarah (Lind Fiorentino) and another thief named Jack Cooper (Craig Sheffer) rob the money , the latter managing to snatch away the transported twenty-five hundred dollars from her . So she follows him to get it back . Soon after , she teams up with the con man in a plot to rob a bank to start a new life . While the marshal who wants her dead so wrongly , he even doesn't mind breaking the law , as he enlists a posse and sets after them. Travellers. Partners. Lovers. Robbers. No one escapes from Marshal Bill Speakes.

This The Desperate Trail ¨(1994) contains strong performances augmented by blazing guns , hobbled by weak writing . Nevertheless, it doesn't have much interest at times , neither intensity enough , though Sam Elliott captures his role pretty well . J. P. Pesce's slick direction , he was named Best Independent Director of the Year at the Hamptons International Film Festival for his critically acclaimed film The Desperate Trail (1994) , which he wrote and shoot . Nice acting from Sam Elliot as the merciless avenger Marshal Speakes who's really decided to sentence his contender to the gallows . Star Sam Elliott is a detached figure in Western genre , being one of its main representatives , performing a lot of them in the Eighties and Nineties , as cinema as TV , such as : Cactus , Houston The Legend of Texas , Yellow Rose , The Quick and the Dead , Gettysburg , Hi-Lo County , You Know My Name , Buffalo Girls , Indians, Wild Times , The Shadow Riders , and several others . While Linda Fiorentino is fine as the brave woman and an arrested killer who decides to no longer take any humiliation or battery , as she frees herself . She becomes partner to bandit Jack Cooper well played by Craig Sheffer.

The motion picture was professionally directed by P. J. Pesce , though it has some flaws . P. J. Pesce studied directing under and Brian De Palma and Martin Scorsese from whom he received honors and also studied editing and acting . This filmmaker is an expert on sequels such as he proved in ¨Sniper 3 ¨ and ¨ From dusk till down : the hangman's daughter ¨ and ¨The lost boys : the tribe¨. Equally , he directed a lot of episodes of notorious TV series , such as : ¨Leverage¨ , ¨Fringe¨ , ¨Transporter¨, ¨Under the Dome¨ , ¨Supernatural¨ , ¨American Gothic¨ , ¨Code Black¨, ¨Quantico¨, ¨Blue Bloods¨ , among others. Rating : 6/10 . Acceptable and passable Western . The movie will appeal to Sam Elliott fans.

It's too bad that Sam Elliot was born about 30 years too late and was not on the scene in the 40s and 50s when westerns began to change to more adult themes. He was as born to the saddle as a Joel McCrea or a Gary Cooper was, Elliott would have been a superstar then.

Not that he's done too badly now as The Desperate Trail shows. It's just that westerns have limited release for a specialized audience now. When we meet Elliott he's a marshal escorting a handcuffed prisoner for a date with a hangman. His prisoner is Linda Fiorentino and a holdup interrupts the journey.

When all is said and done another passenger Craig Sheffer makes off with several grand in Wells Fargo money and Fiorentino is loose and Elliott in a most embarrassing position. Naturally the marshal rounds up a posse and pursues the outlaws.

But this is a western with modern and adult themes, more modern than was discussed even in those beginning days of adult westerns. Sam and Linda do have a relationship of sorts and Linda is a battered spouse. As the film progresses Elliott is shown not to be the upstanding marshal that he professes to be and what we expect in the usual type of westerns.

If you like action there are more than enough shooting incidents to satisfy your craving. Elliott, Fiorentino, and Sheffer give fine performances in the leads.

A western with some very modern themes.