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My mission as of late has been to watch every single film on the list of 100 worst movies ever made. Right now I have scratched off around 20, with this steaming pile of rotting filth being one of them. Make no mistake, Car 54 is one of the single worst movies to come out of Hollywood, or as I like to call it, Evil Town (creative name, no?). I violently protest any of the other posters who claimed that some parts of this movie were either "average" or (shudder) "funnny." Nothing in this movie works, from start to finish, and to save the sanity of others I will try and express who bad things get. The opening scene features a truly horrible song and dance number which is badly filmed with a soft glow technique and features a cartoon canary that at one point dresses up like a rapper (oh yeah, no racial stereotypes here, no sir). Then we discover that this was the dream of our main character, a goofy cop played by the single most irritating man on the planet. Seriously, his voice and silly putty face made me want to shoot someone when he started talking. We then get the opening credits as a crappy rap song is played, one where a single verse is repeated 3 TIMES. God, was that excruciating, considering that during this song I got supposedly "wacky" footage of the cops acting silly. The rest of the movie is populated with characters NO ONE could love, a barely existing plot that has no chance of being stretched over 90 minutes, and who knows what else. Honestly I couldn't stomach much of this trash, since most of the humor is either obvious or downright nasty. Obvious example: the policemen keep going to donut stores when they're supposed to be working. OH, HAR HAR HAR. Is that supposed to be funny in 1994, much less 2003? Plus the fact that the entire thing is horribly outdated by its fashion, soundtrack, and slang. This was back when rappers wearing giant clock necklaces was considered "hip," so you can imagine the amount of bad fashion choices spattered throughout this film. Rosie O' Donnel makes her film debut here, and she crashes and burns I'm happy to say. Nasty example: the main character actually has sex with Rosie O' Donnel while screaming, "Oooh! OOOOH! OOOOOOOH!" You can't know it by reading that, but he says it in a "comical" way. Trust me, it's just plain nauseating. AVOID CAR 54, WHERE ARE YOU IF YOU VALUE THE PURITY OF YOUR SOUL. 0/4 stars

This movie is not as bad as you may have heard. It is even worse. I actually saw this movie about 3 years ago, and I am just now getting around to reviewing it because it took me that long to wrap my brain around how insipid this film actually is. Only the presence of Jeremy Piven saves this from being 100% garbage. I think Jeremy was drunk and/or injected with horse tranquilizers for all his scenes; I would have to be intoxicated to appear in this movie, too. Without Mr. Piven to dilute the pain, I believe my VCR would have spontaneously combusted from bad movie overload. He is, however, only a tiny oasis of talent in the vast wasteland of crap that is known as "Car 54". Avoid, like you would small pox, plutonium or any other weapon of mass destruction.

I've sat through some dreadful films in my time, but this one may well be the all-time winner. I watched the whole thing with my mouth hanging open in stunned disbelief that it could be as bad as it was.

I was extremely interested in seeing the film around the time it came out. This was back when Nick@Nite was showing reruns of the old Car 54 TV show, and I was one of the many who was first exposed to it there and fell in love with it. My understanding was that it was this renaissance of cult interest in the show that motivated the making of a movie. So I was looking forward to seeing said movie.

The thing about this movie was, it seemed extremely evident that NOBODY associated with the making of this movie HAD EVER actually *seen* the original TV show upon which it is (supposedly) based. That the main characters are named Toody and Mulldoon seems almost a coincidence; they aren't even *remotely* like the original characters, except in so far as being cops. The original Car 54 TV show had a delightful, wacky sense of humor. This abomination of a film has NO sense of humor. I didn't not laugh once, not one single time. The original TV show had an amusing, catchy theme song. This thing had some monstrosity of a rap. What I will never, ever fathom is how *anybody* ever signed off on this thing at any stage in its development. I want to know who looked at the script for this and say "Yeah! That's great!" and what drugs they were on.

I remain in everlasting awe that they were able to propose, write, film, edit, and release a Car 54 film that had absolutely NOTHING to do with the great old TV show, Car 54, Where Are You. When you factor in the disappointment factor over what it could have been, I think this could well be the worst ever. There was just *no good reason* for it to have been this bad.

I rented this movie as part of a local video stores "five films for five nights" deal and I needed a fifth film to get the deal. It took me five nights to watch it because I could literally only stand fifteen minutes of it at a time. I tortured myself on the last night and endured eighteen minutes of it. I truly admire anyone who was able to sit through this in a theater without leaving.

The old t.v. show had its undeniable quirky charm. this should be self evident, otherwise a 2 season sitcom from 1961-63 would have been long forgotten, and no studio would have thrown a 1990's budget at so weak a concept as to make a movie of an obscure t.v. relic. But the people behind the film had no concept of what made this show stick in peoples' craw, and that was the ridiculous innocence and banality of the crimes that mediocre good guys Toody, Muldoon, etc. encountered and dealt with in the big, bad city of New York on an episode by episode basis. Making Muldoon a crusader, rather than an equally bumbling ineffectual creature like Gunther Toody obliterates the charm of the sitcom. The whole idea of anyone from the squad actually approaching a ":real" or "serious" crime kills the whole premise of "Car 54 Where are You?" This is a relic of a sheltered and surreally unrealistic time, and this attempt to have one foot in this world and another in the semi post-repression non reality of contemporary aesthetics just doesn't cut it. Besides that, this is a bad mess of a movie on all standards.