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Crooklyn

  • 1994
  • PG-13
  • 1h 55min
VALUTAZIONE IMDb
7,0/10
11.837
LA TUA VALUTAZIONE
Spike Lee, Delroy Lindo, Alfre Woodard, and Zelda Harris in Crooklyn (1994)
Coming-of-AgeQuirky ComedyComedyDrama

Aggiungi una trama nella tua linguaSpike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.

  • Regia
    • Spike Lee
  • Sceneggiatura
    • Joie Lee
    • Spike Lee
    • Cinqué Lee
  • Star
    • Alfre Woodard
    • Delroy Lindo
    • David Patrick Kelly
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    11.837
    LA TUA VALUTAZIONE
    • Regia
      • Spike Lee
    • Sceneggiatura
      • Joie Lee
      • Spike Lee
      • Cinqué Lee
    • Star
      • Alfre Woodard
      • Delroy Lindo
      • David Patrick Kelly
    • 64Recensioni degli utenti
    • 30Recensioni della critica
    • 65Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 candidature totali

    Foto79

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    + 72
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    Interpreti principali65

    Modifica
    Alfre Woodard
    Alfre Woodard
    • Carolyn
    Delroy Lindo
    Delroy Lindo
    • Woody
    David Patrick Kelly
    David Patrick Kelly
    • Tony Eyes…
    Zelda Harris
    Zelda Harris
    • Troy
    Carlton Williams
    • Clinton
    Sharif Rashed
    • Wendell
    Tse-Mach Washington
    • Joseph
    Chris Knowings
    Chris Knowings
    • Nate
    • (as Christopher Knowings)
    José Zúñiga
    José Zúñiga
    • Tommy La La
    • (as José Zuniga)
    Isaiah Washington
    Isaiah Washington
    • Vic
    Ivelka Reyes
    • Jessica
    Spike Lee
    Spike Lee
    • Snuffy
    N. Jeremi Duru
    • Right Hand Man
    Frances Foster
    • Aunt Song
    Norman Matlock
    Norman Matlock
    • Clem
    Patriece Nelson
    • Viola
    Vondie Curtis-Hall
    Vondie Curtis-Hall
    • Uncle Brown
    Tiasha Reyes
    • Minnie
    • Regia
      • Spike Lee
    • Sceneggiatura
      • Joie Lee
      • Spike Lee
      • Cinqué Lee
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti64

    7,011.8K
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    Recensioni in evidenza

    9gelashe

    Anyone who grew up in NYC 1970's will love this film

    Having grown up in Queens in the 1970's, everything in this film hits home. I am sure anyone that grew up in any of the 5 boro's can appreciate it.

    The music is what we listened to on AM radio, the TV shows, children's street games, sitting on the stoop steps, kids teasing their friends and neighbors are all something we did at that time.

    The Carmichael kids in front of the TV singing along to the Partridge Family "I Woke up in Love this Morning", Walt Frazier being IT when it came to basketball. How many of us sat doing the same things? The kids fighting with each other are brother sister typical things.

    But the film also shows the problems a family endures when financial strains hit. The father is a musician who wants to write and play classical music to audiences who can appreciate it. This becomes a burden when his wife is the one working as a teacher paying the bills. Domestic issues put a strain on their relationship as they get into who used to pay the bills and who's paying them now.

    Mom getting the kids up in the middle of the night for not cleaning up, you can understand her frustration being the breadwinner, mom and everything else. When she complains later on that she is tired, you will have to watch the film to see why.

    Sit back and enjoy a trip back in time when life was a lot simpler. Even Spike and his friend dabbling in glue sniffing isn't so bad compared to what is going on now.
    nansense

    natural, well-acted, unwieldy

    the cast was perfect. they seemed natural and almost documentary like. Troy was magnificent. the movie captures 70s culture, the games, the shows, the streetlife, the music with humor without becoming precious. the sense of family is remarkable: strong and a little sadistic. i felt like i was that little girl living in the middle of all of those brothers. i would like delroy lindo to be my father. the flow of the narrative was a bit unwieldy, bu the music carried me through. if you want a nice neat plot, this isn't the flick to see. it was gentle.
    10Monet11744

    Personal, Endearing, Comical

    I thought this was a very personal, heartwarming and funny movie that also touched on very real social issues. It deals with the complications involved in family life like love, break up, sibling rivalry and making ends meet while also trying to lead a happy fulfilling life. It deals with the pains of loss and of struggle, the issues facing urban communities....self-perceptions and growing. Spike does all of this while giving a light and loving perspective to some hard issues. It is comical and endearing as you see all of these situations played out through the eyes of a young girl, trying to grow up. The odd struggle and perceptions of reality that we all face coming up...the embarrassment of a family, the neighborhood bully, etc....all gets played out in this summer classic.

    --Not to mention the cinematography is wonderful and interesting.
    8heyjamesguesswhat

    one of Lee's best

    Crooklyn is an engaging film that stands out in Spike Lee's filmography, not only for Lee's seamless storying of everyday life in 70's Brooklyn, but also because of his interesting and innovative cinematic imagery. The cinematography Lee employs in Crooklyn helps to create fantastic -sometimes even cartoon-like- environments in which his characters spring to life and thrive. His dollying techniques (placing actors on dollies), lens choice, and manipulation of color conspire to add special characteristics to this film. This is a great film to watch not only for Lee's ability to highlight the beauty of the quotidian in his storytelling, but also for the aesthetic qualities that Lee produces with his rich filmic vocabulary.
    ncoxny

    A Tresure

    I remember seeing an interview with Neil Simon once who said

    that he remebers that during the run of his play "Brightom Beach

    Memiors", a black usher would crack up at every performance.

    When Simon asked him why he laughed at every performance, the

    usher told him "That's my family."

    "Crooklyn" had the same effect on me. Just as a black ushers

    family must have been light years away from a pre war Jewish

    family in Brightom Beach, I can assure you that my childhood was

    lightyears away from the Charmichles. True, I grew up in Brooklyn,

    but I grew up in a upper middle class white neighborhood in the

    early eighties. This world was light years away from the world of

    Lee's film, but certain aspects of childhood ring true wether your

    from Sachrimento or Siagon.

    I think this is Spike's best film after "Do The Right Thing". In some

    ways even better. It's one of the best films ever made about

    childhood. You have the joy of staying up late and watching "The

    Partidge Family". The pain of losing your Mom and having your

    Dad thrown out of the house. The humor, as when one of the boys

    hits a girl with a cat. This is a magical movie in all respects.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The "disorienting" view when the family is in the country was created by shooting in widescreen without anamorphically adjusting the image.
    • Blooper
      In the store, Troy buys a bag of chips, lemon heads, bazooka gum, licorice, fireballs and Boston baked beans. When she gets home all of the boys pull out all of the candy from the bag and Troy is seen eating a candy necklace, obviously something she did not buy.
    • Citazioni

      Carolyn: Damn it, Woody, you bounced another check.

      Woody: I thought we had it covered. I'll get some money.

      Carolyn: When?

      Woody: When? What do you think I'm doing right here? Gem, Let me just finish this music.

      Carolyn: That's what I've always done. The problem is your music's not bringing anything into the house but music.

      Woody: Gem, the money will come.

      Carolyn: I'm waiting. I'm back teaching school again, and I am waiting, Woody.

      Woody: Just keep doing what you're doing, Gem. Now you know it wasn't always like this. I made money before. I'll make money again.

      Carolyn: I trust you, but you have got to realize we are on a limited budget. I am trying to balance everything and when you go and write checks and you don't tell me about it, it makes it extremely difficult.

      Woody: As God is my witness, I want the best for you and the children. But I have got to do it in my own way.

      [He gets up from his piano]

      Woody: Look it.

      [He gives her a hug]

      Woody: Cool?

      Carolyn: Cool. I went out and opened a separate back account.

      Woody: [He backs away] That's supposed to get some kind of reaction from me? What is that supposed to prove?

      Carolyn: I don't know what it proves. I'm interested in putting food on the table and keeping a roof over our kids' heads.

      Woody: [Woody goes to the far end of the living room and sits in a small chair] Boy! You know, you really kill me. I mean, on the one hand, you come down here telling me about yet another mistake Woody done made. But when I'm sitting at that piano trying to do my work, trying to concentrate, you won't let me do that either. You got a beef with that. I don't know what to do.

      Carolyn: You can get up off my chair.

      [He gets up and walks about]

      Carolyn: I don't want to hear about your mistakes, You keep track of those. I don't have time. All I ask you to do is to write down when you spend the money I am making.

      Woody: I told you it was a legitimate mistake.

      Carolyn: I appreciate that, but you have made that mistake five times this month. I just want you to change the pattern.

      Woody: I don't need no lecture from you about how to conduct myself in this house!

      Carolyn: I'm not giving you a lecture. I am asking you to help me conduct the business affairs of this family! You're an adult!

      Woody: What the hell do you think I'm trying to do?

      Carolyn: I don't know what you're doing!

      Woody: I know you don't. Well, let me tell you, I got to be like a thief in the night in this house every time I want to get some privacy to do my work!

      Carolyn: You selfish child! Don't tell me about privacy!

      Woody: Selfish nothing! Selfish nothing!

      Carolyn: Yes, you are selfish! I can't even take a piss without six people hanging off my tits!

      Woody: You're a big saint around here and I ain't shit, is that it?

      Carolyn: You can call yourself what you want to. I just asked you to write down the check.

      Woody: I wrote the check, right?

      [Woody sits back down at the piano]

      Woody: I wrote the stupid thing.

      [He gets up some music charts]

      Carolyn: I think you can do two things at once: make music and write.

      Woody: [Writing] Woody... wrote... a... bum... check.

      [Gives her the sheet]

      Woody: Here.

      Carolyn: That's very cute. You remember to write it down before it bounces next time.

      Woody: You know, you seem to forget, I'm the one used to pay for you and the children to go to Bloomingdale's and Lord & Taylor to get what you wanted when you wanted. You ain't the only one contributed to this family, Gem. You got to remember that.

    • Curiosità sui crediti
      The closing credits play over old footage of several episodes of "Soul Train".
    • Connessioni
      Featured in Siskel & Ebert & the Movies: That's Entertainment III/3 Ninjas Kick Back/Being Human/Dream Lover/Kika (1994)
    • Colonne sonore
      People Make the World Go Round
      Written by Thom Bell and Linda Creed

      Used by permission of Warner-Tamerlane Publishing Corp.

      Performed by The Stylistics

      Courtesy of Amherst Records, Inc./PolyGram International Music B.V.

      By arrangement with Original Sound Entertainment/Celebrity Licensing Inc.

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    Domande frequenti19

    • How long is Crooklyn?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 13 maggio 1994 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Italiano
      • Spagnolo
    • Celebre anche come
      • 布魯克林的夏天
    • Luoghi delle riprese
      • Bedford-Stuyvesant, Brooklyn, New York, New York, Stati Uniti
    • Aziende produttrici
      • Universal Pictures
      • 40 Acres & A Mule Filmworks
      • Child Hood Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 14.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 13.642.861 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 4.209.475 USD
      • 15 mag 1994
    • Lordo in tutto il mondo
      • 13.642.925 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 55 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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