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6,7/10
7325
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn amnesiac wakes up on an NYC alley. He meets Isabelle, an ex nun now erotic writer, at a diner and follows her home. She helps him find his identity. Then there's Sofia, the porn star.An amnesiac wakes up on an NYC alley. He meets Isabelle, an ex nun now erotic writer, at a diner and follows her home. She helps him find his identity. Then there's Sofia, the porn star.An amnesiac wakes up on an NYC alley. He meets Isabelle, an ex nun now erotic writer, at a diner and follows her home. She helps him find his identity. Then there's Sofia, the porn star.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
Recensioni in evidenza
I just adore this movie.I like to remember its precious lines and, particularly, its superb acting. The idea of an ex-nun writing pornography sounds an interesting one, as does her relationship with an amnesiac and an ice-cold porn star. The mystery plot is quite risible but by then you are already so inside the film that the wonderful performances manage to keep you interested. Hartley's rich creation of each of the 3 main characters finds a perfect response in each of the performances carried out by Isabelle Huppert, Martin Donovan and Elina Lowensohn, creating an incredibly touching sense of vulnerability, interdependence already suggested by the opening credits and its unforgettable music.
The conception of the characters finds great help in the paused acting and staticism of the actors, making the most of each single move of their faces. This finds its parangon in Huppert's stunning turn. We already knew how great the red-haired was (see Une affaire de femmes, to name one), but she deals here with a character which could have resulted grotesque in other hands. She provides innocence, freakiness, sympathy and a thousand more in one, making it inevitable to want to embrace her when the curtain is down and tears go down your face. Isabelle, you are the greatest!!!
The conception of the characters finds great help in the paused acting and staticism of the actors, making the most of each single move of their faces. This finds its parangon in Huppert's stunning turn. We already knew how great the red-haired was (see Une affaire de femmes, to name one), but she deals here with a character which could have resulted grotesque in other hands. She provides innocence, freakiness, sympathy and a thousand more in one, making it inevitable to want to embrace her when the curtain is down and tears go down your face. Isabelle, you are the greatest!!!
Hal Hartley's "Amateur" is an engagingly offbeat take on the "crime thriller" genre. It is also perhaps the most quietly thoughtful handling of amnesia (not as a plot trick, but as a subject) you're ever likely to see. But be warned: Hartley's refreshingly non-mainstream, detached, minimalist style takes quite some getting used to, and the ending is needlessly downbeat. (**1/2)
Quirky, odd, brilliant. This is the best use of deadpan delivery I've ever seen. Martin Donovan is excellent. If you're going to rent a Hal Hartley movie you should start with this one; it's the most accessible and the funniest, and also the least stagey.
A month after seeing this movie, I cannot remember how it ends. A waste of time. Some interesting characters - a nun writing porno, yuppie hit men - but they are never developed. Instead, they are stock, quirky types. You never get a feel of their inner lives.
Its been a while since I've this movie but its always stayed with me and I would strongly recommend it. This film has Hal Hartley's trademark sparse, artsy atmosphere, with the slightly surreal characters, the staged dialogue and set pieces. All the characters are quirky and memorable, I loved Isabelle Huppert's character - the nymphomanical nun - in particular and the story dissects amnesia in a really interesting way.
Above all the central love story will draw you in more than you realise; the ending was both crushing and fitting. This is due to the acting, as every movement and expression helps to build characters and relationships. Isabelle Huppert and Martin Donovan both do this perfectly, and the impact of the ending owes a lot to them. The odd 'staging' of the film may put off those expecting a more conventional thriller but open minded viewers will be rewarded.
Above all the central love story will draw you in more than you realise; the ending was both crushing and fitting. This is due to the acting, as every movement and expression helps to build characters and relationships. Isabelle Huppert and Martin Donovan both do this perfectly, and the impact of the ending owes a lot to them. The odd 'staging' of the film may put off those expecting a more conventional thriller but open minded viewers will be rewarded.
Lo sapevi?
- QuizIsabelle Huppert got the lead role by writing to the director and begging for a part in his next film.
- BlooperTutte le opzioni contengono spoiler
- ConnessioniReferenced in The Waiter (1997)
- Colonne sonoreMind Full of Worry
Written by Deborah Schwartz
Performed by The Aquanettas
Courtesy of Giant Records, Inc.
Used by Permission of Prize Pagoda Music, ASCAP
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Dettagli
- Data di uscita
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- Sito ufficiale
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- Amatör
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- Budget
- 2.300.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 757.088 USD
- Lordo in tutto il mondo
- 757.088 USD
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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