Il giustiziere della notte 5

Extremely violent follow-up to the successful 1974 movie based on the characters written by Brian Garfield , whose novel the picture is based on . Last entry in the original five film series in which Kersey takes the law on his own hands , searching for vengeance against mobsters when his girlfriend is victimized again . The five-times-weary urban vigilant hits gangsters , this time , hard . Death Wish : The face of death¨(1994) that would be the last and it was then not made for about another seven years , being starred by with Leslie Anne Down , Michael Parks , Chuck Shamata , Saul Rubinek and Miguel Sandoval . Sequel to successful crime thriller that created the Vigilante genre with Bronson as the main star as architect Paul Kersey (wooding acting by Bronson who looks bored and tired with this rehash material) turned the one-man vigilante when his sweetheart , a clothing manufacturer (Leslie Anne Down) , has her business threatened , being attacked by mobsters , one of whom turns out to be her sadistic ex (Michael Parks) and a hired killer (Robert Joy) hitting her on a mirror .

This fifth entry with excessive violence concerns about Paul Kersey , an ageing architect who becomes again into vigilante and wiping out the band of mobsters . The main amusement results to be to guess the kinds of deaths that Bronson executes against the villains , as he carries out retribution and vendetta . This 5º outing from the novel ¨Death wish¨ by Brian Garfield in which an architect taking the law into his own revengeful hands and acting as judge , jury and executioner . It contains suspense, noisy action-packed , intrigue , thrills and lots of violence . Initial excitement at the welter of violence son palls into boredom , only intermittently relieved by the preposterousness . Mediocre screenplay manages a couple of nice twists , but it's too formulary to pursue the ambiguities it reveals . Here filmmaker emphasising a hostile , nightmare terrain and relying his virtually sympathies with the confused , violent Paul Kersey . Bronson with his usual stoic acting displays efficiently his weapons such as ¨Harry the Dirty¨ and killing mercilessly nasties . Screenwriter re-wrote the entire script while filming but Charles Bronson constantly had problems with the dialog . It's certainly thrilling , though the morality may be questionable , even in this time, as the spectators were clearly on the Kersey-Bronson's side . Furthermore , it benefits from some good support actors , as here appears a nice secondary cast , such as : Chuck Shamata , Michael Parks , Saul Rubinek , Miguel Sandoval , Kenneth Welsh , among others . It packs a screeching musical score composed, orchestrated and performed by Terry Plumeri . The studio, Cannon : Yoram Globus, Menahem and Damián Lee produced this one in enough budget . The motion picture was poorly directed by Allan Goldstein (2001 a space travesty , When Justice Fails , Home team , Jungle boy , Chain dance , Private lessons) .

The original film ¨Death wish¨ had great commercial hit , it was followed by various extremely violent sequels to this successful 1974 movie , that's , of course , the best from the series , being starred by Hope Lange , Stuart Margolin , William Redfield and Jeff Goldblum . This first big hit motion picture was middling directed by Michael Winner such as the successive films with his main star, Charles Bronson , usually giving wooden performance . In the mid-70 Winner , in need to other hit smashes attempted with the sequels , but both , Bronson and Winner , looked increasingly passionless and mechanical in the later years of their partnership in this cheap as well as worn-out final series . The worst sequels in which Kersey goes on to torture robbers , all of them inferior and the violence could be deemed exaggerated , they are the followings : ¨Death wish II¨ by Michael Winner with Jill Ireland , Anthony Franciosa , JD Cannon and Vincent Gardenia , ¨Death Wish III¨ by Winner with Ed Lauter , Martin Balsam , Gavan O'Herlihy and Deborah Raffin . However , Michael Winner showed no interest in directing Death Wish 4 because he had heard that Charles Bronson had a terrible experience filming Death Wish III (1985). Following ¨Death Wish 4 : The crackdown¨(1987) with Kay Lenz , John P Ryan , Perry López , Soon-Teck-Oh directed by J.Lee Thompson . In addition , an intended but unfilmed sixth movie was also to have a subtitle: 'Death Wish 6: The New Vigilante'.

The beginning of this final installment of the long-running "Death Wish" series is shaky with inappropriate humor (even the title comes off as a tasteless pun, as a central character is disfigured by having her face bashed into a mirror) and a lot of mobster-movie clichés (the henchmen to Michael Parks' villain are howling stereotypes), writer-director Allan Goldstein transforms "Death Wish 5" into a surprisingly entertaining little crime thriller. Though frequently riddled with inept moments (the mobsters unload round after round into walls after their target has jumped out of sight) and plot holes (how is Kersey tracking the bad guys, and since when did he become an explosives expert?), the film is the most well-developed of the series in terms of character, plot, and pacing. I've never seen Charles Bronson more convincingly expressive than he is here, and Michael Parks ("Kill Bill, Volume 2") is utterly reptilian in his loathsomeness. While the plot is essentially a repeat of the previous films, it contains a confident gloss that lifts it out of exploitation and closer to a mainstream film--it isn't entirely successful, but rooting for Bronson never gets old.

Gangsters have bullied and murdered a woman. Now they had better watch out, because her fiancée is none other than Paul Kersey – and it's time for Mr. Bronson to dispense some more swift justice!

While this entry in the Death Wish series doesn't have the highest body count (see part 3 for that) and isn't the most grim and gritty (see part 2), it is the most sadistic. You see, in previous films Bronson got his wrathful business done with his trusty sidearm – but we get some variation in this one. Here he breaks out a marvelous assortment of deadly amusements such as the exploding soccer ball and poisoned pasta mentioned in other reviews – all seen in graphic detail as they work their murderous magic. Add to that the stress on facial disfigurement and scenes involving torture by steam press, plastic wrapping machine, and radial saw – and you have a new and wonderfully vicious formula for more Death Wish mayhem.

This is not the best in the series, but Bronson's presence alone gives it distinction, and it manages to make the most of the obviously very limited budget. If you're a fan of the series like me, you'll enjoy it in all its unpleasant, uncompromising glory.

Paul Kersey (Charles Bronson) is in witness protection working as an architecture professor. He's dating New York fashion designer Olivia Regent (Lesley-Anne Down). The problem is that her gangster ex-husband Tommy O'Shea (Michael Parks) and father of her daughter Chelsea has pushed his way into her garment business. Tommy sends Flakes (Robert Joy) to attack her. Paul goes to DA Brian Hoyle (Saul Rubinek) for help. Police Lt. Vasquez has been trying to put away Tommy for 16 years. Tommy starts killing Olivia's workers who were cooperating with the police and the cops themselves. He kills Olivia and takes custody of Chelsea. Paul has no choice but to take on the mobster his way.

The story is not bad. There are some very good actors. Michael Parks is always a good villain. However, the franchise is tired and old. The grittiness has been replaced with cheesiness. Trying to do high fashion looks silly. The biggest problem may be doing the Toronto for New York bit. It simply devalues the reality of this world. It's also a little repetitive for his girlfriends to always have problems. Charles Bronson does what he does best but there is nothing new left. Also the ending is abrupt as if they ran out of money.

After years in L.A., Paul Kersey is back in New York with his new fashion-based designer fiancée Olivia Regent and along with her young daughter Chelsea. Kersey has put away his old habits, until Olivia's ex-husband Tommy O'Shea (who happens to be mob figure) uses her business to run an illegal money laundry scheme and tries at every optometry of scary her from testifying against him in court. They go one step to far when they disfigure and then later on kill Olivia. By law Chelsea is to live with her father. This tips Kersey's world up side down and vengeance mode comes kicking back in.

What a crying shame. I'm shocked to see the user rating for this "Death Wish" instalment to be so low. Making it by far the weakest of the series. I don't agree, but hey you can't have it all your own way, right. Anyhow, this was the filth and final "Death Wish" to date and it was actually the first one I ever saw. Maybe that's why I seem to cut it a bit more slack then say number four.

So, it's been going on for twenty years and Charles Bronson (who was around 70 at time) is still around looking to quite fit and rather animated. Definitely more so than his two previous efforts. Back to form with his dry, ice-cool persona and showing some feeling along the way. What I like about this outing (other than being a improvement over "Death Wish 4") is that it seems to go back to the dark underbelly and cruel vibe (maybe more so) that worked in the earlier forays. Kersey is up against more upper-class foes, than the usual street pests. At heart is goes back to the basic, heavy-handed revenge yarn, where the detailed situations are harrowing and the violence is simply cold-blooded. He might not want to return the favour (as firstly he lets the cop do their job), but his finally forced back into his beloved side-trade, as it's in the blood and the loved ones are taken away from him… again. Once you start, there is no going back… even when the police know his secret. The way he subtly toys around with the guilty criminals to get them rather anxious, waiting for their turn to be mowed down. Only adds to that ominously nasty touch that waits and the dark humour has real snappiness to it here. The deaths scenes are at times wickedly inventive (well it beats going up to someone and just shooting them) and rapid stunt work is exceptionally pulled off with such thrilling poise. Oh and how can I forget about the gratuitous slow motion? Some times it works and other times your thinking… "Oh why?". Anyhow you gotta love it on this occasion!

As director (and writer) Allan Goldstein stylishly tailored it on a much larger scale that seemed to pay dividends with its competently showy set pieces and crisp pacing. There's always something there to hold your interest. In all, there's no denying it's by the numbers and the predictable plot has a fair share of clichés grounding it. Although it goes out there to delve a little deeper into the material (a highly witty and concise script: "Idiots with guns, make me nervous".) and truly making you feel for the characters. The hammy bad guys are typically portrayed as slimy, ruthless tyrants that deserve what they get. You'll sure be cheering on Kersey here, after you cop a taste of the lively performances of Michael Parks (who's tremendously scummy as Tommy O'Shea) and Robert Joy (makes light work as the paranoid nutter Freddie 'Flakes'). Lesley-Anne Down's presence simply glows and is credibly good as Olivia Regent. Giving able support are Saul Rubinek, Kenneth Welsh and Miguel Sandoval. The technical side of the production is soundly staged. The special effects are put to good use and come off well. What is nailed down is a traditionally sounding music score that likes too flutter about with loud echoing cues and the standard camera-work sufficiently frames every shot with nice scope.

By me saying it shares some common ground with the original films. I guess you'll be hoping for something rough around the edges and some exploitation to fit right in. Too bad, as that isn't going to happen. Those looking for the obligatory rape scene too (which appears in basically all four), forget it. This one is going for the mainstream pool. Even the ending has that cop-out feel about it with what has gone all before it.

For all your troubles it's nothing more than a glossed up, blunt action/crime vehicle for Bronson, which manages to mix the good and not-so-good aspects of the series. Only fans should bother.