RoboCop

At the time this series was released in '94, I was 14. Most of my friends didn't like the show, but I did. This was a show that seemed as if it was well thought out, the writing scored huge points in my book. I really enjoyed seeing Robocop on his downtime or with a virtual friend (Diana). The show was interesting to watch and what kept me coming back each week was not the violence, but wondering what new wisdom the cyborg would hand out. With as much terror in the world, it's nice to see an alternative measure. I believe this show could do really well if produced today. I think a reunion episode is long overdue.

If you enjoy quality television with great writing, then this show is for you.

This excellent sci-fi TV show is highly recommended for all RoboCop fans. Casual Sci-Fi fans may find the show hard to follow, since there is not much background given outside of the opening theme sequence. The show is somewhat violent, but not graphically so. Parental Guidance suggested. This show is currently re-running on the Sci-Fi Channel.

Although there is more than one way RoboCop could have been adapted for television, this is a very good way to do it. Although movie director Verhoeven's touch is missing on the series, the original writers Miner and Neumeier return (at least for the pilot) to put Robocop back on track. The content is somewhat toned down over the original movie (both because of its conversion to television and because it is aimed at a younger audience), but the spirit of the original is in most ways preserved: the satire, personal drama (mostly regarding Alex Murphy/Robocop), and the good-guy vs. bad-guy action. The drama regarding Murphy is expanded on, as we get more exposure to his memories and to his family, and there is added a character, in the form of Delta City's new brain, who shares in many ways Murphy's plight. Ultimately, the television series comes off closer to the original movie than either of the two theatrical sequels.

The television series does take a slightly different spin than the movie, but ultimately it works out for the best. Robocop here is more of a comic book superhero, but not necessarily in a bad way. He is superhuman both physically and morally, and yet we remain sympathetic to his plight throughout. He is someone we really want to root for. (Personally, I think RoboCop makes the most interesting superhero since Batman.) The villains are more comic-bookish as well, but they do not seem out of place given the change in tone. The series can be serious and yet be silly in an almost Batman-like way at times, without the two ever seeming at odds with each other. Also changed is the tone; the series moralizes more, and has cut the graphic violence of the original. It is sort of RoboCop with more of a conscience.

In addition to its other virtues, the series adds surprisingly high production value and more than tolerable acting (Richard Eden especially does an interesting job as Robocop - very mechanical, quite appropriate). For fans of RoboCop or of comic-book-style action shows like Batman and Superman or hardcore sci-fi fans this is a must see. For anyone willing to experience something out of the ordinary, this is very good viewing. It is a shame it only made it one season, I would have loved to see more.

I rather liked the series. I saw it as an extension of the Robocop 3 humor and a good approach for a Primetime network TV series. (A more Robocop 1- like series would fit on a HBO or other cable network and would please the Robo fan base better.) It gives a nod to the 60's Batman series in not taking itself too seriously but isn't as cartoonish as said Batman. The humour is more akin to Escape from New York (another debate for another forum)than the Three Stooges and is campy at times. Camp is an acquired taste that rarely appeals to the fans who enjoyed the gritty and bloody violence of the first 2 films. What it has going for it is that its fun, witty (the Rowdy Roddy Piper episode is a classic and I'm not just talking about the Major Market uniform either), and expanded the Robo universe in a pre-Dark Knight Returns/Spawn comic-bookish way. The writing varied but the surrounding cast and guest stars made up for it. I can show my kids this series and enjoy it with them and then share the movie series and the Prime Directives miniseries of movies with them when they're older. This is a PG Robocop series and should be judged on its own merits and not compared to the R rated movies which were created for another market altogether.

Low-key series version of the blockbuster film does much with its far more modest resources. The story is much the same, but the satirical elements and personal stories are done more stylishly here; they take up some of the slack left by the absence of much of the large-scale violence and futuristic hardware (necessitated by the lower budget inherent in syndicated television). The cast is surprisingly strong: Yvette Nipar as lead cop Madigan and Andrea Roth as Diana/Neurobrain are both highly charismatic. Richard Eden does a fine job but is largely wasted. Emmy-nominated on "Santa Barbara," here he is stuck playing a machine with little opportunity to show even the slightest bit of emotion. The satirical elements of the show are particularly strong; I have some feeling "Robocop" would be much more successful had it been produced in 2001 or 2002 rather than 1994. Unfortunately, only one season of episodes was produced.