Nel 1959, un vedovo assume un'amichevole governante come tata per prendersi cura della figlia di sette anni. L'amore della dolce donna fa parlare e sorridere di nuovo la piccola Molly.Nel 1959, un vedovo assume un'amichevole governante come tata per prendersi cura della figlia di sette anni. L'amore della dolce donna fa parlare e sorridere di nuovo la piccola Molly.Nel 1959, un vedovo assume un'amichevole governante come tata per prendersi cura della figlia di sette anni. L'amore della dolce donna fa parlare e sorridere di nuovo la piccola Molly.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
- High Heels
- (as Noreen Hennessy)
- Miss O'Herlihy
- (as June C. Ellis)
Recensioni in evidenza
Manny Singer (Ray Liotta) is a struggling songwriter for a company that makes television commercials, who also has a loving wife and a daughter, Molly (Tina Majorino). When his wife dies, Manny's whole life falls apart, his daughter stops speaking, and he develops a creative block on his jingle-writing skills that threatens to get him fired. To solve one of these problems, he starts looking for a nanny for Molly, reluctantly settling on Corrina Washington (Whoopi Goldberg), a woman who has recently moved into town to stay with her sister, and who also happens to be black. Though far from the most efficient housekeeper in the town, Corrina clicks instantly with Molly, who eventually starts to speak again. Manny also takes a shine to Corrina, and a friendship soon forms between the two widows, but they can't seem to agree on what is best for Molly.
As easy as it may be to classify 'Corrina, Corrina' as a fifties-set drama, I'm inclined to resist this temptation, for two main reasons. Firstly, aside from the underlying comments about race, the fifties setting is used only as a backdrop, with the focus on a very heartfelt dramedy, which leads me to my second point. 'Corrina, Corrina' is certainly moving, and there are times when you may feel the need to reach for a box of tissues. But it's also quite hilarious as well, and writer/director Jessie Nelson finds a fine balance between the dramatic and comedic beats to make a remarkable motion picture. Liotta, Goldberg and Majorino give wonderful performances, and these really do feel like real characters. A real winner.
~ 8/10 ~
Jessie Nelson's script reflects on a somewhat forgotten, yet thoroughly accurate, 50's neighborhood setting which existed in many parts of the country -- an environment generally overlooked by film subjects.
There's a nice lilt to the story, a surprising warmth projected to character portrayals, and an ingratiating blend of humor and drama. All in all, a very pleasant, relaxing family film, nicely directed by Nelson, and with an intelligent and sensitive performance by Goldberg.
Lo sapevi?
- QuizThis was Don Ameche's final film before his death on December 6, 1993 at age 85. He completed his scenes shortly before he died.
- BlooperCorrina leaves Molly's house, picks an orange off the tree, and tosses it to Molly, then walks off continuing to toss an orange.
- Citazioni
Manny Singer: Corrina, can I talk to you for a minute? Look, whatever you may believe in is fine for you, OK? Your heaven is fine for you, but Molly's mother was an atheist and so am I, and I don't want you telling her that her mother is somewhere she isn't.
Corrina Washington: Yes, Mr. Singer. I'll just continue to tell Molly her mother is in the bathtub.
- Colonne sonoreThey Can't Take That Away from Me
Written by George Gershwin and Ira Gershwin
Performed by Sarah Vaughan
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Corrina, Corrina
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.164.171 USD
- Lordo in tutto il mondo
- 20.164.171 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1