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5,5/10
3174
LA TUA VALUTAZIONE
Alex Murphy è RoboCop, un poliziotto cibernetico creato da una vasta società che combatte il crimine e la cospirazione aziendale occasionale nel prossimo futuro della Vecchia Detroit.Alex Murphy è RoboCop, un poliziotto cibernetico creato da una vasta società che combatte il crimine e la cospirazione aziendale occasionale nel prossimo futuro della Vecchia Detroit.Alex Murphy è RoboCop, un poliziotto cibernetico creato da una vasta società che combatte il crimine e la cospirazione aziendale occasionale nel prossimo futuro della Vecchia Detroit.
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At the time this series was released in '94, I was 14. Most of my friends didn't like the show, but I did. This was a show that seemed as if it was well thought out, the writing scored huge points in my book. I really enjoyed seeing Robocop on his downtime or with a virtual friend (Diana). The show was interesting to watch and what kept me coming back each week was not the violence, but wondering what new wisdom the cyborg would hand out. With as much terror in the world, it's nice to see an alternative measure. I believe this show could do really well if produced today. I think a reunion episode is long overdue.
If you enjoy quality television with great writing, then this show is for you.
If you enjoy quality television with great writing, then this show is for you.
The TV series of Robocop is a very strange creature to review. On the surface, it does everything wrong. It's campy, the acting from the villains leaves a lot to be desired, and the violence has been watered down to a family-friendly level. Simply put, it shouldn't work...
But...
This has become one of my favourite TV series, that I return to once every couple of years. Why, you ask? The character. Robocop/Murphy's soul is captured in each episode. Richard Eden manages to imbue Murphy with the same sense of character that Peter Weller did in the original, despite the armour and helmet. There is a melancholy and a philosophical edge to the him, that rises above the over-the-top villains and occasional silliness.
On top of that, the series does an excellent job of continuing the satire of the original, from the Media-Break moments, to the corporate greed. Even the plotlines are rather good, poking fun at consumerism and corporate corruption. They may sometimes feel ridiculous due to the cartoon villains, but when you imagine the same stories played in a serious way, they could be quite smart and cutting.
The series also adds an excellent but sadly underused element, which is NeuroBrain, otherwise known as Diana (Andrea Roth). Her addition as a character who has undergone a similar fate to Murphy, and become a 'ghost in the machine', adds a superb twist that could have have gone so much farther. It also helps that Andrea Roth could be quite ethereal in the role.
Yvette Nipar becomes the replacement for Nancy Allen, as Robocop's partner, and does a good job of playing it straight and serious, as does Blu Mankuma as the replacement for Robert DoQui, the precinct Sergeant. Even Sarah Campbell as 'Gadget', the Sergeant's adoptive daughter, makes for an enjoyable contrast of young innocence to Murphy's tragic hero.
Then we have episodes dealing with Murphy's family, including his wife and son, and ultimately even his father, for some touching moments.
Apart from the obvious issues, I do wish that they had allowed Richard Eden to gradually loosen up in the role. All too often he is _too_ robotic, particularly in personal scenes where they should have allowed his humanity to come through a little more.
Ultimately, it's a shame the series didn't get a chance to grow. With the introduction of a side character entering cyberspace, and meeting Diana, the possibility of Murphy having another life as 'himself' in cyberspace, with Diana, was clearly an option. It would have opened up a new world of story possibilities, from allowing the actor to escape the 'suit' and be more human, to the dilemmas of juggling his real life as Robocop, when he could become addicted to spending all of his time with Diana.
Oddly enough, I do wonder if being forced to make it family-friendly was one of the things that encouraged the writers to make more of the emotional aspects of Robocop. I think people often miss the core of the character, when they only want more action and gunfire. When written well, it can have both, but it's easy to forget the substance amongst the action.
If it was ever remade, they could recycle much of Robocop the Series and, for the most part, they would only need to de-camp the villains. The stories, characters and emotions are all there. Where it shines is in its heart and soul, if you allow yourself to scratch below the de-fanged surface.
But...
This has become one of my favourite TV series, that I return to once every couple of years. Why, you ask? The character. Robocop/Murphy's soul is captured in each episode. Richard Eden manages to imbue Murphy with the same sense of character that Peter Weller did in the original, despite the armour and helmet. There is a melancholy and a philosophical edge to the him, that rises above the over-the-top villains and occasional silliness.
On top of that, the series does an excellent job of continuing the satire of the original, from the Media-Break moments, to the corporate greed. Even the plotlines are rather good, poking fun at consumerism and corporate corruption. They may sometimes feel ridiculous due to the cartoon villains, but when you imagine the same stories played in a serious way, they could be quite smart and cutting.
The series also adds an excellent but sadly underused element, which is NeuroBrain, otherwise known as Diana (Andrea Roth). Her addition as a character who has undergone a similar fate to Murphy, and become a 'ghost in the machine', adds a superb twist that could have have gone so much farther. It also helps that Andrea Roth could be quite ethereal in the role.
Yvette Nipar becomes the replacement for Nancy Allen, as Robocop's partner, and does a good job of playing it straight and serious, as does Blu Mankuma as the replacement for Robert DoQui, the precinct Sergeant. Even Sarah Campbell as 'Gadget', the Sergeant's adoptive daughter, makes for an enjoyable contrast of young innocence to Murphy's tragic hero.
Then we have episodes dealing with Murphy's family, including his wife and son, and ultimately even his father, for some touching moments.
Apart from the obvious issues, I do wish that they had allowed Richard Eden to gradually loosen up in the role. All too often he is _too_ robotic, particularly in personal scenes where they should have allowed his humanity to come through a little more.
Ultimately, it's a shame the series didn't get a chance to grow. With the introduction of a side character entering cyberspace, and meeting Diana, the possibility of Murphy having another life as 'himself' in cyberspace, with Diana, was clearly an option. It would have opened up a new world of story possibilities, from allowing the actor to escape the 'suit' and be more human, to the dilemmas of juggling his real life as Robocop, when he could become addicted to spending all of his time with Diana.
Oddly enough, I do wonder if being forced to make it family-friendly was one of the things that encouraged the writers to make more of the emotional aspects of Robocop. I think people often miss the core of the character, when they only want more action and gunfire. When written well, it can have both, but it's easy to forget the substance amongst the action.
If it was ever remade, they could recycle much of Robocop the Series and, for the most part, they would only need to de-camp the villains. The stories, characters and emotions are all there. Where it shines is in its heart and soul, if you allow yourself to scratch below the de-fanged surface.
This TV series actually manages to capture more of the original than either of the two theatrical sequels. Okay, it's toned down for television, but the self-parodying humor is there in all the right places. It's basically a live-action cartoon, as the like of Cray Z. Mollardo, the E Coli Brothers, and Pudface Morgan return time and time again to battle the stone-faced Robocop. We get a bit more on Murphy's background (although his wife shows up _way_ too often), and there are lot of parody-commercials. It's a lot better than a lot of the first-run syndication stuff out there. Catch it on the Sci-Fi Channel.
This excellent sci-fi TV show is highly recommended for all RoboCop fans. Casual Sci-Fi fans may find the show hard to follow, since there is not much background given outside of the opening theme sequence. The show is somewhat violent, but not graphically so. Parental Guidance suggested. This show is currently re-running on the Sci-Fi Channel.
I rather liked the series. I saw it as an extension of the Robocop 3 humor and a good approach for a Primetime network TV series. (A more Robocop 1- like series would fit on a HBO or other cable network and would please the Robo fan base better.) It gives a nod to the 60's Batman series in not taking itself too seriously but isn't as cartoonish as said Batman. The humour is more akin to Escape from New York (another debate for another forum)than the Three Stooges and is campy at times. Camp is an acquired taste that rarely appeals to the fans who enjoyed the gritty and bloody violence of the first 2 films. What it has going for it is that its fun, witty (the Rowdy Roddy Piper episode is a classic and I'm not just talking about the Major Market uniform either), and expanded the Robo universe in a pre-Dark Knight Returns/Spawn comic-bookish way. The writing varied but the surrounding cast and guest stars made up for it. I can show my kids this series and enjoy it with them and then share the movie series and the Prime Directives miniseries of movies with them when they're older. This is a PG Robocop series and should be judged on its own merits and not compared to the R rated movies which were created for another market altogether.
Lo sapevi?
- QuizThe opening credits contains clips from original film "RoboCop (1987)," such as: Murphy is rushed into the operating room, Robocop busts down the front door to the cocaine factory, and (before RoboCop first comes on-line in front of the OCP executives) the static across his system's readout screen.
- ConnessioniFeatured in Science Fiction: A Journey Into the Unknown (1994)
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