Dark Waters

This incredibly slow-paced, budgetless, and odd film is one of the worst movies I have ever seen. To call this movie "stylish" would be like calling every other movie with unsuspecting killers (i.e. nuns), crazy cults, flashbacks of terrible pasts, etc. original and great. This film is far from it. I am a big-time movie fan and rarely find myself anticipating the ending. The director needs to be a tad more upbeat and faster in certain scenes (it takes a whole minute for them to film a shot of this bizarre and meaningless fish-eating freak on a boat eat some fish!). The only thing that saved this movie was the fact that it did manage to be disturbing and quite scary at certain times, but the total opposite at other times. Dark (or Dead) Waters cannot be be called "atmospheric" just because the the low-budgeted filmmakers decided to film on a nice little beach since they probably couldn't afford a proper set with decent camera equipment. Sparked by better movies such as The Evil Dead, Dark Waters is definitely a clunker. Keep away. 2.5/10

I stumbled upon this film completely by accident. I had ordered the Japanese film Dark Water and was sent this instead. The retailer told me to keep the film in order to make up for their error. It was a weird thing to have happen, and I figured it must be some cosmic sign, so I sat down to watch it having zero idea what it was about.

The plot of this film has a young woman going to a desolate monastery/nunnery in order to find out why her recently deceased father had been supporting it for years. Once there things are far from "normal" and there are many hidden dark secrets, not all of them are particularly healthy for our heroine.

This film really knocked my socks off. This is a movie that reminded me of many of the Euro-horrors of the 1970's and early 1980's. You have weird cults, young women, murder, mayhem and monsters. There is a weird tension that comes from everything being ever so slightly off center. You can't help but feel uneasy since you don't know how weird things are going to get nor do you know who is going to end up dead.

(SPOILER AHEAD) The only real problem is that even though the movie creates a very real claustrophobic world of religious oppression, with real characters, the film completely falls down in the last minutes when we see the "demon" that has been lurking around, at that point things go right into the toilet. How do I say this? Its worse than a man in a suit. it simply a rubber nightmare that almost completely ruins everything that has gone before. Simply put its on the list of really bad monster costumes. (Think about what happened at the end of the Conan the Destroyer)

If you can get past the bad monster and just take the movie for what its trying to do, then you'll enjoy the movie, if you need a perfection you'll love it up to a point and hate the ending.

It's best to walk into Dark Waters knowing that it's going to be an exercise of style over substance. As great and moody as the atmosphere of this movie is, the story itself is murky and hard to pin down. As best as I can tell, it's about a young woman whose father dies and she visits a strange island monestary that her father had been sending money to for years. Once she gets there, she gets the feeling that she's very unwelcome and she might unearth some truths that are better left buried.

One thing Dark Waters gets right is the atmosphere. If I didn't know any better, I'd truly believe this was a film shot in the mid-70's by some Italian horror master. It's beautifully shot with so much attention to detail. It's just a shame that the script didn't seem to have as much thought put into it. At one point, the lead character is attacked by a psychotic nun and she reacts to this as if she's just stubbed her toe. There's no sense of urgency at all. Wouldn't someone who'd just been attacked want to get out of there as soon as possible?

Mariano Baino obviously loves Argento's 'Suspiria' and 'Inferno' and Fulci's 'The Beyond'. 'Dark Waters' is very good attempt at recreating old school Italian horror where style is more important than plot, and atmosphere rules. It isn't as flamboyant, incoherent or as gory as Argento and Fulci's most excessive movies, but that isn't such a bad thing. Personally I'm nuts about movies that deal with heresies, conspiracies, and evil nuns, so I enjoyed this creepy thriller a great deal. Recommended.

This is not an easy movie to track down, but if you can find it, grab it.

Dark Waters (aka Dead Waters) is a great example of how atmosphere alone can make a movie work. The plot is a little confusing but trust me, you will not care. This movie is a nightmare to rival any that H.P. Lovecraft wrote down.

On a remote island in the Black Sea, there is a convent, a primitive stone fortress without electricity, virtually cut off from the rest of the world. The island is a grim, unlovely place, seemingly made up of stones and dead fish with nary a palm tree in sight. Our young heroine Elizabeth arrives on this island alone. Elizabeth is an orphan; her mother died in childbirth and her father has recently passed away. Elizabeth now wants to know why he had spent his life secretly sending good amounts of money to the convent. The nuns, a grim and sour looking lot, (not so very different from most Catholic nuns I have known) led by a blind and gravel-voiced Mother Superior, give her no straight answers, but allow Elizabeth to stay with them for the time being. Elizabeth begins having horrific nightmares, and this is where the movie really succeeds in frightening its viewers. The nightmares are truly terrifying, particularly the one in which a crucified SOMETHING approaches the camera as though on a track, opens its mouth and simply emits the most hideous, inhuman howl ever heard. It sounds like a long lost beast stuck in a tar pit, and gave me the creeped out shivers for days afterwards.

Elizabeth is befriended by a young, sweet tempered nun named Sarah, who tries to help her escape from the island. But of course, there is no escape. The answers she came looking for at the convent are all there, and too late, she learns that some things are better unknown. The truth about her birth, her mother and her identity come out in a shocking (and, unfortunately, somewhat rushed) finale with a twist that I truly had not seen coming...and I thought I'd seen them all. The only complaint I had? I wanted to see more of the monster. The glimpse I got of it showed me a bug eyed, razor mouthed THING straight out of a Lovecraftian primordial soup. But it didn't last nearly long enough.

This is a good, creepy film to watch with all the lights off, if you dare. It may move too slow for some, but if you like genuinely spooky films, lots of dark, rainy atmosphere and the cold, slimy unknown, you'll like this one.