VALUTAZIONE IMDb
6,6/10
7643
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaVijay falls in love Shivani and proposes her only to be rejected every time. However his love turns into an obsession and turns her life into a hell.Vijay falls in love Shivani and proposes her only to be rejected every time. However his love turns into an obsession and turns her life into a hell.Vijay falls in love Shivani and proposes her only to be rejected every time. However his love turns into an obsession and turns her life into a hell.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Johny Lever
- Champa Chameli
- (as Johnny Lever)
Kamaldeep
- Mr. Saxena
- (as Kamal Deep)
Ghanshyam Rohera
- Eunuch
- (as Ghanshyam)
Recensioni in evidenza
Anjaam starts out as a possible, traditional love story between Vijay and Shivani, which, quite unexpectedly turns into a story of unrequited love followed by intense obsession, ego, sadism and revenge. The story develops at quite a fast pace, with one story twist preceding another, killing every possible trace of romance, much to the complete shock of an unprepared, awestruck audience. This is one of the several formula-defying films a young newcomer named Shahrukh Khan appeared in earlier on in his career, risking future career prospects as a leading actor in a film industry which very often resorts to typecasting and marking slots of villains and comedians.
But it wasn't the case this time around, and it only contributed to the image of this young, highly courageous and talented actor, whose efforts in films like Baazigar, Darr, and this time Anjaam, were applauded all over and only enhanced his stature as a credible star-actor. And one can see why. Khan is tremendous in this role. His Vijay is the nice romantic fool on the surface, but underneath lies the soul of a true monster. And the trick is that this time it's not a caricature, it's a real psycho - an eccentric, capricious brat, whose passion and ego drive him to pull out all the stops to have things done his way. The weird mannerisms, the body language, the delivery and the overall creation of this character are done brilliantly by Khan. No matter how real or unreal it could be, it is immensely entertaining and impressive.
The cynosure, the love interest, the victim, the avenger, and ultimately the leading lady of the film is Madhuri Dixit, a beautiful, principled young woman, whose honesty is but the thing that drives the obsessive antagonist nuts. Roles of avenging angels had by then already become almost a standard in Hindi films, with Rekha setting the bar with her unforgettable daredevil act in Khoon Bhari Maang. The character of Shivani is different in story and execution, and it is not as heroic. That said, Dixit is excellent in a performance that easily ranks amongst the best of her career. The transformation from a charming young lass to a woman hardened by what she had to endure is utterly convincing. One wishes she had accepted more roles like this one in better films.
Which brings me to the next point, and it is the film itself. Sadly Anjaam doesn't completely live up to the quality set by the acting. While the film is greatly entertaining, the execution is often faulty. The prison portions, though gripping at times, are for the most part embarrassingly exaggerated. There is a familiar portrayal of the corrupt law and juridical system, against which no man could ever resist if no money was found at their disposal. Anjaam is directed by Rahul Rawail, a famous director. It is his most eclectic work, and is an unusual Hindi film for its time. For the story it tried to tell, it did very well. A strong story development, a stronger second half (which is a good thing), and an ending which is totally overblown and unbelievable. But it's a good watch in spite of the flaws, and the two central performance make up for many of them anyway.
But it wasn't the case this time around, and it only contributed to the image of this young, highly courageous and talented actor, whose efforts in films like Baazigar, Darr, and this time Anjaam, were applauded all over and only enhanced his stature as a credible star-actor. And one can see why. Khan is tremendous in this role. His Vijay is the nice romantic fool on the surface, but underneath lies the soul of a true monster. And the trick is that this time it's not a caricature, it's a real psycho - an eccentric, capricious brat, whose passion and ego drive him to pull out all the stops to have things done his way. The weird mannerisms, the body language, the delivery and the overall creation of this character are done brilliantly by Khan. No matter how real or unreal it could be, it is immensely entertaining and impressive.
The cynosure, the love interest, the victim, the avenger, and ultimately the leading lady of the film is Madhuri Dixit, a beautiful, principled young woman, whose honesty is but the thing that drives the obsessive antagonist nuts. Roles of avenging angels had by then already become almost a standard in Hindi films, with Rekha setting the bar with her unforgettable daredevil act in Khoon Bhari Maang. The character of Shivani is different in story and execution, and it is not as heroic. That said, Dixit is excellent in a performance that easily ranks amongst the best of her career. The transformation from a charming young lass to a woman hardened by what she had to endure is utterly convincing. One wishes she had accepted more roles like this one in better films.
Which brings me to the next point, and it is the film itself. Sadly Anjaam doesn't completely live up to the quality set by the acting. While the film is greatly entertaining, the execution is often faulty. The prison portions, though gripping at times, are for the most part embarrassingly exaggerated. There is a familiar portrayal of the corrupt law and juridical system, against which no man could ever resist if no money was found at their disposal. Anjaam is directed by Rahul Rawail, a famous director. It is his most eclectic work, and is an unusual Hindi film for its time. For the story it tried to tell, it did very well. A strong story development, a stronger second half (which is a good thing), and an ending which is totally overblown and unbelievable. But it's a good watch in spite of the flaws, and the two central performance make up for many of them anyway.
I have seen quite a few Indian films (often from the 1990s) where you have a male protagonist who is a spoiled, rich playboy who falls for a woman....and by the end of the film, he's changed and they fall in love. "Anjaam" looks much like one of these but then instead of the protagonist reforming, this guy becomes dangerous....which is MUCH more realistic than him becoming 'nice' by the end of the story.
Vijay (Shah Rukh Khan) is the obnoxious playboy in this film. He sees Shivani (Madhuri Dixit) on a TV commercial for the airline for which she's a hostess and he's smitten with her. He repeatedly follows her and acts boorish but instead of her falling for this, she marries another man. Does that stop Vijay? Nope...because he's emotionally unstable and twisted...and he will either get her or destroy her. I'll say no more...I don't want to spoil the suspense.
So is the film good or not? Well, it's a bit of both. Since it was made in the 1990s, the acting is a bit less subtle in films you'd see today. The music, also, like older films is a bit dated. Also, the cross-dressing trio just seem way out of place in such a serious film...I was never sure why they were there in the first place. Otherwise, it's a very good, suspenseful and creepy film...and SRK lovers might be surprised at how twisted and sick he is in this one. If you thought he was bad in his gangster films like "Don" or "Raees", well he seems a lot worse and dangerous in "Anjaam"! So, if you are looking for a sweet love story...keep looking! Instead, it's a film with strong feminist vibes...showing how godawful not only Vijay can be but the rest of the men in the story as well.
By the way, there are at least two other Indian films called "Anjaam" which came out before this one. It turns out neither have anything to do with this film other than the titles.
Also by the way, can a judge in India really sentence a person to prison without hearing all the evidence or allowing a jury to decide the case? This part of the film really confused me.
Vijay (Shah Rukh Khan) is the obnoxious playboy in this film. He sees Shivani (Madhuri Dixit) on a TV commercial for the airline for which she's a hostess and he's smitten with her. He repeatedly follows her and acts boorish but instead of her falling for this, she marries another man. Does that stop Vijay? Nope...because he's emotionally unstable and twisted...and he will either get her or destroy her. I'll say no more...I don't want to spoil the suspense.
So is the film good or not? Well, it's a bit of both. Since it was made in the 1990s, the acting is a bit less subtle in films you'd see today. The music, also, like older films is a bit dated. Also, the cross-dressing trio just seem way out of place in such a serious film...I was never sure why they were there in the first place. Otherwise, it's a very good, suspenseful and creepy film...and SRK lovers might be surprised at how twisted and sick he is in this one. If you thought he was bad in his gangster films like "Don" or "Raees", well he seems a lot worse and dangerous in "Anjaam"! So, if you are looking for a sweet love story...keep looking! Instead, it's a film with strong feminist vibes...showing how godawful not only Vijay can be but the rest of the men in the story as well.
By the way, there are at least two other Indian films called "Anjaam" which came out before this one. It turns out neither have anything to do with this film other than the titles.
Also by the way, can a judge in India really sentence a person to prison without hearing all the evidence or allowing a jury to decide the case? This part of the film really confused me.
This film is all about Madhuri Dixit and her natural performance. SRK did great job also.
I see that there already a few reviews but I thought I'd throw my 2 cents in as well.
Given that the movie was done was in 1994, it's obvious to the viewer that Shah Rukh's star was on the rise. Despite the average hair cut and the negative nature of his role, he still delivers charisma and charm in the role.
Despite his immense success with romantic lead roles (Dil To Pagal Hai, Kuch Kuch Hota Hai etc) it would be great to see SRK do more negative roles.
(The forthcoming Don will be a refreshing change).
Given that the movie was done was in 1994, it's obvious to the viewer that Shah Rukh's star was on the rise. Despite the average hair cut and the negative nature of his role, he still delivers charisma and charm in the role.
Despite his immense success with romantic lead roles (Dil To Pagal Hai, Kuch Kuch Hota Hai etc) it would be great to see SRK do more negative roles.
(The forthcoming Don will be a refreshing change).
This is one of SRK's BEST movies, his acting, as usual, is flawless, and I sit back in amazement, and think "I could not do that". He is just perfect in the film, you can't but help feeling incredibly sorry for him, and incredibly angry at Madhuri, some scenes are disturbing, but they only add to the movies brilliant storyline, I have seen many Indian and English movies, but I have never seen any like Baazigar, Darr and Anjaam, coincidentally they all have Shahrukh Khan in them, he is just the BEST, never have movies been made like these, and never has there been an amazingly terrific actor like Shahrukh Khan, who NO other actor in the WORLD can compare too, there is just NO comparision between him and ANY other actor. There is not a single moment of boredom in this movie, you can't take your eyes off it. It is just terrific, along with the acting.
Lo sapevi?
- QuizAfter Darr & Baazigar, Anjaam was the third film of Shahrukh Khan in negative role.
- BlooperShahrukh Khan is trying to fix a Mercedes W123 model which broke down. After he sets the car on fire, it shows a different make and model car.
- Curiosità sui creditiThe opening credits and film's title starts from duration 29 minutes and 10 seconds.
- Versioni alternativeDue to the film's dark subject matter, many scenes were cut by the Censor Board to reduce the impact for the most violent scenes.
- ConnessioniReferenced in Singh Is Kinng (2008)
- Colonne sonoreBadi Mushkil Hai
Music by Anand Chitragupth and Milind Chitragupth
Lyrics by Sameer
Performed by Abhijeet
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