Aggiungi una trama nella tua linguaRich Hungarian-born orphan Katya Davidov commissions Jordan Kirkland to research her past starting from a photograph, showing her as a child next to an elusive Fabergé music box. Luckily exp... Leggi tuttoRich Hungarian-born orphan Katya Davidov commissions Jordan Kirkland to research her past starting from a photograph, showing her as a child next to an elusive Fabergé music box. Luckily experienced Yankee-Hungarian treasure hunter and womanizer Nick Rostov gently forces his help... Leggi tuttoRich Hungarian-born orphan Katya Davidov commissions Jordan Kirkland to research her past starting from a photograph, showing her as a child next to an elusive Fabergé music box. Luckily experienced Yankee-Hungarian treasure hunter and womanizer Nick Rostov gently forces his help upon her, although Jordan stubbornly risks dealing with his dodgy competitor Gudrun Kuper... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
- Priest
- (as Peter Kertesz)
- Train Waiter
- (as Sauska Adam)
- Cab Driver
- (as Barna Illyes)
- Boat Waiter
- (as Jozsef Kiss)
Recensioni in evidenza
Harris wears her brown hair in a bob with grey strains, apparently so she can match Stewart's grey hair strands. Stewart is actually a Ken Olin look-alike which creates a reference to Harris' thirtysomething TV series. Harris here looks tanned, wears a French-style black striped white top, and a purple/blue ball gown with Medusa sculptured hair. She looks lovely in reaction to the sight of a messy room, is funny when parodying Nicholas's phraseology and resisting his physicality, supplies a drunken girlish giggle, a silent look of sarcasm to Stewart's `I haven't done anything I have to apologise for', has a slow move to kiss Stewart, but 2 rear views of her mannishly walking and her running in short skirts present her unflatteringly. Jordan isn't Harris at her best, but the fault is as much with the convoluted script and uninspired direction as with her.
Based on the Harlequin book by Laurel Pace, the teleplay by Guy Mullally and Jim Henshaw have multiple observations of Nicholas' `charm', but contextually clever lines are followed by cliches. To Jordan's `I'm having a great European vacation' Nicholas says `I'm scared enough for the both of us', his `Let me explain' is answered by her `And which lie would you like to start with', though `I have an appointment' with `I've been expecting you' is laughably redundant. Jordan doing her make-up in the back seat of a taxi gets a spin from her being able to see she is being followed, but the idea of a proposal is somewhat romantically undermined by the plot resolution.
The narrative being so complicated demands the touch of a strong director, which Michael Kennedy is definitely not, since he also uses unexplained fireworks, though that is preferable to his creeping camera for close-ups.
Rob Stewart is a wonderful actor I don't know why people keep giving him a bad rap. As for Mel Harris she is a great actress and for those who thinks she looks too old for Rob it's only by five years.
Rob had a lead role in his own TV series as well as one on the Scifi channel. I'm sure you remember Topical Heat aka Sweating Bullets and PainKiller Jane.
He also starred in a number of TV movies and is now making a TV Mini series.
They need to give him more leading roles that is what he is best at.
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